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Showing posts with label James Norton. Show all posts
Showing posts with label James Norton. Show all posts

Friday, February 16, 2024

MOVIE REVIEW: BOB MARLEY: ONE LOVE

 






















Jamaican singer-songwriter Bob Marley overcomes adversity to become the most famous reggae musician in the world.

Director: Reinaldo Marcus Green

Cast: Kingsley Ben-Adir, Lashana Lynch, James Norton, Henry Douthwaite, Anthony Welsh, Sheldon Shepherd, Quan-Dajai Henriques, Nia Ashi

Release Date: February 14, 2024 

Genre: Biography, Drama, Music

Rated PG-13 for marijuana use and smoking throughout, some violence and brief strong language.

Runtime: 1h 44m

Review:

Bob Marley: One Love is solid albeit fairly straightforward snapshot biopic buoyed by excellent performances from Kingsley Ben-Adir and Lashana Lynch.  Reinaldo Marcus Green treats his central subject with the sort of reverence and respect you'd expect especially with Marley’s widow and son serving as executive producers.  Green's directs the film with a steady, self assured hand which makes the film an easy watch from start to finish especially since Marley's songs are interspersed throughout.  Green does add in a few visual flourishes in the form of a recurring vision that Marley sees which is visually impactful enough to make you wish he'd added more throughout the story.  A handful of flashback to Marley’s early years, with solid performances from Quan-Dajai Henriques and Nia Ashi, add some texture to his story of his upbringing before moving back to its central story carried Kingsley Ben-Adir.  Ben-Adir is excellent throughout, showing a full level of commitment to the role.  He captures Marley's persona, speech patterns and unique style of performing during his concerts.  He manages to go above mimicry when the film gives him a chance to dig into some of the meatier portions of the man.  Lashana Lynch is just as strong as Marley's wife, Rita, with the two sharing some intense and insightful moments later in the film.  Sadly, there isn't enough of those sequences as we are left with the feeling that we're only scratching the surface of their relationship and ultimately Marley's motivation and turmoil.  The film's final act, especially after his cancer diagnosis, moves unusually fast as it rushes to the finale which ends with a combination of archival footage and title cards.  It’s a strange choice since the film barely started scratching deeper into the man and it ultimately keeps Bob Marley: One Love from being the in depth dive into the man as opposed to a quick overview. 

B

Sunday, January 12, 2020

MOVIE REVIEW: LITTLE WOMEN








































In the years after the Civil War, Jo March lives in New York and makes her living as a writer, while her sister Amy studies painting in Paris. Amy has a chance encounter with Theodore, a childhood crush who proposed to Jo but was ultimately rejected. Their oldest sibling, Meg, is married to a schoolteacher, while shy sister Beth develops a devastating illness that brings the family back together.

Director: Greta Gerwig

Cast: Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, Chris Cooper, Meryl Streep

Release Date: December 25, 2019

Genres: Drama, Romance

Rated PG for thematic elements and brief smoking.

Runtime: 2h 15  min 

Review:

It's impossible to not walk away from Greta Gerwig's adaptation of Little Woman feeling uplifted.  Sure it's a story that's been told multiple times before but Gerwig's take feels fresh and timely.  Some alterations to the story make it feel more modern and the film overall is better for it.  She shuffles up the chronology of the novel which makes the familiar story much more interesting and engaging.  Gerwig is blessed with a stellar cast which makes the whole thing incredibly watchable.  Her muse, Saoirse Ronan, couldn't be better suited to play the head strong Jo.  It's easy to forget that she's only 25 since she's so naturalistic and engaging as an actress.  Florence Pugh is just as strong in this film even pulling off the incredible feat of of making Amy less annoying and interesting.  Emma Watson and Eliza Scanlen round out the other tow sisters with their performances being solid but more subdued.  Ultimately it's Ronan's film and she carries it with great ease even though we already know the majority of the story beats.  The story does start to drag a bit near the end of it's run time and it's easy to see where 15 or 20 minutes could have been shaved off.  Regardless, Gerwig's film is a fine example of how to bring something new to a well worn story but keeping it's spirit at the same time.  

A-
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