Now an adult with three children, bank teller Michael Banks learns that his house will be repossessed in five days unless he can pay back a loan. His only hope is to find a missing certificate that shows proof of valuable shares that his father left him years earlier. Just as all seems lost, Michael and his sister receive the surprise of a lifetime when Mary Poppins -- the beloved nanny from their childhood -- arrives to save the day and take the Banks family on a magical, fun-filled adventure.
Director: Rob Marshall
Cast: Emily Blunt, Manuel Miranda, Ben Whishaw, Emily Mortimer, Julie Walters, Dick Van Dyke, Angela Lansbury, Colin Firth, Meryl Streep
Release Date: December 19, 2018
Genres: Comedy, Family, Fantasy
Rated PG for some mild thematic elements and brief action
Runtime: 2h 10 min
Review:
I feel obliged to mention that I’ve never actually watched the original Mary Poppins start to finish. I’m well aware of it by reputation and honestly I’m more familiar with The Simpson’s parody of it than the actual movie. As such, I head into this reboot with the ability to take Rob Marshall’s sequel mostly on its own merits. Keeping with the transparency theme, I’ll state that I’ve been a big fan of Marshall’s work since Chicago and Mary Poppins Returns only further confirms my admiration. Marshall can stage a song and dance sequence like few others can and here he’s in top form delivering some wonderfully fizzy and enjoyable sequences that will leave a smile on your face. The film moves at a steady pace, rarely lingering too long much less on the barebone’s plot. It keeps moving on Marshall’s energy and its stars incredible charm and screen presence. Emily Blunt is everything you could ask for as she takes over the reins from Julie Andrews. It’s a role that seems tailor made for her and she plays it with palpable energy and vigor. Manuel Miranda is a bit of an outlier, no so much that he’s bad but he just feels slightly miscast even though he does add some spice into some of songs. Ben Whishaw and Emily Mortimer are mostly left by the wayside in thankless supporting roles. It help that three child actors who spend the most time on screen with Blunt prove to be more capable of carrying their own. It’s a treat to watch and the film as a whole is about as charming and delightful they come.
A-
