MOVIE REVIEW: FIVE NIGHTS AT FREDDY'S

A troubled security guard begins working at Freddy Fazbear's Pizzeria. While spending his first night on the job, he realizes the late shift at Freddy's won't be so easy to make it through.

Director: Emma Tammi

Cast:  Josh Hutcherson, Elizabeth Lail, Piper Rubio, Mary Stuart Masterson, Matthew Lillard

Release Date: October 27, 2023

Genre: Horror, Mystery, Thriller

Rated PG-13 for strong violent content, bloody images and language.

Runtime: 1h 50m

Five Nights at Freddy's is a rather bland, uninspired slog of a horror movie that's decidedly light on scares and mostly devoid of fun.  Emma Tammi's film is surprisingly self serious with only small slivers of humor sprinkled throughout its overlong runtime.  Its a strange choice for a video game adaptation about possessed animatronics from an 80's pizza place and it doesn't pay off since the story doesn't offer anything terribly engaging or fresh.  The whole thing plays out in fairly predictable fashion which kills any sense of tension since every surprise is telegraphed from a mile away.  Scares are decidedly sparse with only a handful of cheap jump scares sprinkled throughout.  Josh Hutcherson, for his part, tries his best to bring some sort of energy and life to the whole thing.  He does admirable work by giving his character far more depth and texture than the film deserves.  Elizabeth Lail is saddled with a paper thin character, an overly invested local cop, it doesn't help that she doesn't share much believable chemistry with Hutcherson.  Piper Rubio fares better with a likable turn as the little sister that manages to be cute but never annoying.  Ultimately, Five Nights at Freddy's falls flat offering little outside of Easter Eggs for fans of the game but if you must get your film of haunted 80's pizza palaces you'd be better off watching recent films like The Banana Splits Movie or Willy's Wonderland.

 

D

MOVIE REVIEW: KILLERS OF THE FLOWER MOON

In the 1920s, members of the Osage Native American tribe of Osage County, Oklahoma, are murdered after oil is found on their land, and the FBI decides to investigate.

Director: Martin Scorsese

Cast: Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, Tantoo Cardinal, John Lithgow, Brendan Fraser

Release Date: October 20, 2023

Genre: Crime, Drama, History, Mystery, Thriller, Western

Rated R for violence, some grisly images, and language

Runtime: 3h 26m

Martin Scorsese's massive Killers of the Flower Moon is epic in thematic scope while being grounded by powerful performances from its cast.  Scorsese's sprawling story moves at a methodical pace as he lets his film linger in the quieter, character moments that serve  as the lifeblood of the story.  His meticulous style is perfectly suited to the larger story at play onscreen as he recounts a sordid tale of sorrow that had mostly been forgotten to history much like the Tulsa Race Massacre which is referenced at various points during the film.  The murders are grimy ugly affairs and Scorsese aptly portrays those moments with noticeable bluntness as members of the Osage Nation are pruned off with wonton, greedy brutality.  The central trio of characters played by Leonardo DiCaprio, Lily Gladstone and Robert De Niro serve as the anchor of the story.  De Niro is far more engaged that he has been in years, playing the manipulative mastermind behind the bloody plot who believably vacillates between earnest and caring to cold blood opportunist with incredible ease.  Leonardo DiCaprio plays his brutish, dullard of a nephew that's tasked with starting a relationship with Lily Gladstone's Mollie whose family holds a large amount of oil wealth.  DiCaprio could easily play this character as a one dimensional thug but he manages to give his portrayal layers that gives it far more depth.  His character is shown to be a murderous opportunist but there are tangible moments of heartfelt love for Mollie even as he's slowly killing her.  DiCaprio's turn manages to let the audience experience these conflicting emotions especially as the film moves on.  Lily Gladstone's soulful performance makes the tragic story all the more impactful as she brings a level of authenticity and earnestness to the role.  Gladstone makes you feel every moment of pain that her character experiences throughout her Jobian level of misery and betrayal.  It’s an understated, nuanced performance that makes you empathize with her plight especially since her character struggles with the reality of the situation before finally coming to grips with it.  Gladstone and DiCaprio share a handful of moments, especially in the film's back half that are truly devastating and heartbreaking for multiple reasons.  Killers of the Flower Moon is filled with subtle, delicate moments, deliberately paced for ultimate effect which demands your attention.

A-

MOVIE REVIEW: THE EXORCIST: BELIEVER

When his daughter, Angela, and her friend Katherine, show signs of demonic possession, it unleashes a chain of events that forces single father Victor Fielding to confront the nadir of evil. Terrified and desperate, he seeks out Chris MacNeil, the only person alive who's witnessed anything like it before.

Director: David Gordon Green

Cast: Leslie Odom Jr., Ann Dowd, Jennifer Nettles, Norbert Leo Butz, Lidya Jewett, Olivia Marcum, Ellen Burstyn

Release Date: October 6, 2023

Genre: Horror

Rated R for some violent content, disturbing images, language and sexual references.

Runtime: 1h 51m

David Gordon Green's The Exorcist: Believer is more than capable of echoing William Friedkin's original, especially during its opening act, but it ultimately proves to be nothing more than hollow mimicry.  Green hits some incredibly familiar beats throughout this legacy sequel with camera shots or visual cues but there's a noticeable disconnect as the film rapidly moves through sequences to get to the possession portion of the film.  Once those moments arrive, we're treated to a series of cheap jump scares and gore that feel more in line with the Insidious films than a direct follow up to the original Exorcist.  The script doesn't help matters much since it throws a series of one dimensional characters at the screen and expects you to care about them.  There's a kernel of a solid idea that expands the idea of evil beyond the Catholic rite but the story has no idea how to take a nuanced, measured approach to the subject matter.  Instead, the film devolves into a series of standard shocks we've seen plenty of times before which highlights the fact that script and director doesn't understand what made the original so effective and unsettling, a sense of grounded humanity.  It’s a missed opportunity on multiple levels especially since the film is blessed with game actors who are looking for something more substantial.  Leslie Odom Jr. turns in a earnest performance as the father of one of the possessed girls.  Odom Jr. does his best with the smallest slivers of depth the script affords but the film simply doesn't have the patience to let any of it germinate organically since it wants to get to the next scare as soon as possible. Norbert Leo and Jennifer Nettles fare even worse as they are given the thankless roles of the parents of the other possessed girl who characterization is little more than broadly written evangelicals.  Ann Dowd, who plays a neighbor/nurse with a past, seems perfectly suited for this type of role but the film also rushes through her backstory which robs the character of any sort of emotional weight.  The biggest misstep is getting Ellen Burstyn back into the fold only to misuse the actress and character to a shocking degree.  That kind of haphazard mishandling of the material just shows that while The Exorcist: Believer might be able to create a facsimile it clearly never understood the material of the original.   

C-