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Sunday, September 27, 2015
Cindy Prascik's Reviews of Everest & Hotel Transylvania 2
Dearest Blog, today it was off to the pictures for strange bedfellows Everest and Hotel Transylvania 2.
Spoiler level here will be mild, nothing you wouldn't know from the trailers or (I assume) actual events.
First on my agenda: Everest. Several groups of climbers take on the world's highest mountain. Okay, dear reader(s), admit it: From the very first trailer, you were trying to pick out who among Everest's cast of critical darlings would be first to bite the dust, and who might make it out alive.
It's a teen-slasher flick, except, instead of a masked maniac, the big bad is Mother Nature. I read a piece earlier this week that suggested the movie would keep people from wanting to climb Mount Everest, but I'ma be straight: it didn't take a movie to convince me life-threatening hobbies are a bad idea; rather, once you've seen Everest, you'll be lucky if you aren't scared to walk to your car if it's parked on a grade in a little snow.
Everest has a lot going for it, not least its stellar cast. Josh Brolin and Jake Gyllenhall are always big draws for me, but there are no missteps among this group. John Hawkes is terrific as always, as are Kiera Knightly and a woefully underused Robin Wright. The breathtaking scenery is worth the price of admission all on its own...just stunning.
Visual and sound effects are also top notch. (When sound effects are so good a person who doesn't do sound effects for a living notices, those are some good sound effects!) Both make you feel as though you're right on the mountain with our crew of climbers.
The film does a great job of maintaining tension throughout; in fact, there was not a peep out of anyone in my theatre for the entire two hours; the crowd was mesmerized.
Having said all that, Everest does have a couple weak points, too. Some sequences are drawn out for effect, but a trim here or there wouldn't have hurt. During the most harrowing climbing scenes, everyone is so bundled up it's impossible to tell who's who, unless you had the presence of mind early on to make mental notes of whose jacket was what color.
Necessary for realism, certainly, but not so much fun for the guy with the popcorn trying to keep score. Overall, though, those are petty quibbles with a mostly solid flick. Everest clocks in at 121 minutes and is rated PG13 for "intense peril and disturbing images."
Everest is a good movie sure to convince you mountain climbing is the world's most insane hobby.
I'm glad I learned macrame in the eighth grade!
Of a possible nine Weasleys, Everest gets seven.
Next up, Hotel Transylvania 2. Having grown up, married, and had a baby, Dracula's daughter Mavis considers moving out of Hotel Transylvania to raise her child among "normal" people.
I gotta admit, after the stressful Everest, I was never so grateful for the idiocy of Adam Sandler. Despite my general aversion to Mr. Sandler, I truly enjoyed the first Hotel Transylvania, and hoped for more of the same from the sequel. As with most Sandler vehicles, HT2's voice cast is a who's who of Saturday Night Live alums. It won't do anything for my cinephile cred to admit I laughed my butt off at BOTH Grownups movies, but, well, there it is. No movie was ever worse for a bit of Steve Buscemi, either, and Mel Brooks is a terrific addition to the cast.
Transylvania boasts beautiful art and animation, but the 3D is essentially useless. If it's a bit slow towards the end, the movie mostly moves at a good clip, and I laughed out loud more than a few times.
There are some cute moments to which the older among us are sure to relate, and plenty of gross-outs for the kids. Finally, the not-so-subtle "can't we all get along" message is more than welcome in our contentious times, even if it's buried in a kids' cartoon. Hotel Transylvania 2 runs 89 minutes and is rated PG for "some scary images, action, and rude humor."
It won't come close to any Best Animated Feature awards, but, for my money, Hotel Transylvania 2 is good fun for all ages.
Of a possible nine Weasleys, Hotel Transylvania gets six.
Until next time...
Sunday, September 20, 2015
Cindy Prascik's Reviews of Maze Runner: The Scorch Trials & Black Mass
Dearest Blog: Yesterday it was off to the pictures for a double-feature that, if we're being honest, was only ever about Johnny Depp. On the docket: the second installment in the Maze Runner series, The Scorch Trials, and the Depp vehicle Black Mass.
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
First up: The Scorch Trials.
Having escaped the maze, Thomas and company face new threats on several fronts.
I hated the first Maze Runner so much that I was actively rooting for the maze to just go ahead and crush everyone. It was mostly the promise of Aiden Gillen, and the fact there was nothing else to round out a double-bill, that convinced me to drop seven bucks on Scorch Trials. This one's not a great movie, either, but I'm pleased to report I very much preferred it to its predecessor; at times it strangely even reminded me of one of my 80s favorites, the Lost Boys, by way of Wayward Pines.
Some welcome new faces turn up--in addition to Gillen, Barry Pepper also features--and the returning kids have settled into an easy flow that works in the movie's favor. Thomas Brodie-Sangster is always a delight, and, according to some Internet quiz, Dylan O'Brien is my celebrity boyfriend, so...well...I guess it's good to know who that guy is, then. (Celebrity boyfriend? I could be his MOTHER!!) There were a couple dramatic "impact" shots that were probably a bit hokey, but that I especially loved. Tension is well-maintained, though sadly offset by cheap haunted house jump-scares at times.
Scorch Trials is too long by a good 20-25 minutes, and many too-dark scenes with annoyingly jiggly camera work are such a jumble it's hard to even tell who's who, yet I can't pretend I was bored or I didn't enjoy the movie; on the contrary, I must grudgingly admit to liking it.
The Scorch Trials runs 131 minutes and is rated PG13 for "extended sequences of violence and action, some thematic elements, substance abuse, and language."
It's no Hunger Games, but Maze Runner: The Scorch Trials wasn't nearly as bad as I'd feared.
Of a possible nine Weasleys, The Scorch Trials gets five.
Rounding out yesterday's double-header was the mobster drama Black Mass.
A violent criminal from South Boston uses his informant status to further his own agenda.
Black Mass is being touted as Johnny Depp's return to "serious" acting. For the record, let it be noted that this reviewer does not value dramatic performances over comedic ones; as a longtime Depp fan, my problem with his recent choices has been not the type of project, but the quality...and I'm one of the few who even admits to enjoying Mortdecai! Black Mass represents a fantastic turn by Johnny in a pretty solid movie, and, for Depp Devotees, it's been awhile since we've had one of those.
Black Mass is a slow burner, and I can almost understand why some folks have been impressed with the performances but underwhelmed by the whole. For myself, though, I loved it. If the movie's not in a hurry to get anywhere, it never wanders aimlessly or wastes time either. It runs a little over two hours and could probably have been trimmed a bit, but doesn't seem like it *needed* to come in shorter. The film is violent, of course, though not unnecessarily gory, and the writing is sharp and smart. The cast is uniformly excellent, but, as is ever the case, nobody compares to Johnny Depp, and I do mean nobody.
While Gary Oldman has long been my favorite actor, it's Depp who's been perched atop my Acting Holy Trinity for three decades now, for my money, the greatest actor in all the world. Depp tends to details like no other, perfect accents and mannerisms, with innumerable small touches that might overtly go unnoticed, but that add layer upon layer to every single performance. A scene early in the movie that focuses on Bulger's facial expressions, reacting to a companion's terrible table manners, is a perfect example; I happily could have watched two hours of just that, and it was only the beginning.
Black Mass clocks in at 122 minutes and is rated R for "brutal violence, language throughout, some sexual references, and brief drug use."
It's not quite perfect, but Black Mass represents a definite win for Johnny Depp, an award-worthy lead in a genuinely good movie.
Of a possible nine Weasleys, Black Mass gets seven and a half.
Until next time...
N
MOVIE REVIEW: BLACK MASS
The true story of one of America's
most violent and infamous gangsters, Whitey Bulger. Johnny Depp stars as
Bulger, who was the brother of a state senator and was eventually convinced to
wear a wire for the FBI to bring down the Italian mafia in Boston
after they invaded his territory. Scott Cooper directs, with Mark Mallouk
penning the screenplay based on Dick Lehr and Gerald O'Neill's 2001 best-seller
Black Mass: The True Story of An Unholy Alliance Between The FBI and The Irish
Mob. ~ Daniel Gelb, Rovi
Director: Scott Cooper
Cast: Johnny Depp, Benedict Cumberbatch, Jesse Plemons,
Joel Edgerton
Release Date: Sep
18, 2015
Rated: R for brutal Violence, Language Throughout, Some
Sexual References and Brief Drug Use
Runtime: 2 hr. 2 min.
Genres: Action/Adventure, Drama
Review:
Black Mass is an engaging gangster film that’s gripping
enough to keep your attention for most of its 2 hour run time. Its greatest assets are it’s actors with
Johnny Depp delivering some of his best work in years. Depp is fully committed to the role, losing
himself into it easily. It’s a
fascinating character study and Depp’s performance gives the audience a strong
sense of what the real man was like, to a chilling degree. Depp will be getting a lot of positive
returns for his work but Joel Edgerton is just as good playing the FBI agent
who partners with Bulger. Edgerton is an
incredibly talented actor who easy to overlook because he eases into his
characters so well. His turn here is
fantastic giving you a strong sense of why the character’s broken logic made
sense to him ultimately leading him to his downfall. Benedict Cumberbatch is a strong supporting
character even if it takes a moment for your mind to wrap around his Boston
accent which is great but sounds strange coming out of his mouth. Sadly, he’s under used and his character is
underdeveloped. Scott Cooper does solid
work throughout, keeping a steady pace but he can’t quite overcome the film’s
biggest drawback which is something totally out of his control. In the end, it’s a well worn story that
doesn’t deliver any surprises. It’s a
strong film all around but it’s been done countless times.
B
Sunday, September 13, 2015
Cindy Prascik's Reviews of A Walk in the Woods & The Transporter Refueled
Dearest Blog, being on my deathbed last weekend, I missed out on my weekly trip to the cinema.
Hollywood very thoughtfully released only crap this weekend to give me a chance to catch up.
Thanks, Hollywood!
First on my agenda: A Walk in the Woods.
Two older men attempt to hike the Appalachian Trail.
If you take Wild, subtract annoying women who say things like, "I've never been in the driver's seat of my own life!" and add two pretty cool old dudes, you've got A Walk in the Woods. It's not normally the kind of picture I'd need to see on a big screen, but the lure of Robert Redford is strong. He shares excellent camaraderie with co-star Nick Nolte, and their banter is mostly good fun. There are a couple moments where the writing seems a bit awkward, and the movie runs maybe just a hair too long, but otherwise the men's adventure is both funny and uplifting.
A Walk in the Woods runs 104 minutes and is rated R for "language and some sexual references."
Despite its cast's pedigree, this film isn't likely to scare up any awards attention, but throw in some lovely scenery and a bit of screen time for the wonderful Emma Thompson, and it's still an entertaining couple hours.
Of a possible nine Weasleys, A Walk in the Woods gets six.
Next up: The Transporter Refueled.
Cars, cars, chicks, cars, cars, cars, fight scene, cars, fight scene, chicks, cars, cars, cars.
Disclaimer: I missed maybe the first five minutes of The Transporter Refueled. A lousy schedule left me the choice of slightly too little time between shows, or two hours between shows, and, frankly, I didn't care enough about either of these movies to waste two extra hours. I'm telling myself there was something in those first five minutes to keep this from being the worst movie ever made, but I don't think I believe myself.
The thing about the Transporter movies is: they're silly. Of course they're silly. But when you've got the right person at the fore (*cough* Statham *cough*) they're enough fun that you don't mind so much. The Transporter Refueled is absolutely no fun, and you'll mind the hell out of every minute.
The delightful Ray Stevenson is sadly wasted, and the everyone else is just a collection of the worst teeth you've ever seen. It's like the filmmakers went out of their way to find actors who never met a dentist. I had the room to myself for this one (shocking) and I confess I was bored enough to take a peek or two at my phone.
The Transporter Refueled clocks in at a mercifully short 96 minutes and is rated PG13 for "sequences of violence and action, sexual material, some language, a drug reference, and thematic elements."
Do not, under any circumstances, waste your money on this.
Of a possible nine Weasleys, The Transporter Refueled gets one.
Until next time...
Still dreamy! <3 br="">3>
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