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Showing posts with label Alan Rickman. Show all posts
Showing posts with label Alan Rickman. Show all posts

Friday, November 8, 2013

Cindy Prascik’s Review of CBGB



Dearest Blog, it is customary for a number of good little (and not so little) films to pass my 'burb right on by. Evidence: Neither of my local cinemas is showing 12 Years a Slave, Dallas Buyers Club, The Fifth Estate, or About Time...but by golly we could see Grown Ups 2 on the big screen right up through the Thursday before it was released on DVD. *sigh*

It was disappointing, but not surprising, when one of my most-anticipated movies of 2013, CBGB, never played locally. Thankfully, XFinity On Demand was around to save the day!

Spoiler level here will be mild, nothing you wouldn't know from a trailer if you happened to see one.

Rebounding from two failed attempts to run a club, Hilly Kristal rents a dump in the Bowery section of New York City and becomes the man who launched a thousand careers.

Dear Blog, it would be dishonest in the extreme if I didn't admit that I was bound to love this movie. The subject matter is so near to my heart that, handled with anything but absolute malice, CBGB had to rank among my favorite films of the year. That being said, the movie has its pros and cons.

The filmmakers elected to go with a very light tone that, while it makes for a quick and engaging movie, I daresay it barely touches what living in that environment every day must have been like.

Even when you know you're a part of something monumental, slogging through the day-to-day in filth and poverty is no fun, but CBGB mostly plays the negatives for laughs. Smashing roaches and stepping in dog poo are running gags...and if you've got a weak stomach, you're going to want to turn away from the kitchen scenes entirely!

Introductions and transitions are handled via comic-book panels. The movie gets away with it because it's consistent, and because, all these years later, all's well that ends well, eh?

Performances range from terrific to so-so to poor. Alan Rickman is, of course, fantastic as the good hearted but sometimes unrealistic Kristal. Ashley Greene is great as his loyal but frustrated daughter, and Donal Logue and Freddie Rodriguez are both entertaining as Kristal's partners/employees/co-horts at the club. Of the folks tackling the difficult task of mimicking the familiar, Joel David Moore and Julian Acosta are especially good as the ever-battling Joey and Johnny Ramone, and Mickey Sumner does a great job as Patti Smith. I don't think folks will have a hard time forgetting Ron Weasley once they've seen Rupert Grint's turn as Dead Boy Cheetah Chrome! Justin Bartha and Malin Akerman are merely okay as Stiv Bators (my favorite of the lot) and Debbie Harry, and Taylor Hawkins (who, in fairness, isn't really an actor) and Kyle Gallner are sadly underwhelming as Iggy Pop and Lou Reed, respectively. The real Cheetah Chrome has an amusing cameo that you won't want to miss!

It's fair to say a person's enjoyment of CBGB probably will be commensurate with his or her nostalgia for the club and the bands. I don't imagine it's a great enough piece of filmmaking to win over folks to whom this music means nothing, but if the movie barely scratches the surface of real events, it's an entertaining enough couple hours.

Thanks in no small part to my own affection for the subject matter, I loved it.

Of a possible nine Weasleys, CBGB gets eight.

Until next time...



Thanks for the memories!

Thursday, April 29, 2010

Movie Reviews: HARRY POTTER AND THE HALF BLOOD PRINCE

Sunday, July 19, 2009
Movie Reviews: HARRY POTTER AND THE HALF BLOOD PRINCE
IN THEATERS

HARRY POTTER AND THE HALF BLOOD PRINCE

Voldemort is tightening his grip on both the Muggle and wizarding worlds and Hogwarts is no longer the safe haven it once was. Harry suspects that dangers may even lie within the castle, but Dumbledore is more intent upon preparing him for the final battle that he knows is fast approaching. Together they work to find the key to unlock Voldemort’s defenses and, to this end, Dumbledore recruits his old friend and colleague, the well-connected and unsuspecting bon vivant Professor Horace Slughorn, whom he believes holds crucial information.


Cast: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Jim Broadbent, Robbie Coltrane, Michael Gambon, Alan Rickman


Director: David Yates


Opened ..July 15, 2009..


Runtime: 2 hr. 33 min.


Rated PG for scary images, some violence, language and mild sensuality


Genres: Children's Fantasy, Fantasy Adventure, Fantasy, Children's/Family


Review:





Harry Potter and the Half Blood Prince continues the maturation process that started in earnest in The Order of the ....Phoenix..... David Yates crafts an elegant and pensive film that doesn’t shoot for big trills and focuses more the characters and the evolution from children to adulthood. Hormones rage at Hogwarts and the scenes dealing with the trios budding feeling are mostly handled well and delicately. That being said it’s hard to watch this entry into the series and not feel like it’s all set up for the final 2 entries; The Death Hallows is being split into 2 to be released over the next two years. The plot is fairly straight forward if you’ve been following the series and none of the twist or turns are thoroughly shocking or surprising, mainly because they are telegraphed in a fairly obvious manner. Yates still manages to make the events here engaging and manages to put some beautiful imagery on screen. Hogwarts, much like the previous entry, doesn’t carry that fancy and wonder it possessed in the early films. Instead Yates bathes this film in grey and sepia tones throughout, rarely showing any sunlight. The actors also bring more gravitas to the proceeding. Daniel Radcliff brings more confidence to Harry while still maintaining that wide eyed innocence of the early films. Rupert Grint and Emma Watson have both grown into their roles and can now add more subtle character work than before. Grint in particular shows fairly good comedic timing. Michael Gambon as Dumbledore continues to be appropriately fatherly and sagely but is strangely one note in this particularly important entry for his character arch. Alan Rickman once again delivers strong character work in limited screen time. Newcomer to the series Jim Broadbent shines and he uses his vast talent to make his character the most memorable of this entry. Helena Bonham Carter is devilish fun as Bellatrix Lestrange but she gets painfully little screen time to truly shine. As the events in the film come to an end you are left pining for the finale and Yates makes no secret of the fact that this entry is mostly set up as he ends this tales with a sense of meandering melancholy and unresolved issues.





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