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Sunday, July 9, 2017

MOVIE REVIEW: SPIDER-MAN: HOMECOMING







































Thrilled by his experience with the Avengers, young Peter Parker (Tom Holland) returns home to live with his Aunt May. Under the watchful eye of mentor Tony Stark, Parker starts to embrace his newfound identity as Spider-Man. He also tries to return to his normal daily routine -- distracted by thoughts of proving himself to be more than just a friendly neighborhood superhero. Peter must soon put his powers to the test when the evil Vulture emerges to threaten everything that he holds dear.

Director: Jon Watts 

Cast: Tom Holland, Marisa Tomei, Michael Keaton, Robert Downey, Jr., Donald Glover

Rated PG-13 for sci-fi action violence, some language and brief suggestive comments

Release Date: Jul 07, 2017

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

Spider-Man: Homecoming was going to have an uphill battle being the  3rd iteration of the character in so many years.  Thankfully Tom Holland is a great fit for the role, really taking the character back into the high school world in earnest.  Holland has a great gee whiz charisma that fits the film and this take on the character.  The story itself is a solid coming of age tale that feels familiar without becoming burdensome.  It’s a fun story which makes good use of Robert Downey Jr. in the mentor role which seems like a logical fit being Marvel’s first hero.  Michael Keaton makes for a solid villain, a rarity in the Marvel movies, with his motivations making more sense than your usual bad guy.  Keaton uses his low key intensity to great effect here even though the film could have used some focus in terms of conflict.  At times it almost feels like Keaton’s villain is secondary to other plot lines in the film.  It’s a shame because it’s a decent character that could have made a larger impact if the film had allowed him to.  A few quibbles aside, Spider-Man: Homecoming is a fun film that avoids the entire “origins” trope by basically sidestepping it entirely and doing it’s own thing.

B

Cindy Prascik's Review of Spider-Man: Homecoming





































 
 
Dearest Blog: Yesterday it was off to Marquee Cinemas for Spider-Man: Homecoming.
 
Spoiler level here will be mild, nothing you haven't learned already from trailers and clips.
 
Young Peter Parker works his way through high-school angst, frustration with his mentor, and part-time hero-ing.
 
Well, dear reader(s), I am fond of saying I always keep an open enough mind for something to surprise me. Usually that's a positive, but this weekend, unfortunately, the opposite is true.
 
I adore Spider-Man. He's my third-favorite superhero, behind The Tick and Batman, if anyone wondered...okay, probably not. Thanks to solid trailers, good word on the street, and an entertaining appearance in Captain America: Civil War, I had high hopes for Spider-Man: Homecoming, and it hurts me deeply to declare it a disappointment. Still, the movie has a fair few positives, so I hope to focus mostly on those, beginning, as I usually do, with the cast. Tom Holland is a great Peter Parker, perfectly embodying that challenging age when young adults are certain they're capable of more than the grownups think. It helps that Holland, barely old enough to drink, is within (web) shooting distance of our high-school hero's age. While both effectively play younger onscreen, and both, for my money, were terrific Spideys, Toby Maguire and Andrew Garfield were in their mid- to late-20s when they put on the tights, so at some point they were bound to feel a bit removed from those difficult-but-exciting teen years. The supporting cast is filled with awesomeness in the forms of Marisa Tomei, Donald Glover, Tyne Daly, and the now-obligatory appearance by Robert Downey, Jr., but it's Michael Keaton, as the film's chief baddie, who really steals the show with what might be the best performance in any Marvel movie, ever. Keaton's can't-look-away work is worth the price of admission all on its own. (For the record, on the subject of RDJ, Homecoming never feels like Iron Man 3.5, as the trailers sometimes promised/threatened.) Spider-Man: Homecoming features some really great CGI as well as some inexplicably wonky CGI. There are times when you'd believe Spidey was actually swinging through the sky above you, other times when he might as well be a Colorforms that someone's moving across the board by hand. (Does anyone remember Colorforms? Do I need to change that analogy?) Some of the worst of it comes at the expense of the climactic Staten Island Ferry scene hinted at in the trailers, which can't help but leave a bad taste. Also on the subject of visuals, even brighter scenes are a bit dark, leaving dark scenes too muddy to see much of anything. A bit of darkness is an understood side effect of seeing 3D product in 2D, but if a movie is showing in both formats, then filmmakers and cinemas really need to figure that out. Marvel's forced cheekiness is getting old as well; they're like that Facebook friend who's constantly posting the same duck-face selfie and expecting a hundred likes; it's just not as cute as it thinks it is, and the Stan Lee cameos are ho-hum, at best, these days. Ultimately, though, if you're wondering what makes this movie so disappointing, the answer is simple: It's boring. Homecoming is only slightly overlong (a 15-20 minute trim would have done it a great service), but it seems to go on forever without getting anywhere. The first half is insufferable, and the second act cruises towards its finale without ever gaining much momentum. Big action pieces are dropped between funny or heartfelt exchanges among Peter, his classmates, Aunt May* (*hottie version), and Tony Stark, but it's all too familiar and forgettable. There's a mid-credits scene that's worth your sticking around, but the final post-credits stinger is a waste of time that, again, isn't nearly as cute as it thinks it is.
 
Spider-Man: Homecoming runs an interminable 133 minutes and is rated PG13 for "sci-fi action violence, some language, and brief suggestive comments.”
 
If you're a fan of the genre who plans to see Spider-Man: Homecoming regardless, big-screen is definitely the way to go for this effects-driven extravaganza. If you're just looking to go to the movies this week, go see Baby Driver instead. (If you've already seen it, see it again.) Of a possible nine Weasleys, Spider-Man: Homecoming gets five.
 
Fangirl points: Mostly musical this time, with soundtrack appearances by the Ramones, The English Beat, and A Flock of Seagulls, as well as the classic Spider-Man theme. 
 
Also a cute nod to Ferris Bueller's Day Off.
 
Until next time... 
 

Sunday, July 2, 2017

Cindy Prascik's Review of Despicable Me 3







































Dearest Blog: Yesterday it was off to Marquee Cinemas with approximately eight million children for Despicable Me 3.
 
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
 
Having failed to apprehend his arch-nemesis, Gru and his Minions turn back to villainy(ish).
 
Despicable Me is a "family" franchise that usually has plenty of laughs for fans of any age, and the third installment is no different. It boasts fun, funny characters who are easy to love. You'll have seen most of Gru's best bits in DM3 trailers, but there's plenty of cuteness from Margo, Edith, and Agnes to earn the price of a ticket. Judicious use of the Minions makes their appearances both entertaining and welcome; they are, as usual, the movie's highlight. Series newcomer Trey Parker is hilarious as this outing's stuck-in-the-80s super-villain. His musical choices and pop-culture references are clearly filmmakers throwing parents a bone for bringing their darling eight-year-olds to the show, but they are totally rad! Despicable Me 3 features bright, colorful art, constant-motion animation, and lively tunes sure to keep the kidlets engaged. I had a full house for my screening, and it didn't seem anyone in the room was much in agreement with the picture's mostly middling reviews; rather, kids and grownups alike were all laughing and having a great time.
 
Despicable Me 3 runs 90 minutes and is rated PG for "action and rude humor."
 
The Despicable Me franchise may have lost some of its magic along the way, but Despicable Me 3 is still a huge step up from 2015's standalone Minions movie (for whatever that's worth!). Of a possible nine Weasleys, Despicable Me 3 gets five and a half.
 
Until next time...

MOVIE REVIEW: BABY DRIVER







































A partially deaf getaway driver (Ansel Elgort) gets caught up in a botched heist in this action comedy from writer/director Edgar Wright (Edgar Wright, Edgar Wright). Lily James, Kevin Spacey, Jamie Foxx, Jon Bernthal, Jon Hamm, and Sky Ferreira co-star. ~ Jack Rodgers, Rovi

Director: Edgar Wright

Cast: Jon Bernthal, Kevin Spacey, Ansel Elgort, Jon Hamm, Jamie Foxx

Release Date: Jun 28, 2017

Runtime: 1 hr. 53 min.

Genres: Action/Adventure, Comedy

Review:

Edgar Wright’s latest film, Baby Driver, is another strong entry into his catalogue.  He delivers a musical infused crime thriller that’s innovative even though the basic plot is well worn.  The film has an impressive rhythm from the opening car chase.  The impressively choreographed stunt driving is some of the best I’ve seen in a years.  It’s a testament to practical stunts that you feel every collision and rumble during any of the sequences.  The car chases are far better than any of the CGI infused trickery in another large car franchise.  The characters themselves are fun and interesting even if they never feel like actual people.  Ansel Elgort makes a fine lead, supplying the character with a healthy amount of innocence and charm though he’s outshined by the supporting characters.  Kevin Spacey, John Hamm and Jamie Foxx all deliver fun performances.  Spacey is totally in his element as the boss and Hamm and Foxx make for great villains at different points in the film.  Foxx is at full level crazy as the most despicable member of the crew.  Hamm’s role is tailor suited to his talents of being charming while looking like he’s suffering from a lifelong hangover.  Lily James makes for a cute love interest but doesn’t really register when compared to the rest of the cast.  Still, Baby Driver is one of the most fun films you’ll watch this year.

A- 

MOVIE REVIEW: THE HOUSE







































Andrew J. Cohen directs this romp about a mother and father (Will Ferrell and Amy Poehler) who blow their daughter's college fund and start an illegal casino in their basement to recoup the losses. ~ Daniel Gelb, Rovi

Director: Andrew Jay Cohen

Cast: Will Ferrell, Amy Poehler, Allison Tolman, Rob Huebel, Michaela Watkins

Rated: R for language throughout, sexual references, drug use, some violence and brief 
nudity 

Genres: Comedy

Review:

The House is an unfortunate example of how getting an impressive collection of comedic talents together doesn’t guarantee a funny movie.  The premise sounds good and it should work but unfortunately the film just never finds its footing with most of the jokes and situations missing the mark.  There a few laughs to be had here and there probably birthed out of sheer will by Ferrell and Poehler but it’s not enough to save the film.  First time director Andrew Jay Cohen can’t seem to create any sort of energy for the cast which is a shame because it feels like there is a funny movie in there somewhere.

C-

Thursday, June 29, 2017

Cindy Prascik's Review of Baby Driver







































Dearest Blog: Yesterday it was off to Marquee Cinemas for one of my most highly anticipated titles of 2017, Edgar Wright's Baby Driver.
 
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
 
To repay an old debt, a young man is forced to use his extraordinary skills in service of a criminal mastermind.
 
Dear reader(s), in the interest of full and fair disclosure, I'll confess my firm conviction that Edgar Wright makes perfect movies, all the time. As writer or director, and especially as writer and director, the guy is a visionary. I keep an open enough mind that pretty much anything can surprise me (pleasantly or unpleasantly), but honor demands I admit there was very little chance I wouldn't love Baby Driver. That's the Cliff's Notes. Now, onto the meat and potatoes...
 
Edgar Wright's love and respect for music lend his films unparalleled attention to detail where it is concerned. Each and every song is selected, each and every note perfectly placed, to underline, energize, advance, or complete its moment, event, or scene. While that's the case with all of Wright's efforts, Baby Driver willfully and overtly makes music its star, the sun around which all the other moving pieces revolve. If you love music, you will feel this film from the roots of your hair to the soles of your shoes. That's not to say the picture's "other" stars are lightweights. Decorated names such as Kevin Spacey, Jon Hamm, and Jamie Foxx have ample opportunity to shine brightly in Baby Driver's galaxy. "It" girl Lily James charms her way through the movie like an old pro, and Ansel Elgort is a delight in what's sure to be a star-making turn.
 
Baby Driver is an action film, filled with thrilling chase scenes and beautifully choreographed stunt driving. Baby Driver is a comedy, its humor blooming organically from genuine performances and crazy scenarios. Baby Driver is a drama, boasting sincere moments among layered, engaging characters. Baby Driver is extraordinary filmmaking from an extraordinary filmmaker, everything you could want from a movie and more.
 
Baby Driver clocks in at 113 minutes and is rated R for violence and language.
Baby Driver is a beautiful, clever, unique cinema experience that should shut up the "Hollywood is out of ideas" crowd for at least the weekend. 
 
Of a possible nine Weasleys, I am pleased and unsurprised to give Baby Driver all nine.
 
Fangirl points: OHMYGOSH YOU GUYS THERE'S A DAMNED SONG IN THIS MOVIE!
 
Until next time...


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