MOVIE REVIEW: A DANGEROUS METHOD

IN THEATERS

A DANGEROUS METHOD



Viggo Mortensen and Michael Fassbender star in director David Cronenberg's adaptation of Christopher Hampton's play detailing the deteriorating relationship between Sigmund Freud and Carl Jung. The year is 1904. Carl Jung (Fassbender), a disciple of Sigmund Freud (Mortensen), is using Freudian techniques to treat Russian-Jewish psychiatric patient Sabina Spielrein (Keira Knightley) at Burghölzli Mental Hospital. But the deeper Jung's relationship with Spielrein grows, the further the burgeoning psychiatrist and his highly respected mentor drift apart. As Jung struggles to help his patient overcome some pressing paternal issues, disturbed patient Otto Gross (Vincent Cassel) sets out to test the boundaries of the doctor's professional resolve. A Dangerous Method screened at the 2011 Toronto International Film Festival. ~ Jason Buchanan, Rovi

Director: David Cronenberg

Cast: Keira Knightley, Viggo Mortensen, Michael Fassbender, Vincent Cassel, Sarah Gadon

Release Date: Nov 23, 2011

Rated R for Sexual content and brief language

Runtime: 1 hr. 39 min.

Genres: Drama

Review:

David Cronenberg’s A Dangerous Method is a possibly his most elegant film in his illustrious career. A true life tale that covers so much territory about human nature that it can take a while to have it all settle in. The film’s restrained façade is a perfect setting for the film’s subject matter. He’s interested in showing us how people can’t discuss and dissect any topic without actually getting your feet wet and looking in the mirror. His cast delivers the kind of impressive turns you’d expect with each commanding the screen in turn. Michael Fassbender career year continues here as he plays Jung in a steely straight laced manner but exemplifying his simmering conflicted nature. Fassbender’s turn isn’t as showy as the other 2 primary roles but it’s just as effective. Keira Knightley, showing she’s master the art of teeth and neck acting, displays some real talent in her role which starts off as overblown but settles into a more effective turn as the film proceeds. Her character is fascinating even if Knightley’s idea of a Russian accent is a combination of her usual British tenor with the occasional deep voiced inflections. Viggo Mortensen’s role could have been larger but his performance as a cigar chomping Sigmund Freud is incredibly impressive. Mortensen and Fassbener’s woefully limited screen time together is one of the film’s many highlights. If there is a complaint it’s the fact that the focus seems misplaced on Jung and Spielrein’s relationship as opposed to Jung and Freud’s. It’s hardly enough to make it a failed endeavor though and while it might leave you wanting for more what we get is fairly impressive.

A-

MOVIE REVIEW: SENNA

ON DVD / NETFLIX STREAMING

SENNA



The most exciting driver to ever race Formula One, the handsome, charismatic Ayrton Senna became a Brazilian national hero and an icon to racing fans worldwide. But you don't need to know the first thing about racing to be thrilled and moved by Asif Kapadia's high-octane documentary, composed entirely from archival footage. It's an edge-of your-seat documentary that explores the backroom politics, bitter rivalries and the glamour of a sport that leaves no room for error. At the same time, it's a character study of a near-mythic genius who was a man of uncompromising humanity and grace.

Director: Asif Kapadia

Cast: Ayrton Senna, Alain Prost and Frank Williams

Release Date: Aug 12, 2011

Rated PG-13 for some language

Runtime: 1 hr. 44 min.

Genres: Documentary

Review:

The best documentaries can take subjects that you are mostly unfamiliar with and still make them thoroughly engaging. Outside of passing mentions in the sports world, I can honestly say I know very little about F1 (Formula 1) racing even less about the actual drivers who compete. Asif Kapadia thoroughly engrossing documentary makes the sports easily accessible and digestible to non fans like me. At its core Senna is story familiar to anyone who follows sports, exemplifying the traits found in a multitude of great champions across the world. We see the endless drive to succeed, the toll losses takes on the individual especially when it’s a result of outside influences and rivalries. Kapadia does an excellent job of showcasing all this via Senna’s life, shown almost entirely through archival footage. Additionally, Kapadia explores his effects on his country and his place as national hero. There’s something inevitable and poignant about the final act. Whether you know how the story ends or not it packs an emotional punch.

A

MOVIE REVIEW: THE DEVIL INSIDE

IN THEATERS

THE DEVIL INSIDE



A young woman learns that her mother committed multiple murders while undergoing an exorcism, and she travels to Rome with a film crew on a mission to uncover the truth about that horrific incident in this found-footage-style possession shocker from director William Brent Bell. As a young girl, Isabella Rossi (Fernanda Andrade) had been led to believe that the killings were committed after her mother flew into a psychotic rage. But when Isabella finds evidence indicating that an exorcism was being conducted on her mother at the time, she enlists a film crew to follow her to Italy in search of the truth. In order to gain a better understanding of the spiritual plight that her mother endured, Isabella and her crew attend a series of unsanctioned exorcisms that become increasingly terrifying. ~ Jason Buchanan, Rovi

Director: William Brent Bell

Cast: Fernanda Andrade, Simon Quarterman, Evan Helmuth

Release Date: Jan 06, 2012

Rated R for language, Grisly Images, Disturbing Violent Content and Some Sexual
References

Runtime: 1 hr. 27 min.

Genres: Horror, Suspense/Thriller

Review:

“The Vatican does no endorse this film.” So in the Catholic Church does care about your soul because even they know that subjecting yourself to this kind of derivative garbage would be bad for your spiritual wellbeing. The Devil Inside borrows from liberally from so many sources that it’d be nearly impossible to sue the film for plagiarism due to the length of the time it’d take to name them all. Still its biggest sin is not doing any of these “borrowed” elements well in any matter of speaking. There are a few mildly inspired sequences of exorcism craziness which keep things lively but it’s never consistent or sustained. The cast is uninspired with barely competent work that tends to ruin films that purports itself to be “real footage.” The plot itself is a mess of illogical stupidity filled with head scratching situation and actions. The ending hurdles towards silliness with a capper that’s a proper send off for a truly terrible film, even by January standards.

D-

MOVIE REVIEW: YOUNG ADULT

IN THEATERS

YOUNG ADULT



Upon returning to her small Minnesota hometown to win back her high school sweetheart (Patrick Wilson), now a happily-married father, divorced young adult fiction author Mavis Gary (Charlize Theron) forges an unexpected bond with another former schoolmate (Patton Oswalt) who's had a particularly difficult life. Juno collaborators Jason Reitman and screenwriter Diablo Cody re-team for this Paramount Pictures production. ~ Jason Buchanan, Rovi

Director: Jason Reitman

Cast: Charlize Theron, Patton Oswalt, Patrick Wilson, Elizabeth Reaser, Collette Wolfe

Release Date: Dec 09, 2011

Rated: Language and some sexual content

Runtime: 1 hr. 34 min.

Genres: Art House, Comedy, Drama

Review:

Young Adult is the kind of film that’s won’t give you tidy answers complete with a happy catch all lessons learned ending. It’s stark, occasionally dark and impressively authentic. Setting aside most of the more zingy dialogue from her previous efforts, Cody’s script feels closer to home and more personal. Reitman’s ability to make the mundane interesting is perfect to capture this woman’s constant state of arrested development. He drops clues throughout about Mavis’s state of mind and the dark comedy works well but when we dip into the further depths it gets pretty dark. Charlize Theron puts on the type of performance that just as raw and effective as her Oscar Award winning turn in 2003’s Monster. Theron has a masterful way of showing the character’s general state of entitlement and disgust while she’s in her old home town. As her character enters the abyss you expect a certain revelation to occur but it doesn’t. Patton Oswalt is perfectly cast as Mavis’s former classmate, an equally damaged but less delusional counter part. Oswalt has an effect everyman type truth to his deliver and here it works perfectly. Looking at this film as a whole, it’d be easy to feel that Reitman and Cody are making a statement about those lost Gen X-ers who seem to have a happier life but are ultimately vapid and unfulfilled.

A

[Trailer] Prometheus

Trailer for Prometheus is out and the question about whether it’s a prequel for Alien or not seems to be a big yes even though Scott has said that it won’t contain an actual xenomorph.

Either way, this trailer hints at an epic story line with Ridley Scott at the helm set expectations to mile high…..

MOVIE REVIEW: THE GIRL WITH THE DRAGON TATTOO

IN THEATERS
THE GIRL WITH THE DRAGON TATTOO



A discredited journalist (Daniel Craig) and a mysterious computer hacker discover that even the wealthiest families have skeletons in their closets while working to solve the mystery of a 40-year-old murder in this David Fincher-directed remake of the 2009 Swedish thriller of the same name. Inspired by late author Stieg Larsson's successful trilogy of books, The Girl with the Dragon Tattoo gets under way as the two leads (Daniel Craig and Rooney Mara) are briefed in the disappearance of Harriet Vanger, whose uncle suspects she may have been killed by a member of their own family. The deeper they dig for the truth, however, the greater the risk of being buried alive by members of the family, who will go to great lengths to keep their secrets tightly sealed. ~ Jason Buchanan, Rovi

Director: David Fincher

Cast: Daniel Craig, Rooney Mara, Christopher Plummer, Steven Berkoff, Stellan Skarsgård

Release Date: Dec 21, 2011

Rated R for brutal violent content including rape and torture, strong sexuality, graphic nudity, and language

Genres: Suspense/Thriller

Runtime: 2 hr. 38 min.

Review:

Remaking a foreign film that came out in 2009 still kind of boggles the mind but if somebody was going to do it and do it well, David Fincher is probably the right guy to helm it. Personally I’m a fan of the Swedish film trilogy which I found sleek and impressively shot, not to mention the cast with Noomi Rapace leaving the biggest impression. So while it’s hard to not compare and contrast, I’ll try and avoid it as much as possible but it’s unavoidable. Fincher’s film sizzles with his trademark visual style which gives his film an oppressive and grim atmosphere throughout. Fincher seems to be reaching back to his own film, The Game, when dealing with the Vanger’s. A few things change here and there but for the most part, to its detriment, Fincher sticks to the general structure of the Swedish film. Sadly, some of the plot issues that bothered me previously seem amplified here with a choppy story structure especially in the final act which seems to have more ending that the last Lord of the Rings. Still, Fincher does a good job of pacing the film at a steady pace even if there isn’t much tangible action. Fincher handles Lisbeth’s more explicit scenes with impressive style, making it just as shocking even if you’ve seen the Swedish version. Rooney Mara in the role of Lisbeth is a revelation, while I loved Noomi Rapace’s take on the character she had a bit of an issue showing the character’s fragile side. Mara deftly deals with this through simple facial movements, typically with no dialogue. She also plays her rage like a sort of wild animal pushed into a corner; just listen to her manic yelping when restrained. Daniel Craig fills the role of Mikael Blomkvist with a more believable sense of self than Michael Nyqvist in the Swedish version. Some of the issue with Blomkvist is that comes off as kind of aloof, it’s more of an issue with the source material than anything else but Craig does a solid job. Christopher Plummer’s small but pivotal role is well done as he’s clearly on task and having a ball. Stellan Skarsgård seems slightly off and understated for some reason. David Fincher brings it all together and delivers a strong film that, like the original film, works much better off the films leads especially the showcase role of Lisbeth which Mara nails.

B+