Boy is a mayhem machine who's been training to assassinate the bloodthirsty Hilda Van Der Koy and avenge his family's murder. Guided by his sister's mischievous spirit, Boy uncovers one stunning revelation after another as he barrels toward Hilda.
Director: Moritz Mohr
Cast: Bill Skarsgard, Jessica Rothe, Michelle Dockery, Famke Janssen, Sharlto Copley, Brett Gelman, Isaiah Mustafa, Andrew Koji
Release Date: April 26, 2024
Genre: Action, Crime, Thriller
Rated R for strong bloody violence and gore throughout, language, some drug use and sexual references
Runtime: 1h 51m
Review:
Moritz Mohr's manic Boy Kills World is heavy on blood splatter style but equally light on story that makes for an uneven experience overall. Mohr has the scaffolding of a story set up and his film does a quick bit of world building in its opening act before quickly moving to what he's more interested in, a series of fun but increasingly gory action sequences. To his credit, the majority of those sequences work with a kinetic energy that seeps through the screen by way of aggressively choreographed fights, one involving a cheese grater is sure to make a lot of people winch more than a few times. There's plenty of style on display throughout but the script is so haphazardly slapped together it hard to get too engaged in any of the characters or the storyline since it all feels like an afterthought. A few twist and turns in the final act would have worked far better if there'd been just a bit more energy spent on fleshing out the characters and dystopian world presented. The cast makes the most of it, managing to bring a tangible sense of energy to the screen in spite of the thinly written characters. Bill Skarsgard gets as much traction as humanly possible from his mute character by bringing an impressive physicality to role while managing to play the film's dark humor especially when he's reacting to his internal monologue provided by H. Jon Benjamin. Skarsgard has some solid chemistry with Quinn Copeland and Andrew Koji throughout the film but neither is taken full advantage of with each coming on and off the screening far too quickly. Sharlto Copley and Brett Gelman are both having a ball hamming it up every time they're onscreen with Copley being criminally underutilized. Michelle Dockery and Famke Janssen do their best with underwritten characters who barely have a chance to register even though one of them is supposed to be the big bad of the whole story. Jessica Rothe's character suffers a similar fate as there's far more time spent on the character's look than anything else. It’s a credit to Rothe that she's able to get as much mileage as she does out of her helmeted character but you just wish she'd had a better chance to shine. Boy Kills World manages the rare feat of being simultaneously undercooked and overly long which saps the film of the over the top zaniness energy it starts with leaving it a missed opportunity at making something truly memorable.
C
