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Wednesday, March 9, 2022

Cindy Prascik's Review of The Batman

 






















My dear reader(s) and fellow Batfans, today I bring you a review of Matt Reeves' The Batman.

Spoiler level here will be mild, nothing plot-related that isn't evident in the trailers. Emo!

Batman faces off with Survivalist!Riddler in a bid for Gotham's very survival. 

Snarky synopsis aside, The Batman is a great Batman movie, and, yes, a great movie without the Bat-qualifier. I'm going to try not to let this get *too* long, but Batman is one of my most beloved characters, so...buckle up. 

The Batman is a dark film, and I mean in every way. It's never daytime. It never stops raining. There is no levity in dialogue or in action. Neither Bruce Wayne nor Wayne Manor enjoys much screen time; the film is wholly centered in Batman, the Batcave, and other similarly gloomy locales. When seen outside the cape and cowl, Bruce Wayne remains shrouded in darkness, both literally and figuratively. 

The Batman showcases a younger Bruce Wayne, ably portrayed by Robert Pattinson, but one who shares the physical exhaustion and world-weariness of his older predecessor (Ben Affleck). While many if not most Batman movies make a point of showing Batman's physical scars (he is, after all, only human, with no real "super powers"), this one also focuses on his mental scars: his torment, his jadedness, and even his vulnerability. Pattinson is the perfect actor for this role in this film. Even lacking Affleck's physical bulk, his Batman is dark and properly menacing. He is magnificent. 

A younger Bruce Wayne means a younger Alfred, personified in this outing by Lord of the Rings alum Andy Serkis. Serkis is a man of many faces, and this is hardly a stretch of his considerable talent, but his Alfred somehow seems less imperative than previous incarnations of the character. Zoe Kravitz is a little flat as Serena Kyle, definitely missing the spark of some others who have worn the catsuit. Colin Farrell, Paul Dano, and John Turturro are serviceable if unexceptional baddies. Finally, of course I found fault with Jeffrey Wright's Commissioner Gordon, not because I have anything against Jeffrey Wright (on the contrary, I'm a fan), but because he's not Gary Oldman and that's just a cross borne by all of us who aren't Gary Oldman. If only the whole world could be Gary Oldman. But I digress........ 

The Batman features a new Batman, but it is careful to avoid repeating the Batman origins story. It adds layers to Bruce Wayne's history without asking the audience to relive the pearls. Again. The plot is more detective thriller than superhero tale, with new twists built around familiar characters. At nearly three hours long, the film could use a trim, but I never felt the length, never checked the clock, and I'd go so far as to say it absolutely needs at least two and a half hours to bring its story from beginning to end properly. (That's 30 minutes' indulgence over what I'd normally allow!) 

The Batman has a few moments that struck me funny, mostly things that too closely mirror specific moments in The Dark Knight, and one scene that was so Blues Brothers-esque I almost laughed out loud. The narration is hokey early on, but gets less so as the movie progresses. There's plenty of action, yet The Batman is mercifully lacking the endless fight and chase scenes that plague most films of the genre. Michael Giacchino's exceptional score pairs poorly with certain scenes, making the music so melodramatic as to seem almost silly at times (or maybe that's vice-versa). Kudos to hair and makeup--turning Colin Farrell, the planet's most attractive human, into something ugly is no small feat! 

Following middling critical and audience reception for the Batfleck movies, many would call The Batman a redemption for DC in general and for Batman in particular. I'm enough of a Batfan that I'd argue the point (despite the mediocre films, Affleck remains my all-time favorite Batman), but I'll happily take this as a vote in DC's favor from the court of general opinion. 

The Batman clocks in at a whopping 176 minutes and is rated PG13 for "strong, violent, and disturbing content, drug content, strong language, and some suggestive material." 

Anyone who says it's as good as or better than The Dark Knight is delusional or blowing smoke (it's not even close), but The Batman is a great, fresh take on an oft-resurrected character, and I look forward to seeing where this Bat flies. Of a possible nine Weasleys, The Batman gets eight. 

Until next time...








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