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Thursday, June 29, 2017

Cindy Prascik's Review of Baby Driver

Dearest Blog: Yesterday it was off to Marquee Cinemas for one of my most highly anticipated titles of 2017, Edgar Wright's Baby Driver.
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
To repay an old debt, a young man is forced to use his extraordinary skills in service of a criminal mastermind.
Dear reader(s), in the interest of full and fair disclosure, I'll confess my firm conviction that Edgar Wright makes perfect movies, all the time. As writer or director, and especially as writer and director, the guy is a visionary. I keep an open enough mind that pretty much anything can surprise me (pleasantly or unpleasantly), but honor demands I admit there was very little chance I wouldn't love Baby Driver. That's the Cliff's Notes. Now, onto the meat and potatoes...
Edgar Wright's love and respect for music lend his films unparalleled attention to detail where it is concerned. Each and every song is selected, each and every note perfectly placed, to underline, energize, advance, or complete its moment, event, or scene. While that's the case with all of Wright's efforts, Baby Driver willfully and overtly makes music its star, the sun around which all the other moving pieces revolve. If you love music, you will feel this film from the roots of your hair to the soles of your shoes. That's not to say the picture's "other" stars are lightweights. Decorated names such as Kevin Spacey, Jon Hamm, and Jamie Foxx have ample opportunity to shine brightly in Baby Driver's galaxy. "It" girl Lily James charms her way through the movie like an old pro, and Ansel Elgort is a delight in what's sure to be a star-making turn.
Baby Driver is an action film, filled with thrilling chase scenes and beautifully choreographed stunt driving. Baby Driver is a comedy, its humor blooming organically from genuine performances and crazy scenarios. Baby Driver is a drama, boasting sincere moments among layered, engaging characters. Baby Driver is extraordinary filmmaking from an extraordinary filmmaker, everything you could want from a movie and more.
Baby Driver clocks in at 113 minutes and is rated R for violence and language.
Baby Driver is a beautiful, clever, unique cinema experience that should shut up the "Hollywood is out of ideas" crowd for at least the weekend. 
Of a possible nine Weasleys, I am pleased and unsurprised to give Baby Driver all nine.
Until next time...

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