MOVIE REVIEW: AMBULANCE

 

Needing money to cover his wife's medical bills, a decorated veteran teams up with his adoptive brother to steal $32 million from a Los Angeles bank. However, when their getaway goes spectacularly wrong, the desperate thieves hijack an ambulance that's carrying a severely wounded cop and an EMT worker. Caught in a high-speed chase, the two siblings must figure out a way to outrun the law while keeping their hostages alive.

Director: Michael Bay

Cast: Jake Gyllenhaal, Yahya Abdul-Mateen II, Eiza González, Garret Dillahunt, Keir O'Donnell

Release Date: April 8, 2022

Genre: Action,Crime, Drama, Thriller

Rated R for intense violence, bloody images and language throughout

Runtime: 2h 16m

Review:

Michael Bay is the kind of director whose better known for his cinematic excess more than the fact that he can create a fun big screen thrill ride.  Glossy, frenetic and over the top can describe pretty much any movie on his resume.  Ambulance sees Bay at his best and worst anchored by some fun performances from his central cast who are clearly having a blast playing in this wheelhouse. Bay directs this film with a coked out frenzy that starts immediately and rarely lets up during its overlong runtime.  The film works best during it's opening act bank heist which suits Bay's talents perfectly.  The camera flies around every scene like it can't stop or it'll die.  The action is loud and glossy with random dips into stark violence which is jarring when it pops up.  Still, its hard to ignore the insane cinematic energy on display especially when the cast is on the same page as the director.  Jake Gyllenhaal channels 90s Nic Cage by going all in on the crazy energy that last for the entire film, it's an impressive display of stamina to say the least.  Yahya Abdul-Mateen II is more subtle and measure, something rare for a Bay film, in his turn as he gives his character far more depth than the script does.  Eiza González fares far better than most of the female characters in a Bay film.  Sure she's the best looking EMT you've ever seen with make up that never smears regardless of what kind of madness she's gone through.  Like everyone else, her character is more of a caricature than anything else but then again nobody ever goes into a Michael Bay film looking for a character study.  Bayhem is in full effect once the movie hits the road with an assortment of car chases and crashes which are increasingly ludicrous as the film goes on.  Bay is the type of director that just can't help himself with the final act displaying his directorial hubris.  Ambulance works really well as cinematic junk food but its like watching fireworks for 2 hours, sometime less is more. 

B-

MOVIE REVIEW: MORBIUS

 

Biochemist Michael Morbius tries to cure himself of a rare blood disease, but when his experiment goes wrong, he inadvertently infects himself with a form of vampirism instead.

Director: Daniel Espinosa

Cast: Jared Leto,  Matt Smith, Adria Arjona, Jared Harris, Al Madrigal, Tyrese Gibson

Release Date: April 1, 2022

Genre: Action, Adventure, Horror, Sci-Fi, Thriller

Rated PG-13 for intense sequences of violence, some frightening images, and brief strong language

Runtime: 1h 44m

Review:

Morbius is the kind of paint by the numbers, forgettable comic book origin story whose main purpose is to set up future installment.  Daniel Espinosa film is both glossy and undercooked at the same time.  His direction borrows from a bevy of comic book films mainly from the early 2000s which isn't the greatest source for inspiration.  The plot moves at a surprisingly quick pace which maybe intentional so you don't notice how nonsensical the whole thing is.  Jared Leto, an actor known for throwing himself into roles, is surprisingly understated and uninspired in the central role.  His performance gives you the impression that he'd rather be anywhere else but there.  Matt Smith, on the other hand, seems to relish chewing up scenery as the requisite friend/villain who ends up with the exact same power as the hero.  Supporting players Adria Arjona, Jared Harris, Al Madrigal and Tyrese Gibson all show up for a quick paycheck while bringing very little to their undercooked characters.  At least Morbius has the common sense to not overstay it's welcome with its quick runtime that still includes two post credit scenes that feels more like the result of corporate deal than some sort of big revelation.

C-

MOVIE REVIEW: THE LOST CITY

 

Reclusive author Loretta Sage writes about exotic places in her popular adventure novels that feature a handsome cover model named Alan. While on tour promoting her new book with Alan, Loretta gets kidnapped by an eccentric billionaire who hopes she can lead him to an ancient city's lost treasure from her latest story. Determined to prove he can be a hero in real life and not just on the pages of her books, Alan sets off to rescue her.

Director: Aaron Nee, Adam Nee

Cast: Sandra Bullock, Channing Tatum, Daniel Radcliffe, Da'Vine Joy Randolph, Brad Pitt

Release Date: March 18, 2022 

Genre: Action, Adventure, Comedy, Romance

Rated PG-13 for violence and some bloody images, suggestive material, partial nudity and language.

Runtime: 1h 52m

Review:

The Lost City is cinematic fast food, instantly recognizable, mildly comforting and full of empty calories.  Director's Aaron Nee and Adam Nee know what kind of film they are making so they keep everything light and breezy.  The film takes off with a hearty amount of laughs aided by an extended cameo from Brad Pitt who makes the most of his screen time.  Once the film settles in on the central romance between Sandra Bullock and Channing Tatum the comedy slows a bit as they try to make their mismatched pair seem romantically plausible and only partially succeeding.  For their part Bullock and Tatum are clearly having fun with their roles with both showing off their strong comedic chops even if their romantic chemistry doesn't quite work.   Daniel Radcliffe makes for a surprisingly effective villain here putting in more effort than the role really needs.  Da'Vine Joy Randolph makes her subplot funnier than it really is by bringing some chaotic energy to her role.  The Lost City is the type of film that's easy to enjoy and just as easy to forget about once you step out of the theater.

B-

MOVIE REVIEW: X

 

A group of actors sets out to make an adult film in rural Texas under the noses of their reclusive hosts, but when the elderly couple catches their young guests in the act, the cast finds themselves in a desperate fight for their lives.

Director: Ti West

Cast: Mia Goth, Jenna Ortega, Martin Henderson, Brittany Snow, Owen Campbell, Stephen Ure, Scott Mescudi

Release Date: March 18, 2022 

Genre: Horror

Rated R for strong bloody violence and gore, strong sexual content, graphic nudity, drug use, and language

Runtime: 1h 45m

Review:

Ti West has always shown a deep affinity for 70's horror film with The Innkeepers and House of the Devil serving as prime examples.  X is his loving tribute to Grindhouse horror with heavy homages to The Texas Chainsaw Massacre before it veers into even stranger and grosser territory.  The plot itself is familiar and the first half of the film checks all the requisite boxes.  West does a great job of establishing the setup with wonderfully crafted shots and goofy dialogue from the future victims.  The performances from the cast are fun and loose which fits the film.  His approach is impressively restrained initially which makes the mayhem that follows all the more potent and impactful.  In the latter half of the film you get the strong sense that he wants to make the audience squirm in their seats and for the most part he succeeds.  There's violence and gore aplenty but it's never overly serious or heady.  X is the type of horror film that isn't setting to make some grand statement it just wants to titillate, shock, and even gross you out.

B+

MOVIE REVIEW: TURNING RED

 

Mei Lee is a 13-year-old girl who is torn between being her mother's obedient daughter and the chaos of her youth. As if that were not enough, when she gets too excited, she turns into a big red panda.

Director: Domee Shi

Cast: Rosalie Chiang, Sandra Oh, Ava Morse, Hyein Park, Maitreyi Ramakrishnan, Orion Lee, Wai Ching Ho, Tristan Allerick Chen, James Hong

Release Date: March 11, 2022

Genre: Animation, Adventure, Comedy, Family, Fantasy

Rated PG for thematic material, suggestive content and language

Runtime: 1h 40m

Review:

Pixar's Turning Red is another top notch family film which captures a universal experience in a fun fizzy package.  Domee Shi's film is a vibrant energetic film filled with beautiful animation from start to finish.  Rosalie Chiang voices Mei Lee with the perfect level of chaotic tween energy as her character traverses the joys of puberty.  Sandra Oh and Ava Morse voice Mei Lee's parent with Oh getting the lions share of the work.  Oh and Chiang have believable chemistry as mother and daughter with the relationship being the lynchpin of the entire story.  Ava Morse, Hyein Park and Maitreyi Ramakrishnan play Mei's friends with each bringing a specific kind of energy to their assorted crew.  Turning Red fits right in with Inside Out as it deals with real life experiences metaphorically in inventive and fun ways with being made more for tweens than very young children.   

B+

Cindy Prascik's Review of The Batman

 

My dear reader(s) and fellow Batfans, today I bring you a review of Matt Reeves' The Batman.

Spoiler level here will be mild, nothing plot-related that isn't evident in the trailers. Emo!

Batman faces off with Survivalist!Riddler in a bid for Gotham's very survival. 

Snarky synopsis aside, The Batman is a great Batman movie, and, yes, a great movie without the Bat-qualifier. I'm going to try not to let this get *too* long, but Batman is one of my most beloved characters, so...buckle up. 

The Batman is a dark film, and I mean in every way. It's never daytime. It never stops raining. There is no levity in dialogue or in action. Neither Bruce Wayne nor Wayne Manor enjoys much screen time; the film is wholly centered in Batman, the Batcave, and other similarly gloomy locales. When seen outside the cape and cowl, Bruce Wayne remains shrouded in darkness, both literally and figuratively. 

The Batman showcases a younger Bruce Wayne, ably portrayed by Robert Pattinson, but one who shares the physical exhaustion and world-weariness of his older predecessor (Ben Affleck). While many if not most Batman movies make a point of showing Batman's physical scars (he is, after all, only human, with no real "super powers"), this one also focuses on his mental scars: his torment, his jadedness, and even his vulnerability. Pattinson is the perfect actor for this role in this film. Even lacking Affleck's physical bulk, his Batman is dark and properly menacing. He is magnificent. 

A younger Bruce Wayne means a younger Alfred, personified in this outing by Lord of the Rings alum Andy Serkis. Serkis is a man of many faces, and this is hardly a stretch of his considerable talent, but his Alfred somehow seems less imperative than previous incarnations of the character. Zoe Kravitz is a little flat as Serena Kyle, definitely missing the spark of some others who have worn the catsuit. Colin Farrell, Paul Dano, and John Turturro are serviceable if unexceptional baddies. Finally, of course I found fault with Jeffrey Wright's Commissioner Gordon, not because I have anything against Jeffrey Wright (on the contrary, I'm a fan), but because he's not Gary Oldman and that's just a cross borne by all of us who aren't Gary Oldman. If only the whole world could be Gary Oldman. But I digress........ 

The Batman features a new Batman, but it is careful to avoid repeating the Batman origins story. It adds layers to Bruce Wayne's history without asking the audience to relive the pearls. Again. The plot is more detective thriller than superhero tale, with new twists built around familiar characters. At nearly three hours long, the film could use a trim, but I never felt the length, never checked the clock, and I'd go so far as to say it absolutely needs at least two and a half hours to bring its story from beginning to end properly. (That's 30 minutes' indulgence over what I'd normally allow!) 

The Batman has a few moments that struck me funny, mostly things that too closely mirror specific moments in The Dark Knight, and one scene that was so Blues Brothers-esque I almost laughed out loud. The narration is hokey early on, but gets less so as the movie progresses. There's plenty of action, yet The Batman is mercifully lacking the endless fight and chase scenes that plague most films of the genre. Michael Giacchino's exceptional score pairs poorly with certain scenes, making the music so melodramatic as to seem almost silly at times (or maybe that's vice-versa). Kudos to hair and makeup--turning Colin Farrell, the planet's most attractive human, into something ugly is no small feat! 

Following middling critical and audience reception for the Batfleck movies, many would call The Batman a redemption for DC in general and for Batman in particular. I'm enough of a Batfan that I'd argue the point (despite the mediocre films, Affleck remains my all-time favorite Batman), but I'll happily take this as a vote in DC's favor from the court of general opinion. 

The Batman clocks in at a whopping 176 minutes and is rated PG13 for "strong, violent, and disturbing content, drug content, strong language, and some suggestive material." 

Anyone who says it's as good as or better than The Dark Knight is delusional or blowing smoke (it's not even close), but The Batman is a great, fresh take on an oft-resurrected character, and I look forward to seeing where this Bat flies. Of a possible nine Weasleys, The Batman gets eight. 

Until next time...