THE POSSESSION
Inspired by Los Angeles Times writer Leslie Gornstein's article "A Jinx in a Box," this horror film from Ghost House Pictures and director Ole Bornedal (Nightwatch) tells the tale of a broken family that comes under attack from a malevolent supernatural entity of Jewish folklore. Shortly after her parents (Jeffrey Dean Morgan and Kyra Sedgwick) divorce, a young girl purchases an ornate antique box at a yard sale. In the weeks that follow, the young girl forms an intense fixation on the box, her behavior growing increasingly bizarre as she falls into the grip of a diabolical apparition. When the girl's father discovers that the relic is in fact a holding cell for the disconnected soul of a deceased person who has been denied entry into the afterlife and needs a human host to inhabit, he fights to rid her of the evil that threatens to consume her body and soul. ~ Jason Buchanan, Rovi
Director: Ole Bornedal
Cast: Jeffrey Dean Morgan, Kyra Sedgwick, Madison Davenport, Natasha Calis,
Release Date: Aug 31, 2012
Rated PG-13 for mature thematic material involving violence and disturbing sequences
Runtime: 1 hr. 31 min.
Genres: Horror
Review:
The Possession is a fairly manageable retread of The Exorcist with a Jewish slant. Director Ole Bornedal delivers a well shot if sterile film that’s engaging enough to keep your attention. Its hits the same notes as The Exorcist but never really impresses. Bornedal’s over use of music kills what could be fairly solid sequences throughout, as if he doesn’t trust the audience to pay attention. It’s a shame because there are some decent set ups and moments. A pained Jeffery Dean Morgan does his best to carry the dramatic load throughout, doing yeoman’s work. He does the best he can with a clunky character that isn’t really given an organic feel. Madison Davenport turns in a solid performance as the possessed girl. Some of her work is annulled because of some shoddy CGI. It’s hard to imagine that the film as a whole would have worked better with more practical effects. Kyra Sedgwick is mostly relegated to the background and not really asked to do much. The film is watchable but hardly memorable since the characters and set up feel so familiar. That being said if you’ve seen Hellraiser, you should know not to mess with strange boxes.
C-
