MOVIE REVIEW: SCREAM 6

 

Four survivors of the Ghostface murders leave Woodsboro behind for a fresh start in New York City. However, they soon find themselves in a fight for their lives when a new killer embarks on a bloody rampage.

Director: Tyler Gillett, Matt Bettinelli-Olpin

Cast:  Melissa Barrera, Jasmin Savoy Brown, Mason Gooding, Jenna Ortega, Hayden Panettiere, Courteney Cox, Jack Champion, Henry Czerny, Liana Liberato, Dermot Mulroney, Devyn Nekoda, Tony Revolori, Josh Segarra, Samara Weaving

Release Date: March 10, 2023

Genre: Horror, Mystery, Thriller

Rated R for strong bloody violence and language throughout, and brief drug use

Runtime: 2h 2m

Review:

The Scream franchise has always been a strange one for me since I've never really had the deep affection that a lot of people have for the series.  The meta schtick was an interesting take but it'd run its course which brought about the semi revival that hit the screens last year.  This follow up entry, again directed by Tyler Gillett and Matt Bettinelli-Olpin, feels more confident and self assured than their first run.  Moving the setting and resetting the characters give the series a boost of life that makes Neve Campbell's absence a bit easier to take for long time fans.  This entry delivers some solid energy from the start with the performers more than ready to take the handle of the series.  Gillett and Bettinelli-Olpin set up some solid sequences, the subway portion is particularly well done, but there's nary a sense of tension or actual scares throughout the entire thing.  That being said, they are entertainingly choregraphed even as they get increasingly goofy due to plot armor that allows characters to survive various forms of bodily harm even though the script overtly promises nobody is safe.  It’s one of my overreach issues with the series since it's never as edgy and it thinks it is before it falls into standard genre tropes.  It's a good thing the cast is game enough to make it all so watchable.  Melissa Barrera, whose eyebrows should be their own character, and Jenna Ortega make for a solid duo even as they spout out some terribly stilted dialogue.  There are hints here and there about Barrera's character that could make her much more interesting but much like the previous entry it only scrapes the surface of her mental state.  Mason Gooding and Jasmin Savoy Brown return with another fun supporting turn as the brother and sister movie buffs.  Hayden Panettiere and Courteney Cox return with varying degrees of effectiveness with Cox's character feeling mostly inconsequential for the most part.  Dermot Mulroney performance as an NYPD detective is straightforward initially before it jumps off a cliff into cartoonish, much like the final act, territory by the time the film ends.  Scream 6 is still peppered with the issues that have plagued the series overall but it’s entertaining enough to make for mindless fun.  

B-

MOVIE REVIEW: CREED III

 

Still dominating the boxing world, Adonis Creed is thriving in his career and family life. When Damian, a childhood friend and former boxing prodigy resurfaces after serving time in prison, he's eager to prove that he deserves his shot in the ring. The face-off between former friends is more than just a fight. To settle the score, Adonis must put his future on the line to battle Damian -- a fighter who has nothing to lose.

Director: Michael B. Jordan

Cast: Michael B. Jordan, Tessa Thompson, Jonathan Majors, Wood Harris, Florian Munteanu, Phylicia Rashad

Release Date: March 3, 2023

Genre: Drama, Sport

Rated PG-13 for intense sports action, violence and some strong language.

Runtime: 1h 56m

Review:

Creed III is an energetic passing of the torch from Sylvester Stallone to Michael B. Jordan as he moves front and center in the franchise. Jordan takes the reins in the director's chair and shows off an impressive eye throughout.  His direction gives the film a tangible sense of immediacy and energy that makes Stallone's absence almost an afterthought.  Jordan guides the film with a self assured confidence that's readily apparent and engaging from the start which makes this work far better than it should.  The plot also offers an interesting twist on the usual formula by delivering an antagonist who plays like Mike Tyson by way of Cape Fear.  Jonathan Majors plays the role with a simmering anger and resentment lingering under his smiles and brutish physique.  Majors is able to give the character far more depth and pathos than what's written on the page and in doing so makes him the most interesting performer onscreen.  That's not to take away anything from Michael B. Jordan who delivers a more season take on his character in this third round.  The film pops when they both share the screen with a special kind of energy that's a product of their chemistry together.  Their energy is strong enough that it nearly drowns out the supporting players with Tessa Thompson being the only one who leaves a noticeable mark with a measured and loving turn.  Ultimately, it's a showcase for its two stars as the story runs through a variety of themes in its run up to the final showdown.  There are still the usual tropes as we get a rather rousing training montage and expertly crafted fight sequences which convey the ferocity of the matches.  Jordan does use a few flourishes during the final sequence to deliver something different, almost mystical as a chance of pace.  Creed III is a solid display filmmaking especially since it makes you overlook the fact that everything plays out in an entirely predictable manner and ties it up with a particularly tidy bow.

B+

Cindy Prascik's Review of We Have a Ghost

 

My dear readers, yesterday I caught up with a cute little streaming offering called We Have a Ghost.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

In search of a fresh start, a family moves into a haunted house and finds that supernatural housemates sometimes beget earthly troubles.

We Have a Ghost is typical of most streaming options I've found lately, a decent enough way to pass a couple hours, if nothing particularly special. This one starts off with enough creepy ambiance that I wondered why it wasn't released as a "family" Halloween offering. It then evolves into an action movie that doesn't work well at all. Weaving the two together is a superficial but engaging family drama that's elevated by a very good cast, led by the young standout Jahi Di'Allo Winston. There's a fair bit of humor that's more amusing than laugh-out-loud funny. While the house itself is beautifully spooky, the ghostly effects, and David Harbour's otherworldly turn as the titular spirit, are too cheesy to provide a good fright. The movie runs a bit long, but a solid classic rock soundtrack is an unexpected plus, and a reference to the Wizard Clip (a haunted property in my home state) was a grand surprise.

We Have a Ghost clocks in at 126 minutes and is rated PG13 for "language, some sexual/suggestive references, and violence."

We Have a Ghost is a fun but forgettable offering that's fine for streaming, but you'll be glad you didn't pay cinema prices to see it. Of a possible nine Weasleys, We Have a Ghost gets five and a half.

We Have a Ghost is now streaming on Netflix.

Until next time...

MOVIE REVIEW: COCAINE BEAR

After a 500-pound black bear consumes a significant amount of cocaine and embarks on a drug-fueled rampage, an eccentric gathering of cops, criminals, tourists, and teenagers assemble in a Georgia forest.

Director: Elizabeth Banks

Cast: Keri Russell, O'Shea Jackson Jr., Christian Convery, Alden Ehrenreich, Brooklynn Prince, Isiah Whitlock Jr., Margo Martindale, Matthew Rhys, Ray Liotta

Release Date: February 24, 2023

Genre: Comedy, Thriller

Rated R for bloody violence and gore, drug content and language throughout

Runtime: 1h 35m

Review:

Cocaine Bear is a gory comedy that embraces the goofiness of its premise.  Elizabeth Banks knows exactly what kind of movie she's making and doesn't saddle it with too much extraneous baggage that keeps the film moving at a brisk pace.  Its straightforward in the best way possible spending a little time early on introducing the players before the inevitable mayhem begins.  The cast and director are both on the same page as there's a decidedly cartoonish air about the characters and performances.  The ensemble cast is peppered with recognizable character actors, including Ray Liotta's final onscreen appearance, who are clearly having a ball playing their roles.  Keri Russell, O'Shea Jackson Jr. and Alden Ehrenreich get the biggest portion of the screen time with the latter two providing the best onscreen chemistry.  Margo Martindale, Jesse Tyler Ferguson and Isiah Whitlock Jr. make the most of their limited screen time in supporting roles.  The titular bear is a solid, but it’s never photo realistic enough to make you forget you are watching CGI animal.  The plot and characters are thinly written which makes it difficult to maintain its initial energy before it sputters into its finale. Ultimately, Cocaine Bear is a solid piece of mindless, goofy fun that's easy to enjoy even though you'll probably forget about it shortly there after.  

C+

MOVIE REVIEW: ANT-MAN AND THE WASP: QUANTUMANIA

 

Ant-Man and the Wasp find themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that pushes them beyond the limits of what they thought was possible.

Director:  Peyton Reed

Cast: Paul Rudd, Evangeline Lilly, Jonathan Majors, Michelle Pfeiffer, Michael Douglas, Kathryn Newton, David Dastmalchian, William Jackson Harper, Katy O'Brian, Bill Murray

Release Date: February 17, 2023

Genre: Action, Adventure, Comedy, Mystery, Sci-Fi, Thriller

Rated PG-13 for violence/action, and language

Runtime: 2h 5m

Review:

Ant-Man and the Wasp: Quantumania gets credit for delivering one of the tripper entries into the Marvel monolith.  Peyton Reed waste little time throwing the audience into the Quantum Realm and peppering the screen with all variety of sci-fi weirdness and oddities.  It’s a visual cornucopia that just assaults the senses from all sides as the cast ventures through the worlds.  There's nearly enough there to make you ignore the fact that the event which kicks off the entire plot is even more contrived than Spider-Man: No Way Home starting point.  It shouldn't come as that much of a surprise since this is the film that kicks off the newest phase of Marvel's ongoing opus.  Specifically, this film serves as an introduction to the new big bad that will be the serve as the primary villain over the next few years.  In that regard, they have been blessed with Jonathan Majors and his impressive acting talents.  Once Majors appears onscreen, he dominates the film with an impressively nuanced turn that bodes well for future appearances.  Up to that point the cast had delivered a surprisingly choppy collection of performances which is disappointing considering the assembled talent.  Rudd is his usual dependable self, giving the impression that he could play this role in his sleep by this point.  Rudd and Evangeline Lilly still don't have much onscreen chemistry which keeps their story line from really carrying the sort of weight you'd expect by the third film.  Kathryn Newton joins the cast as their now grown daughter and brings a spark of youthful energy even if her character veers close to annoying is spots.  Michelle Pfeiffer and Michael Douglas sadly seem to be going through the motions even though Pfeiffer gets a decent size of the plot.  Both are never outright bad but you get the sense they aren't giving it their all.  There's a tonal imbalance throughout the whole film which shifts from quippy goofiness to drop dead serious sometime in the occurring in the same scene.  There are points were you start to feel that Majors deserved to be in a better more serious film which would have taken advantage of performance.  As is, Ant-Man and the Wasp: Quantumania does its job in setting up the future, especially with two rather important post credit scenes, and doing it in an enjoyable but ultimately forgettable film.  

B-

MOVIE REVIEW: SKINAMARINK

 

Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.

Director: Kyle Edward Ball

Cast: Lucas Paul, Dali Rose Tetreault, Ross Paul, Jaime Hill

Release Date: January 13, 2023

Genre: Horror

Not Rated

Runtime: 1h 40m

Review:

Skinamarink is an audacious if confounding bit of experimental filmmaking that delivers an experience which is sure to frustrate a large portion of the audience during its unnecessarily long runtime.  Director Kyle Edward Ball should be applauded for delivering a singular experience that’s likely to stick in your mind long after you’ve finished watching the actual film.  His film’s sparsely peppered narrative plays more like an extended ASMR excursion into a minimalist nightmare than a traditional film.  It leans heavily into its weirdness much like 2021 We’re All Going to the World’s Fair.  Much like that film, the effectiveness of the overall gimmick varies from scene to scene.  A full immersion into its conceit does provide some genuine shocks and scares but the film makes you work for those moments and by the time they hit many in the audience may have already checked out.  Skinamarink is the type of film that’s going to be divisive simply due to its structure and approach, especially once the rather abrupt ending hits.  

C+