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Thursday, June 16, 2016

Cindy Prascik's Retro-Review: Happy 30th Anniversary, Ferris Bueller’s Day Off!





Dearest Blog: Yesterday, as is only fitting, I blew off work to revisit Ferris Bueller's Day Off on the big screen, on this, its 30th Anniversary.
You've had three decades to catch up with this one, dear reader(s), so this review/retrospective may be spoilerific, and I'll hear no complaints! Also, do forgive me if I ramble. This movie holds a very special place in my heart!
Chicago's coolest teen skips school and leads two friends on a series of adventures around the city.
True story: Way back in 1986, I saw Ferris Bueller's Day Off at the theatre, not because I went to see Ferris Bueller's Day Off, but because the cinema offered it as a free Saturday "sneak peek" before whatever feature we intended to see. 
We got a free poster and a free badge (both bearing the legend "Leisure Rules," and both of which I still have), and, though the intended viewing is long forgotten, Ferris Bueller's Day Off stood as my favorite movie for more than two decades, and still clings to a spot very near the top of my All-Time Favorites list.
Writer/director John Hughes refers to Ferris Bueller's Day Off as his love letter to the city of Chicago, but it is perhaps cinema's greatest love letter to the 1980s as well. Everything on the screen bursts with the vibrant colors that epitomize the decade, from the perfect blue sky to the crazy 80s fashions (anybody still have one of those fringed jackets?), to that gorgeous candy-apple-red Ferrari. The picture boasts a magnificent 80s soundtrack, featuring Big Audio Dynamite, the B52s, Yellow, Sigue-Sigue Sputnik, English Beat, Dream Academy, and General Public. The band posters that paper Ferris' bedroom walls tip the cap to some of the decade's even cooler acts: the Damned, Flesh for Lulu, Bryan Ferry, and Simple Minds.
There's no denying the some terrible, scary things happened in the 80s. The Cold War. The Challenger disaster. Nonetheless, this movie reflects the unrelenting joy and positivity that permeated much entertainment and popular culture of the time. How do you get through the bad if there's not a sunny afternoon at the ballpark, a visit to the art museum, or lunch at a nice restaurant on the other side? Sitting at Wrigley Field, Ferris tells his best friend Cameron: "If we played by the rules, right now we'd be in gym," as the camera cuts to a group of miserable-looking boys jogging around a high-school track. THAT was being young in the 80s: Sure, that other stuff is still going on, but let's have some fun!
From the guy whose name is above the title to the random student sleeping on his desk, the cast of Ferris Bueller's Day Off is perfect. Matthew Broderick is the consummate "cool kid," in both appearance and demeanor. Not for a minute is it hard to believe he could parlay a senior skip day into an entire town pulling for his good health! 
The lovely Mia Sara is the ultimate cheerleader girlfriend, a beauty most of the boys at school would be afraid to ask out, let alone claim as their own. As Ferris' long-suffering sidekick, Alan Ruck does most of the movie's heavy lifting. His deadpan humor is terrific, but even better is his embodiment of a teen with a miserable home life, coming to an age when his parents will be forced to respect him as an adult. A popular movie like Ferris Bueller's Day Off always seems to be on somewhere, to the point it becomes background noise, but these are the things that really make it special and warrant your full attention, still. While the grownups are merely cogs in the wheel of Ferris' adventure, they are iconic nonetheless, and it's Jeffrey Jones and Edie McClurg who provide the picture's best laugh-out-loud moments.
Ferris Bueller's Day Off serves as a reminder of a few things too infrequently found in Hollywood these days: A movie that's no longer than it needs to be, a movie that's funny without being mean or rude, and, most importantly, a movie that's unique. The well-paced picture clocks in just shy of two hours, and boasts a consistently good-natured humor that is all but lost on today's movie landscape. It is a delightful, original bit of filmmaking that is, simply, a perfect reflection of its time.
Ferris Bueller's Day Off clocks in at 103 minutes, and is rated PG13 for "some strong language and adult situations."
Ferris Bueller's Day Off is an unmatched classic that continues to stand the test of time. 
Many thanks to Marquee Cinemas and Flashback Cinema for this opportunity to celebrate the movie's 30th Anniversary in style! 
Of a possible nine Weasleys, Ferris Bueller's Day Off unquestioningly deserves all nine.
In the immortal words of Ferris himself: "Life moves pretty fast. If you don't stop and look around once in awhile, you could miss it." 
Until next time...

Sunday, June 12, 2016

Cindy Prascik's Reviews of The Jungle Book, The Angry Birds Movie, Now You See Me 2

 
 
 
Dearest Blog: Yesterday it was off to Marquee Cinemas for Now You See Me 2 and Warcraft...except I couldn't bring myself to face Warcraft and ended up catching up on The Jungle Book and Angry Birds instead. 
 
Spoiler level here will be mild, nothing you wouldn't know from the trailers. (I'm assuming everyone knows Warcraft is terrible from the trailers?) 
 
First on the docket: The Jungle Book. When the vicious tiger Shere-Khan threatens his life, Mowgli, a boy raised by a wolf pack, is forced to flee his jungle home. 
 
The Jungle Book is a gorgeous film, and a vote of confidence for CGI at a time when, let's face it, even the biggest-budget CGI is starting to look a little dodgy. The movie is probably eighty-percent jungle and jungle animals, and the only time you can tell most of it is fake is when the bear starts singing. I've never seen a real one sing. 
 
Then again, my experience with bears is somewhat limited. Outside its technical virtures, the movie's main plus is some great voice work from the likes of Idris Elba, Ben Kingsley, Bill Murray, Lupita Nyong'o, Christopher Walken, and Scarlett Johanssn. 
 
Unfortunately, it's merely a silver lining on what's ultimately a pretty boring picture. The movie tiptoes around its brutality, with most of it played out off screen. It would have served no one's purpose for a kids' film to be a total bloodbath, but the impact of losses is certainly diminished. There are chases and plenty of other action, but the movie is plain dull in its execution. 
 
The second half, in particular, seems to drag on forever. The Jungle Book clocks in at 106 minutes and is rated PG for "some sequences of scary action and peril." Worth a look for its technical prowess alone, 2016's Jungle Book sadly falls short of the animated feature on which it's based. 
 
Of a possible nine Weasleys, The Jungle Book gets five. Fangirl points: Giancarlo Esposito. Again! 
 
Next up: The Angry Birds Movie. An island of peaceful, (mostly) happy, flightless birds faces a threat from neighboring green pigs. 
 
Whoa. Trippiest. Synopsis. Ever. Dear Reader(s), I have not even a passing familiarity with video games. 
 
Luckily, The Angry Birds Movie is pretty cute, and I don't think I missed out on anything for not having spent hours with my nose in my phone, playing the Angry Birds game. Angry Birds is a great-looking picture, full of gorgeous animation and bright colors. The film boasts an impressive array of voice talent, including Jason Sudeikis, Josh Gad, Peter Dinklage, and Sean Penn. 
 
The plot is pretty thin, but the film keeps moving and doesn't bog down. There's some charming humor alongside some that's truly disgusting...at least for grownups...as well as a lovely score by Heitor Pereira. The Angry Birds Movie runs 97 minutes and is rated PG for "rude humor and action." It's no game-changer, but Angry Birds is a bright, colorful, quick-moving film that's fun for the whole family. 
 
Of a possible nine Weasleys, The Angry Birds Movie gets six. 

Fangirl points: Angry Birds was created in Finland. This movie kicks off with a Black Sabbath song. (I'm not joking.) 
 
Finally, the closer on yesterday's agenda: Now You See Me 2. After hiding out for 18 months, the Horsemen resurface to perform their greatest heist yet. 
 
When the first Now You See Me was released into a summer of prequels, sequels, and reboots, I recall lauding it as a breath of fresh air in a sea of franchise installments. Of course, then Hollywood had to go and commission a sequel because...Hollywood. 
 
The good news is, if the sequel wasn't entirely necessary, it is a great time nonetheless. NYSM2 raises the stakes from the Horsmen's first outing, meaning even more incredible stunts that require even more suspension of disbelief. 
 
I mean, faking one's death can't possibly be as easy as depicted here (more than once) or everyone who has a crazy ex or owes on a credit card would be doing it! Still, the movie doesn't take itself too seriously, so playing along isn't a problem. Some of the illusions are spectacular, in particular, the rain-manipulation trick hinted at in the trailers, and the plot has plenty of twists and turns to hold your attention. 
 
The cast is terrific from top to bottom, with Jesse Eisenberg again the standout. Lizzy Caplan's character is a somewhat brash replacement for Isla Fisher, but she's great fun and will grow on you quickly. Daniel Radcliffe continues to distance himself from his Potter past with a funny, quirky performance as the film's baddie. 
 
The movie gets a bit preachy here and there, but it's mostly a thrilling, layered ride. Now You See Me 2 clocks in at 129 minutes and is rated PG13 for "violence and some language." That rare sequel that is as good as, and perhaps even better than, the original, 
 
Now You See Me 2 is great fun and (still) something a little different for the summer blockbuster season. 
 
Of a possible nine Weasleys, Now You See Me 2 gets seven. Fangirl points: DanRad in *another* movie about magic! 
 
Until next time...


Saturday, June 11, 2016

MOVIE REVIEW: THE CONJURING 2





Director James Wan brings this supernatural thriller to the screen with another real case from the files of renowned demonologists Ed and Lorraine Warren.. Reprising their roles, Oscar nominee Vera Farmiga and Patrick Wilson star as Lorraine and Ed Warren, who, in one of their most terrifying paranormal investigations, travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.

Director: James Wan

Cast: Patrick Wilson, Vera Farmiga, Frances O'Connor, Madison Wolfe, Simon Delaney

Release Date: Jun 10, 2016

Rated for terror and Horror Violence

Runtime: 2 hr. 13 min.

Genres: Horror

Review:

The Conjuring 2 is a strong if slightly forgettable sequel that doesn’t have the same bite as the first film.  James Wan continues to prove he’s one of the stronger directors in the horror genre as he runs through a series of tried and true horror tropes.  In the hands of lesser directors these tropes would feel tired and come off as ineffective.  Wan is capable of finding the perfect tenor of a sense to set up scares which jolts the audience even though most of them know its coming.  While its director and cast are strong, Patrick Wilson and Vera Farmiga are just as committed to their roles as the first tie around, there’s a strong sense of familiarity with the story.  The majority of the film plays out exactly as expected with few surprises in store save for a random Elvis impersonation from Patrick Wilson.  Personally, I’d love to see this franchise continue with Wilson and Farmiga but it’ll need some slightly fresher material to keep it’s bite.    

B


Sunday, June 5, 2016

Cindy Prascik's Review of Teenage Mutant Ninja Turtles: Out of the Shadows







































Dearest Blog: Yesterday I donned my brand new Turtle shirt and headed out to Marquee Cinemas for Teenage Mutant Ninja Turtles: Out of the Shadows. Spoiler level here will be mild, nothing you wouldn't know from the trailers. Michelangelo, Donatello, Raphael, and Leonardo risk exposure to save their beloved New York from the evil Shredder's latest nefarious plot. 
 
Dear Reader(s) the best and most important thing I can tell you about Out of the Shadows is this: the movie is EXACTLY as advertised. If you pay your cinema dollars to see this because the trailers look like fun to you, you will have a great time. 
 
If you pay your cinema dollars just to complain that it isn't The King's Speech, well...I feel a little sorry for you. 
 
The movie opens on a beautiful aerial shot of New York City, and, throughout, the City serves as an important supporting character. Famous landmarks are prominently placed, and both the Knicks and Rangers enjoy a bit of Turtle PR. 
 
TMNT2 boasts some nice action sequences, with well-choreographed fights and exciting chases. The effects are solid, and the CGI looks good, in particular as regards the Turtles' facial movement and expressions, which are terrific. 
 
Of course the movie's principals are heard and not seen, but the supporting faces are notable: Megan Fox, Will Arnett, Laura Linney, Tyler Perry, and Dean Winters. 
 
Newcomer Stephen Amell brings an earnestness to Casey Jones that is notably lacking in his Oliver Queen. 
 
The film is quite funny, if often juvenile, and the soundtrack boasts some pretty cool tunes. Teenage Mutant Ninja Turtles: Out of the Shadows clocks in at 112 minutes and is rated PG13 for "sci-fi action/violence." If you saw TMNT2 and didn't enjoy it, I can only ask, in the words of another famous turtle: "Why don't you like fun?" 
 
Of a possible nine Weasleys, Teenage Mutant Ninja Turtles: Out of the Shadows gets seven. 
 
Until next time... 
 

MOVIE REVIEW: TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS







































When the evil Shredder develops his own mutants, Bebop and Rocksteady, the Turtles must team up with April (Megan Fox), news reporter Vern Fenwick (Will Arnett), and their new vigilante friend Casey Jones (Stephen Amell) to defend New York City from destruction. Leonardo, Raphael, Michelangelo and Donatello also face an impending invasion from the deranged extraterrestrial Krang in this sequel to 2014's Teenage Mutant Ninja Turtles. Dave Green directed this action comedy, with Michael Bay serving as a producer. ~ Daniel Gelb, Rovi

Release Date: Jun 03, 2016

Rated: PG-13 for Sci-fi action violence.

Runtime: 1 hr. 48 min.

Genres: Action/Adventure

Director: Dave Green

Cast: Megan Fox, Will Arnett, Tyler Perry, Stephen Amell

Review:

The first film in the rebooted Teenage Mutant Ninja Turtles series wasn’t a perfect film but it did get primary characters down which has always been sorely missing from the Transformers franchise.  The sequel opens up the world bringing in a handful of classic characters.  The action sequences are bigger, well staged and pretty fun for the most part.  The voice talents for all the animated characters are all spot on with Noah Fisher getting all the best lines throughout.  Stephen Amell and Tyler Perry join the franchise with both proving a mixed bag.  Amell lacks any charisma and chemistry with Megan Fox so he’s just bland throughout.  On the other end of the spectrum is Tyler Perry who’s hamming it up every chance he gets.  The film’s plot is decidedly wacky but it kind of embraces its zaniness, even some of the laughs are decidedly broad. Still, it’s hard for children of the 90’s not to get nostalgic watching some of these characters pop up on screen.  

C+

Sunday, May 29, 2016

Cindy Prascik's Reviews of Alice Through the Looking Glass & X-Men: Apocalypse

 
 
 
Dearest Blog: Yesterday it was off to Marquee Cinemas for the maligned pair of Alice Through the Looking Glass and X-Men: Apocalypse. Spoiler level here will be mild, nothing you wouldn't know from the trailers. 
 
Well, dear Reader(s), I was prepared to tell you neither of these pictures is as bad as you've probably heard, but last night I spent good money to watch How to Be Single, so, by comparison, now I guess I'm prepared to call them both Oscar worthy. 
 
First on the docket: Alice Through the Looking Glass. The further adventures of Ms. Kingsleigh and her whimsical Wonderland friends. It's probably fair to say that Through the Looking Glass is the sequel nobody who isn't collecting a paycheck from it ever wanted, but I'm pleased to report it's really not all that bad. 
 
On the positive side, the movie boasts enjoyable performances from Johnny Depp, Mia Wasikowska, and Helena Bonham Carter. Colleen Atwood's costumes are glorious, and Danny Elfman provides a magical score. 
 
The film kicks off with an exciting high-seas action sequence, sets and cinematography are beautiful throughout, and there's some nice CGI work. On the downside, there won't be much middle ground on Depp's Mad Hatter; if you don't love it, you're likely to hate it, as I did with that weird, fluttery thing Anne Hathaway kept doing with her hands. 
 
In one of his final roles, Alan Rickman has barely three lines. Finally, though the movie mostly keeps a good pace and isn't overlong, the final act slows to a snail's pace. Alice Through the Looking Glass runs 113 minutes and is rated PG for "fantasy action/peril and some language." 
 
It's hardly special, especially from a company that inspires the devotion that Disney does, but Alice Through the Looking Glass provides a couple hours of enjoyable escapism. 
 
Of a possible nine Weasleys, Alice Through the Looking Glass gets five. Fangirl points: Richard Armitage and Andrew Scott. 
 
Next on my agenda: X-Men: Apocalypse. When a godlike mutant threatens to destroy the world, the X-Men must band together to save it. X-Men: Apocalypse isn't a perfect film, but it's good fun and hardly deserves the critical beating it's taking. The movie has a fantastic cast and does a fine job of fairly distributing screen time, though, once again, its Evan Peters' Quicksilver who manages to steal the show. 
 
If a brief, crowd-pleasing appearance by a certain someone isn't precisely a surprise in this Internet age, it definitely retains its impact on the audience, if not really on the plot. Apocalypse runs overlong and is a bit convoluted, but the action is terrific and keeps things moving at a good pace. Some great effects and huge set pieces make the movie well worth seeing on a big screen. 
 
X-Men: Apocalypse clocks in at 144 minutes and is rated PG13 for "sequences of violence, action, and destruction, brief strong language, and some suggestive images." The weakest link in a pretty strong trilogy, X-Men: Apocalypse is still worth your movie dollar. Of a possible nine Weasleys, X-Men: Apocalypse gets six. Fangirl points: Zeljko Ivanek and a Duran Duran "Rio" poster on the wall! 
 
Until next time... 
 
 

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