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Showing posts with label EXODUS: GODS AND KINGS. Show all posts
Showing posts with label EXODUS: GODS AND KINGS. Show all posts
Saturday, December 13, 2014
Cindy Prascik's Review of Exodus: Gods and Kings
Dearest Blog, end of the year means burning that unused vacation, so today I found myself at a mid-afternoon screening of Exodus: Gods and Kings.
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
Believing he's been called by God, Moses leads hundreds of thousands of Hebrew slaves out of Egypt.
Dear reader(s), in the interest of full and fair disclosure I'll note that to me the Bible is as real as a Twilight novel. I mean that not to insult anyone's beliefs, but to make it clear that Biblical accuracy or lack thereof is not why I hated this movie. I hated it because, to quote one of my all-time favorite reviews, it is "a lumbering bore."
Much has been made of all the white folks portraying characters who would have been decidedly un-white, and that does make it a bit hard to take the movie seriously. Sigourney Weaver as an Egyptian queen gave me a fit of the giggles that I almost didn't get past, and I'm pretty sure a servant girl was wearing one of Lady Gaga's wigs. Close-ups reveal French manicures on some of the women. (I'm not even kidding.) Accents are all over the place--hell, Christian Bale runs through four or five different ones himself--and the language is too modern to suit the movie's time frame. If Lord of the Rings bought its battle scenes at Wal-Mart, they'd probably look a lot like the ones in Exodus. Much of the CGI is laughably bad; in fact, the whole thing kinda looks like a regional theatre production of Jesus Christ Superstar. And if being bored to tears isn't bad enough, there's a boatload of explicit animal cruelty for your viewing pleasure, and a blustery score that occasionally goes all "NCIS terrorist cue." It's more than a little offensive.
Bale's Moses is an unsympathetic character, who, like Russell Crowe's Noah, comes off as cold-hearted screwball rather than a man agonizing over choices he must make for the greater good. Moses' "brother" turned nemesis Ramses, played by a barely recognizable Joel Edgerton, is a buffoon in enough guyliner for a Motley Crue video. Ben Mendelsohn turning up was a pleasant surprise, but that's about the only good thing I have to say about Exodus.
Exodus: Gods and Kings clocks in at a bloated 150 minutes and is rated PG13 for "violence including battle scenes and intense images."
Of a possible nine Weasleys, Exodus: Gods and Kings gets two. It's a trainwreck.
Until next time...
MOVIE REVIEW: EXODUS: GODS AND KINGS
From acclaimed director Ridley Scott (Gladiator, Prometheus) comes the epic adventure “Exodus: Gods and Kings,” the story of one man’s daring courage to take on the might of an empire. Using state of the art visual effects and 3D immersion, Scott brings new life to the story of the defiant leader Moses (Christian Bale) as he rises up against the Egyptian Pharaoh Ramses (Joel Edgerton), setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.
Director: Ridley Scott
Cast: Christian Bale, Joel Edgerton, John Turturro,
Sigourney Weaver, Aaron Paul
Release Date: Dec
12, 2014
Rated PG-13 for violence including battle sequences and
intense images
Runtime: 2 hr. 22 min.
Genres: Drama
Review:
Exodus: Gods and Kings is a throwback to the big scale
biblical epics from the past. Ridley
Scott brings a sweeping grandeur to the whole thing but it never really gets
its footing with any of the characters. The
film clocks in at nearly 2 and half hours, some of which is quite a slog, yet
we never really get any real connections to the characters. Christian Bale is fine as Moses but he
doesn’t give the character any heartfelt drive to save his people. As such Moses comes off as an annoyed nut
whose just doing something because he has to.
At lease the script gave Moses a bit more of a tacticians mind as he
plots his revolt that will lead to the liberation of the Israelites. Rames, played by a guy liner-rrific Jole
Edgerton, comes off as a bumbling buffoon all the way through. There’s a little effort to give him a bit
more depth but not nearly enough to matter in the long run. The supporting cast is prestigious but
underused and ultimately wasted. The
film’s lack of three dimensional characters is ultimately its biggest
downfall. Ridley Scott created a visual
spectacle which is finely produced but it all feels hollow since we really
don’t care about any of the characters, not the way we were supposed to at least.
C+
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