Science teacher Ryland Grace wakes up on a spaceship with no recollection of who he is or how he got there. As his memory slowly returns, he soon discovers he must solve the riddle behind a mysterious substance that's causing the sun to die out. As details of the mission unravel, he calls on his scientific training and sheer ingenuity -- but he may not have to do it alone.
Director: Phil Lord, Chris Miller
Cast: Ryan Gosling, Sandra Hüller, James Ortiz, Lionel Boyce, Ken Leung, Milana Vayntrub, Priya Kansara, Liz Kingsman
Release Date: March 20, 2026
Genre: Drama, Sci-Fi, Thriller
Rated PG-13 for some thematic material and suggestive references.
Runtime: 2h 36m
Review:
Project Hail Mary is easy to enjoy blockbuster that melds 2001 with E.T. that’s powered by impressive visuals and stellar turn from Ryan Gosling that propels the film to impressive heights. Phil Lord and Chris Miller deliver a solid combination of emotion and large-scale visuals that make for more than a handful of dazzling moments. Interspacing flashbacks throughout gives the film a slow reveal of the plot that works well since Gosling’s character awakens in a state of semi amnesia. The slow rolls out does more to flesh out the character than it does to provide any real surprises as to how he ended up on the ship in the first place. Those flashbacks give Sandra Hüller time to flex her impressive dramatic muscle as she delivers a rather textured turn as the mysterious woman tasked with trying to save the Earth who recruits Gosling’s, school teacher, Ryland Grace. Hüller and Gosling share strong chemistry together which leaves you wishing the film had given their relationship just a tad more time to germinate especially since they both working off each incredibly well. Lionel Boyce’s officer Carl also could have used more screentime as well since they also work off each other with a naturalistic ease that really speaks to their fast friendship. It’s a minor issue but considering the film’s sizable length it would have been great to have those relationships fleshed out a bit more especially since both performers are begging for more to do. That being said, this film is carried from start to finish by Ryan Gosling’s multi-faceted turn that makes the entire thing so incredibly watchable. Gosling is in rare form here as he seamlessly shuffles through a series of emotions over the course of the film. It’s a particularly impressive since he’s working with a puppet for the majority of the time in the form of his alien counterpart Rocky. The fact that their relationship comes through as genuine and believable is a testament to his talent and the vocal work from lead puppeteer, James Ortiz. Their relationship plays out like an older version of Elliot and E.T.’s relationship from the Spielberg classic with much more collaboration at play as they try to save their respective worlds. Their bromance is fun and heartfelt enough that you won’t mind too much that your heartstrings are being purposely pulled for maximum “aww” effect. It’s not a terribly complicated or revelatory story but Gosling provides so much depth to his accidental, coerced hero that you can’t help but get enveloped in their journey even if Project Hail Mary has nearly as many false endings as Return of the King.
A-
