MOVIE REVIEW: THE BIKERIDERS

Over the course of a decade, a Midwestern motorcycle club evolves from a gathering place for local outsiders to a sinister gang, threatening the original group's way of life.

Director: Jeff Nichols

Cast: Jodie Comer, Austin Butler, Tom Hardy, Michael Shannon, Mike Faist, Norman Reedus

Release Date: June 21, 2024

Genre: Crime, Drama

Rated R for language throughout, violence, some drug use and brief sexuality.

Runtime: 1h 56m

Review:

Jeff Nichols' The Bikeriders is an engaging motorcycle drama propelled by strong performances from Jodie Comer and Tom Hardy.  Nichols film is set up like a classic tragedy with an air of nostalgia peppering the film's early acts as we follow the rise of the fictional motorcycle club.  There are plenty of wonderfully framed long shots of motorcycles rumbling across the screen against picturesque backdrops.  The club itself portrayed as a rough and tumble group that still has a sense of a moral code especially early on.  Austin Butler serves as Nichols' idealized version of this long lost era but little more.  Butler looks the part of the rebel without a cause although the story doesn't give him any depth or texture.  His character is central to what amounts to a love triangle but he's a frustrating cypher that the script never really explores in any meaningful way.  Jodie Comer, sporting a heavy Midwest accent, fares far better as the film's entry point.  Comer's character is an independent spitfire who is dragged into this world via an undeniable attraction to Butler's Benny.  Comer does an impressive job leading the film and giving her character an authentic sense of desperation as she tries to maintain her relationship alive in a tug a war between the club and Tom Hardy's Johnny.  Hardy is perfectly suited as the club's grizzled president, bring his distinct intensity to the role.  There's an air of sadness to his performance especially in the final act which brings an impressive amount of depth to his character in what is a fascinating turn.  The supporting cast is made up of a series of familiar faces which sadly serve more as window dressing due to a decidedly light script with only Michael Shannon leaving a lasting impression.  There's no denying that The Bikeriders has a distinct appeal mainly due to a pair of stellar performances but it could have been something truly special with a more nuanced script.

B 

MOVIE REVIEW: CHALLENGERS

 

Tashi, a tennis player turned coach, has transformed her husband from a mediocre player into a world-famous grand slam champion. To jolt him out of his recent losing streak, she makes him play a challenger event -- close to the lowest level of tournament on the pro tour. Tensions soon run high when he finds himself standing across the net from the once-promising, now burnt-out Patrick, his former best friend and Tashi's former boyfriend.

Director: Luca Guadagnino

Cast: Zendaya, Josh O'Connor, Mike Faist, Darnell Appling, AJ Lister, Nada Despotovich, Naheem Garcia, Hailey Gates, Jake Jensen

Release Date: April 26, 2024

Genre: Drama, Romance, Sport

Rated R for language throughout, some sexual content and graphic nudity

Runtime:  2h 11m

Review:

Luca Guadagnino's tennis set love triangle, Challengers, is sleek, sweaty, sexy journey packed with a bevy of subtext throughout carried by a strong performances from its central trio.  Guadagnino choice of sport is perfectly suited for the emotional back and forth he unfurls onscreen as the story unfolds in a series of flashback framed by a championship match between Josh O'Connor and Mike Faist.  The characters themselves are terribly deep since they're little more than clichéd types but still you feel the swings and sways of their emotional journeys as we watch them grow together and apart.  There's a palpable sense of desire, lust, envy, anger, and pity throughout the film from each of the characters which makes for a fascinating interplay between the central trio.  Zendaya, Josh O'Connor and Mike Faist prove to be up to the task as they all cycle between emotional ages as we follow them at different points in their lives and relationships with each.  Zendaya displays a naturalistic ease playing the focused, driven Tashi who shifts from teen phenom to wife/coach.  Zendaya brings a devious energy to her character as she pulls the strings between the friends who essentially serve as two personality extremes.  Josh O'Connor's Art is a doting lapdog who pines and angles for Tashi's attention before getting his opportunity.  Mike Faist's Patrick is far more self assured, desire driven but generally messy who serves as an excellent antithesis to Art.  They both share strong chemistry with Zendaya who ably shuffles through a series of emotions depending on the character and situation.  The exchanges ultimately drive the film even if the story on its surface doesn't go anywhere particularly surprising.  The real meat for Guadagnino is underneath the superficial storyline with his kinetic, vividly visualized during the final act set from the balls POV, exploration of wants and needs.  A few pacing issues, especially in its final act, keep it from landing with verve and energy of the film's earlier acts but Challengers still manages to leave a memorable impression.

B+

Cindy Prascik's Review of West Side Story

 

My dear, neglected reader(s), the weekend just passed saw a major new release in cinemas that was very much of interest to me (The Batman), and a brand new Sebastian Stan movie that I could have screened in the comfort and safety of my own home (Fresh). Instead I elected to watch the remake of West Side Story, which, at the very least, is new to a couple streaming services this week...in other words, no longer a twrnty-dollar rental. Twenty-dollar rentals are the hill on which I've chosen to die.

Spoiler level here will be mild, I suppose, though I can't imagine anyone doesn't know how this plays out by now.

Against a backdrop of racially-motivated gang violence and neighborhood gentrification, a young Puerto Rican girl and a Polish-American boy fall in love.

I am of the...vintage...where everything I've ever loved is being remade into something I don't understand by people younger than I can remember. I try not to be bitter about it and, generally, I don't hate remakes for the sake of it. (Just don't get me started on The Crow.) That being said, I'm a big fan of the original West Side Story, and I wasn't sure how to feel about it being remade. It seems somewhat cemented in its time. I'm happy to report this is neither destruction nor fawning copy of the original. It also isn't some "woke" reimagining. The show's message endures, without this new version feeling the need to beat anyone over the head with it.

WSS-2021 is two and a half hours long, but it doesn't feel bloated or slow. The better and more interesting musical numbers all occur in the first half, and there's nothing for it, but I never was checking the time incessantly or waiting for the movie to end. With one notable exception (more on that later), vocal performances are solid and acting is okay-ish. The dancing is exceptional, with choreography is reminiscent of the original, but somehow busier and, thus - to someone with two left feet, anyway - all the more fascinating. Bonus points for eliminating that chicken-walk thing (which I've always hated) from the mambo!

On the minus side, I don't think Ansel Elgort was hired for his voice. He's not a bad singer, but he's not a particularly good singer, either. The 1961 version used voice doubles for some of the leads, and may have had the right idea. Staging sucks the life right out of some formerly dynamic numbers (notably, America), and many of the exteriors have the same awful green-screen effect that plagued In the Heights. Also, not that it could be helped, but no one in this move is George Chakiris, and that's never less than a shame.

West Side Story runs 156 minutes and is rated PG13 for "some strong violence, strong language, thematic content, suggestive material, and brief smoking."

I definitely don't get the awards love for any of it, but the remake of West Side Story is a decent effort, and if its recognition keeps people making movie musicals, I'm all for it. Of a possible nine Weasleys, West Side Story gets seven.

West Side Story is now streaming on Disney+ and the HBO family of channels.

Fangirl points: Brian d'Arcy James! Corey Stoll!

Oh, and, for the record, I did start Fresh and realized about 30 minutes in that — no matter how much I love Sebastian Stan — I can no longer be a person who watches everything he does. Hard pass.

MOVIE REVIEW: WEST SIDE STORY

 

Love at first sight strikes when young Tony spots Maria at a high school dance in 1957 New York City. Their burgeoning romance helps to fuel the fire between the warring Jets and Sharks -- two rival gangs vying for control of the streets.

Director: Steven Spielberg

Cast: Ansel Elgort, Rachel Zegler, Ariana DeBose, David Alvarez, Mike Faist, Rita Moreno, Corey Stoll

Release Date: November 19, 2021

Genre: Crime, Drama, Musical, Romance

Rated PG-13 for some strong violence, strong language, thematic content, suggestive material and brief smoking.

Runtime: 2h 36m

Review:

Steven Spielberg's West Side Story isn't really necessary in the grand scheme of things since the 1961 Robert Wise film is considered cinematic royalty.  Perhaps Spielberg is one of the few directors around who could pull off the amazing feat of delivering a vibrant and relevant refresh of this story. The film pulsates with a palatable verve from it's opening frame.  Each shot is meticulously constructed and composed which displays the amount of care that went into this production.  The songs are instantly recognizable but the choreography and costuming are just breathtaking to behold in terms of size and scope.  Ansel Elgort and Rachel Zegler lead the cast as the star crossed lovers.  Zegler, in her big screen debut, is perfect from the moment she hits the screen with a voice that's sure to leave an impression.  There's an air of authenticity in her performance that bleeds through the screen. Elgort though feels like a weak spot in the cast with his performance and voice coming off flat for large portions of time.  Zegler and Elgort don't share that spark of onscreen chemistry you'd expect from the central couple and in a lesser film it'd probably sink the whole production.  It's a testament to the film that it really doesn't matter in the long run since the supporting cast more than makes up for it.  Mike Faist turn as Riff is a kinetic punch of charismatic juvenile delinquency making him the most interesting person onscreen for a large portion of the film.  David Alvarez is equally strong as Riff's rival Bernardo.  Alvarez reeks of masculinity and machismo which fits perfectly with the character.  Ariana DeBose, who takes on Rita Moreno's role from the original film, manages to leave a huge impression with her energetic and ultimately tragic turn with the centerpiece being her performance of America.  Spielberg's West Side Story is a rare cinematic feat especially for a remake, it's engrossing, uplifting, timely and moving in the best way.

A-