MOVIE REVIEW: WHIPLASH

A talented young jazz drummer experiences a trial by fire when he's recruited by a ferocious instructor whose unyielding search for perfection may lead to his undoing. For as far back as Andrew Neyman (Miles Teller) can remember, he's been watching his father fail. Determined to make a name for himself no matter what it takes, Andrew enrolls in a prestigious east coast music conservatory where his talent quickly catches the attention of Terence Fletcher (J.K. Simmons) a esteemed music teacher who's notorious for his caustic approach in the classroom. The leader of the school's top jazz ensemble, Fletcher promptly transfers Neyman into his band, giving the ambitious young drummer a shot at true greatness. He may achieve it, too, if Neyman's methods don't drive him to madness first. ~ Jason Buchanan, Rovi

Director Damien Chazelle

Cast: Miles Teller, J.K. Simmons, Paul Reiser, Max Kasch, Damon Gupton.

Release Date: Oct 10, 2014

Rated R for strong Language and Some Sexual References 

Runtime: 1 hr. 46 min. 

Genres: Drama 

Review:

The best kind of films are the ones that can make just about any subject riveting, even ones you have very little knowledge or interest.  Whiplash is that kind of kinetic freight train of a film.  Writer/Director Damien Chazelle allows his film to build steadily and surely until it reaches its nearly exhausting climate.  It’s an impressive feat when you think about the subject matter.  At its core the film is elevated by two spectacular performances by Simmons and Teller as they engage in some brutal psychological warfare.  J.K. Simmons performance is stunningly powerful.  At first glance it looks like a variation of R Lee Ermey’s drill sergeant in Full Metal Jacket but it becomes readily apparent that it’s a much more complex role as the film progresses.  Teller is just as focused and impressive as the student reaching for greatness at all cost.  Miles performance allows you to feel the nearly insane amount of drive his character feels.  The duo is entrancing when they’re onscreen each focused, performing at an incredibly high level.  You can’t really ask for more from a film. 

 
A

MOVIE REVIEW: AMERICAN SNIPER

Biopic of Chris Kyle (Bradley Cooper), the most-celebrated sniper in American military history. In the aftermath of 9/11, Kyle decides to serve his country by becoming a Navy SEAL. But with each tour of duty, he grows more detached from his wife and children. ~ Jeremy Wheeler, Rovi

Director: Clint Eastwood 

Cast: Bradley Cooper, Luke Grimes, Sienna Miller, Kyle Gallner, Ben Reed

Release Date: Jan 16, 2015

Rated R for some Sexual References, Language Throughout and Strong Disturbing War Violence

Runtime: 2 hr. 12 min. 

Genres: Action/Adventure, Drama 

Review:

American Sniper is an interesting film that manages to be straightforward but complicated at the same time.  Eastwood doesn’t really give us much of a point of view on the Iraq War; he’s more interested in the personal story of Chris Kyle which is refreshing since it could have easily devolved into a jingoistic anthem.  Eastwood’s film alternates between the war and Kyle’s home life but it’s clear that Eastwood is far more comfortable with the war portion of the story.  He delivers some impressive battle sequences with the final one being the most impressive and tense of the entire film.  At the heart of the film is Bradley Cooper who does fine work embodying Chris Kyle and chartering his growing internal struggle as his military career wears on.  Cooper is reserved and understated throughout but he captures the intensity and drive that ran through Kyle’s life.  Even though it’s a biopic the film does seem to focus on Kyle almost exclusively which means that doesn’t get a good feel for his friends or even his wife whose under characterized.  It doesn’t help that she’s played by Sienna Miller who’s not nearly a strong enough actress to believably deliver the emotional moments required.  Some creative choices also left me scratching my head, such as the villainous enemy sniper which was always within earshot of Kyle, regardless of which tour of duty he was on.  Even with its faults, the film does a fine job of honoring Chris Kyle’s memory and legacy. 

B-

Cindy Prascik's Reviews of Big Eyes & American Sniper

Dearest Blog, this week I had a glance at two awards favorites, Big Eyes and American Sniper. How's that for mature viewing? The fact that I saw both of these because the times worked well with additional Hobbit screenings...well, we'll keep that to ourselves, eh?

Spoiler level here will be mild, nothing you wouldn't know from the trailers or, you know, if you occasionally watch the news.

First to the plate: Big Eyes.

The subject of Big Eyes is painter Margaret Keane--noted for her portraits of waiflike children with extraordinarily huge eyes--her marriage, subsequent split, and legal battle with her second husband, who took credit for her work.

I burned a half-day's vacation Thursday to see Big Eyes before it closed here, thinking I'd need it for the Oscars. Oscar nominations were announced Thursday morning, and, as it happens, I don't need it at all ("My luck!" my Dad would have said), but, since the schedule worked perfectly with The Hobbit...well, you know the rest of that story.

Now, dear reader(s), you know how I feel about female-centric stories. I couldn't be less interested.

Even allowing for the Tim Burton factor, I expected to snooze through Big Eyes expressly for the privilege of saying, "Gee, that Amy Adams sure is great, huh?" Great Ms. Adams certainly is, but I couldn't have been more wrong about the rest of it. It's really nice to see something from Tim Burton that isn't inherently wacky. It's been awhile. That's not to say Big Eyes doesn't have its wacky Burton touches, but we're minus the goofy hats, silly songs, and rubber-legged dance numbers this time.

The whole thing still has an air of fairy-tale about it, which keeps a sometimes-less-than-happy story light and easy to watch. Amy Adams is incredible in the lead, a straight-woman to Christoph Waltz' over-the-top turn as her husband. (That's not to say Waltz isn't also great, and given the story, I don't find it hard to believe his performance is entirely accurate.)

Full marks to costumers, set designers, art direction, etc.: the movie looks beautiful, bright, and colorful, even in its toughest moments. It moves at a good pace and never feels slow or long, though it's hardly action packed. It came as a pleasant surprise that I enjoyed every minute.

Big Eyes runs 106 minutes and is rated PG13 for "thematic elements and brief strong language."

Maybe Oscar didn't love it, but I did.

Of a possible nine Weasleys, Big Eyes gets seven and a half.

Yesterday's heavy hitter was American Sniper.

Bradley Cooper stars in the true story of Navy S.E.A.L. Chris Kyle, a legendary sniper through four tours in Iraq, who found difficulty leaving the war behind when he finally returned home.

I always think it's important to be upfront if there's something that colors my opinion of a movie besides the movie itself, so here I need to state that I lost a friend, a Marine, in Iraq. Though I'm usually a notoriously cold fish, since then I can't keep it together if I so much as see a Marine by the Toys for Tots bin at the Mall during Christmastime. There's no way for me to watch or write about this movie minus that baggage.

So... *deep breath*

Bradley Cooper is as good as you've heard in the lead. I can't say he deserved an Oscar nod over Jake Gyllenhaal, but there's certainly nothing bad to say about his work here.

The supporting cast is solid, too, though I confess I'm not entirely sold on Sienna Miller.

The "in country" scenes are brilliantly executed; you can practically feel the heat and smell the dirt, and I'm pretty sure I held my breath for the better part of two hours, waiting for a potential threat from somewhere...anywhere.

For such a grim picture, there's a good bit of laugh-out-loud banter, and very little scene-setting music, which adds to the realistic tone.

Kyle very much embodies the prevalent American attitude of the time, so American Sniper presents quite the black-and-white view of the war, with little, if any, grey area.

The movie runs just a little longer than it needs to, and it feels somewhat wrong allowing it to present as truth so many things that have since been called into question. (The war itself aside, Kyle's Estate has been the subject of several lawsuits over the book on which the movie is based.*)

When it was over, I sprinted from the room in tears, bowling over a couple Marquee friends in my haste to go hide in a bathroom stall for a minute. (All I could see were maroon vests, so whoever it was I hope you're reading this and I apologize.)

I don't think I stopped shaking until the Elves arrived in Dale. I'm not sure how much blame/credit for that goes to the movie and how much to personal experience, but from the number of sniffles I heard around the room, this film is doing a bang-up job striking a nerve with more than just me.

American Sniper clocks in at 132 minutes and is rated R for "strong and disturbing war violence and language throughout, including some sexual references."

There are many reasons I hate American Sniper, none of which keep me from realizing it's a very good movie.

Its unflinching depiction of the cost of war is essential viewing. Of a possible nine Weasleys,

American Sniper gets seven.

Until next time...

*Thanks to Melissa Bradley for bringing this to my attention.

 






































"Tim...you made a movie WITHOUT ME??"

Cindy Prascik Reviews of Selma & Taken 3

Dearest Blog, this weekend my cinema surprised me with three new(ish) releases. In an attempt at responsible behavior, I saw two of said new releases rather than just seeing The Hobbit again. Since I can be just SO responsible, you know it was always gonna be Taken 3 and whichever awards hopeful worked best with Taken 3, which happened to be Selma.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda was Selma.

Dr. Martin Luther King, Jr. leads a march from Selma to Montgomery, Alabama, in an attempt to assure equal voting rights.

Well, dear reader(s), I don't really have adequate words for Selma, other than to say it should be required viewing for everyone, period. Based on actual events that are often difficult to watch, the movie still manages to entertain as it inspires.

The performances are extraordinary, with David Oyelowo leading the way in an Oscar-worthy turn.

Tim Roth is also especially noteworthy as Alabama Governor George Wallace.

The story moves at a good clip and is peppered with rousing monologues. There were times I actually jumped in my seat at the violence, even knowing what was coming. The movie's historical accuracy has been called into question a bit, but there's no denying Selma is a fantastic film with a vital message.

Selma runs 128 minutes and is rated PG13 for "disturbing thematic material including violence, a suggestive moment, and brief strong language."

Whether it wins any of the big prizes remains to be seen, but Selma is likely the most important movie you'll watch this year.

Of a possible nine Weasleys, Selma gets eight and a half.

Next up was the final (?) installment in Liam Neeson's Taken trilogy.

Accused of murder, Bryan Mills sets out to clear his name and protect his family.

So...you say "Taken 3" and people just kinda roll their eyes.

How many times can this happen to the same guy, right? If you're willing to suspend your disbelief, though, Taken 3 is self-aware good fun. Liam Neeson is in top ass-kicking form, managing lots of awesomely ridiculous escapes and delivering plenty of crowd-pleasing kills.

The rest of the cast--including Academy Award winner Forest Whitaker--is fine, but, if we're being honest, they could be marionettes for all it matters; it's Neeson's show and as long as he's outsmarting baddies and beating them to a pulp, you don't much care about anything else.

The movie has spectacular action sequences, well-choreographed fight scenes, a fair few laugh-out-loud moments, a satisfying--if predictable--final act, and is smart enough not to wear out its welcome.

With even half-reasonable expectations, you're guaranteed a fun couple hours.

Taken 3 runs 109 minutes and is rated PG13 for "intense sequences of violence and action, and for brief strong language."

If you're in the market for a bit of brainless entertainment, it doesn't get much more brainless or much more entertaining than this.

Of a possible nine Weasleys, Taken 3 gets six.

Until next time...

MOVIE REVIEW: SELMA

David Oyelowo stars as Martin Luther King Jr. in this historical drama set during the height of the American civil-rights movement, and depicting the marches from Selma, AL, to the state capital of Montgomery to secure voting rights for black people. Brad Pitt and Oprah Winfrey produce and Ava DuVernay (I Will Follow, Middle of Nowhere) directs. ~ Jason Buchanan, Rovi

Director: Ava DuVernay 

Cast: David Oyelowo, Tom Wilkinson, Cuba Gooding, Jr., Carmen Ejogo, Alessandro Nivola, Giovanni Ribisi

Release Date: Dec 25, 2014

Rated PG-13 for Brief Strong Language, A Suggestive Moment, Disturbing Thematic Material and Violence 

Runtime: 2 hr. 8 min. 

Genres: Drama 

Review:

Selma is an excellent film which captures the 60’s civil rights movement but feels timely at the same time.  Ava DuVernay’s direction, helped by some beautiful and evocative cinematography, provides immediacy to the entire story.  As a result the film rarely drags even though there are a few moments where it could have been trimmed, just a tad.  At the center of it all is a mesmerizing David Oyelowo who delivers a career making performance as King.  Oyelowo captures King’s voice inflections perfectly but it’s more than just mimicry.  The script gives us a King that’s very human and Oyelowo brings that to the screen perfectly.  We see the passion, some of the failings and pain King went through along with some wonderfully engrossing reenactments of famous speeches.  The rest of the cast was strong with nary a weak link in the cast even though I’d love to have seen a bit more of King’s relationship with his wife, played well by Carmen Ejogo.  Selma is a sure fire awards candidate, it’s also the type of film that may make your eyes well up on more than a few occasions.

A-

MOVIE REVIEW: BIG EYES

The true story of painter Margaret Keane's life in obscurity while her husband gleaned the notoriety for being the face of her work is brought to the screen by Tim Burton and his Ed Wood screenwriters, Scott Alexander and Larry Karaszewski. Danny Huston, Terence Stamp, and Jason Schwartzman co-star. ~ Jeremy Wheeler, Rovi

Director: Tim Burton 

Cast: Christoph Waltz, Amy Adams, Terence Stamp, Krysten Ritter, Danny Huston, Terence Stamp, Jason Schwartzman

Release Date: Dec 25, 2014

Rated PG-13 

Runtime: 1 hr. 46 min. 

Genres: Biopic, Tragi-comedy, Drama 

Review:

Big Eyes is the type of film that Tim Burton should make more often, just to keep himself honest.  A smaller, more personal film would remind the masses that he’s a capable director outside of his tried and true tropes.  That’s not to say that this isn’t a Burton film because it is albeit a less garish version of his films.  Burton’s film is still visually eye catching even if there isn’t a gothic or fantastical element at play.  He delivers a glossy, light film that’s easy to enjoy but hard to get close to.  Its heart and soul is Amy Adams who performance is a collection of varying levels of subtly.  Adams gives us a peek into the psyche of Margaret Keane even if the script never does.  On the opposite end of the spectrum is Christoph Waltz who’s in full sleezy salesman mode.  Watlz is given free reign to take his character to extremes which almost drown out anything else on screen, including Adams.  Burton would have been well served if he’d reigned him in just a tad and the script given us more insight into the people and relationships.  Instead, they’re both painted with broad strokes lacking the kind of detail that would have made this film truly special.  

B

Cindy Prascik's The Best and Worst and In-Betweens of 2014!

Dearest Blog, here we are at the end of another year. Some folks are saying it was a bad year for cinema, but I sure had a good time with it. Following are my top ten films of the year, along with assorted random thoughts.

Disclaimer: A movie's placement here will not necessarily be commensurate with its original Weasley rating. Some films fared better under repeat scrutiny, some worse, and some have not yet had the opportunity to do either. Kindly bear in mind, too, that I live in a little place that doesn't always get movies all that quickly. The chance to see Pride and Inherent Vice (which almost certainly would have made the list), Whiplash and Foxcatcher (which might have), and Boyhood (which, if we're being honest, never would have) has not yet presented itself.

And here...we...go...

My Best:

10. "You're only a monster if you behave like one."

I, Frankenstein

Shut up, okay? Just shut up. I know you hated it. I know everyone hated it. I had enough also-rans kicking around the final spot on my list that I easily could have saved face and left this one off, but, you know what? I love it. I loved it at the cinema, and I've loved it the 20+ times I've watched it since. I'm not saying it belongs on any awards shortlists, but the effects are solid, the story is different, Aaron Eckhart is great, and it has Bill Nighy...which almost earns it a spot regardless of any other factors. The movie knows what it is, doesn't pretend to be anything else, and lived up to my very high expectations. Someday I, Frankenstein will be a genuine cult classic. Remember I told you so!

9. "You were a movie star, remember?"

Birdman

Unlike number ten, my number nine is on pretty much everyone's best-of lists, and deservedly so. Michael Keaton, Edward Norton, and Emma Stone are extraordinary in a strange, fascinating little story with a frustratingly ambiguous, yet somehow perfectly suitable, ending. This one is sure to share more of its secrets upon repeat viewings...can't wait for the DVD!

8. "I will never ask you to do anything that I wouldn't do myself."

Nightcrawler

Is there anything more fun to watch than when Jake Gyllenhaal does creepy? Nightcrawler has Creepy Jake in spades, headlining the riveting tale of a freelance videographer who crosses the line between covering news and becoming part of it. How far would YOU go to reach your goals? Nightcrawler will leave you wondering.

7. "Tadashi is here."

Big Hero 6

I'm not sure what I can say to adequately express the awesomeness that is Big Hero 6, but I'll start with: it bumped The Lego Movie out of this list. The Lego Movie is definitely the more buzz-worthy of the two and will probably win all the "Best Animated Feature" awards, but, for my money, Big Hero 6 is more fun to watch, better to look at, and more memorable. It also hits a sincere note that The Lego Movie doesn't quite match. If we're being fair, The Lego Movie *was* one of those knocking around my number-ten spot, but it doesn't come close to Big Hero 6 in my heart.

6. "We are Groot."

Guardians of the Galaxy

It was really hard not to make this number-one on my list, harder still to choose just one quote from the year's most quotable movie. Ever since that first trailer blew up the Internet back in the spring, GOTG has been 2014's big news. A relatively unknown property that put its biggest stars in roles where their faces are never seen, the fact that this thing took off and became the year's highest-grossing domestic hit makes someone at Marvel look like a true genius. Toss in a terrific soundtrack filled with hummable 70s nuggets, and you've got one for the ages.

5. "Gotta be who you are in this world, right? No matter what."

The Equalizer

Alright, people, how this not on all the best-of lists?? The Equalizer is a perfect movie...or, at the very least, a perfect movie for me. It's not brain surgery, but it's smart, action packed, engaging from beginning to end, and boasts a fantastic cast featuring Marton Csokas, Chloe Grace Moretz, Bill Pullman, my best gal Melissa Leo, plus another incomparable turn by the world's greatest leading man, Denzel Washington. What's not to like??

4. "Before we get started, does anyone want to get out?"

Captain America: The Winter Soldier

Equal parts spy thriller and superhero yarn, Captain America: The Winter Soldier is so much more than it had to be. It's a layered story where almost nothing is quite what it seems, and Steve Rogers' unshakable morality is challenged at every turn. The cast is uniformly phenomenal, and the writing is so smart that even Honest Trailers had a hard time finding things to mock. In a year with no Batman, CATWS did a nice job filling the gap!

3. "The world is gonna hear that voice."

Jersey Boys

The big-screen version of Jersey Boys was met with a resounding ho-hum from critics, yet it was one of only two movies to earn a perfect nine Weasleys from me in 2014. It's got a great cast, a great story, and most importantly, a bunch of truly great songs that have stood the test of time. I saw it twice at the cinema, and both times every single person in a packed house walked out smiling and singing. If that's not the reason you make a movie, then I don't know what is.

2. "Will you follow me...one last time?"

The Hobbit: The Battle of the Five Armies

I'm honest enough to understand that I see the Hobbit franchise through Rose (Cotton)-colored glasses. The Battle of the Five Armies doesn't match the original LOTR trilogy, but it's a far better film than its predecessor, and I'm pleased to say I was in love with it from my first screening. I look forward to hundreds more. Thanks, Peter Jackson, for the ride of a lifetime.

1. "I think forgiveness has been highly underrated."

Calvary

As it turns out, the year's best movie is one you probably didn't see if you live on my side of the pond. Brendan Gleeson turns in the finest performance of 2014 as a Catholic priest given a week to set his house in order after his life is threatened in the confessional. Calvary is a grim movie with a great heart and a surprising number of truly funny moments. (Graveyard humor, to be sure, but hilarious nonetheless.) The locations are magnificent, the cast is impeccable, and Calvary is untouchable as the best movie of 2014.

My Almosts:

The Lego Movie

A truly fun family movie that provided my only Batman fix of the year!

Expendables 3

Well, of course. It is MY list, isn't it?

The Boxtrolls

Lovely animation with a decidedly dark feel, perfectly spooky entertainment for the whole family.

Edge of Tomorrow

A smart, surprisingly fun sci-fi outing featuring fantastic turns by Tom Cruise and Emily Blunt.

Gone Girl

A twisting, turning, expertly executed yarn that keeps you guessing right to the very end.

My Most Pleasant Surprises:

Robocop

Fans of the original had plenty of complaints about this remake, but I found it extremely entertaining. Bonus points for bringing one-hit wonder Focus' hit Hocus Pocus to a whole new generation...in digital surround-sound! Double-bonus points for being the more watchable of Gary Oldman's two dubious screen outings this year.

Transformers and Teenage Mutant Ninja Turtles

Both big, dumb fun that I enjoyed immensely. Transformers is way too long, but it's also the worldwide top money-maker of 2014, so take that, critics.

John Wick

Super action from start to finish, gorgeous cinematography, and Keanu Reeves. Win.

The Purge: Anarchy

What an upgrade from the original! Frank Grillo is Hollywood's new number-one badass.

And the number-one "That Wasn't as Bad as I Expected" film of 2014: Divergent
Literally every single review of this movie included some expression of that sentiment. We all might as well have said, "Hey, it's no Hunger Games, but at least it's not Twilight, either!!"

My Biggest Disappointments:

The Amazing Spider-Man 2

Andrew Garfield is such a perfect Spidey...won't someone please write him a good movie?

How to Train Your Dragon 2

The first HTTYD is one of my top films of all time. The sequel was rumoured to be even better, but it left me completely flat. I warmed to it a bit on second viewing, but, still, I expected to love this so much more than I do.

The Book of Life

This should have been awesome. All the pieces add up to awesome. It is decidedly not awesome.

My Worst:

Winter's Tale

Does anything scream "great movie" more than Colin Farrell and Russell Crowe in the leads? Well, apparently not always.

Transcendence

It was a very bad year for Johnny Depp.

Noah

It was a very bad year for Russell Crowe.

Exodus

It was a very bad year for the Bible.

Wild

I haven't been this bored since Your Highness.

Random Thoughts:

If you were going to see Unbroken, rent or buy The Railway Man instead.

Six years after The Dark Knight, how is it that two of the year's best-reviewed titles (by critics and fans alike)--Captain America: The Winter Soldier and Guardians of the Galaxy--will not be considered in any of the major Best Picture races simply because they are genre films??

Is Bradley Cooper eligible for a Best Supporting Actor nod for Guardians of the Galaxy? His "I didn't ask to be torn apart..." speech is the best acting I saw all year.

Luke Evans and Aidan Turner, you are going to be big, big stars. Please always stay as awesome as you are right now.

So, that's my year-end wrap for 2014. Kindly discuss in the comments if you're so inclined!
2015 is already shaping up to be a great year at the movies, so I'll hope to see everyone at the Highlands Marquee Cinemas!

Until next time....Cindy Prascik

Cindy Prascik's Reviews of The Theory of Everything, Unbroken, Into the Woods, Wild, and The Gambler

Dearest Blog, over the past four days, I've mainlined the five new releases offered by my cinema this week. Herein I offer brief (for me) takes on all of them.

Spoiler level here will be mild, limited to things you'll have learnt from the trailers.

First on the agenda: The Theory of Everything.

The Theory of Everything follows the brilliant physicist Stephen Hawking's life as seen through his relationship with the former Jane Wilde.

Well, dear reader(s), I'll be honest: Theory of Everything isn't the snooze-fest I expected. It's slow, for sure, but I wasn't bored. Positives include extraordinary performances all 'round, a surprising number of funny moments, and (fangirl alert!) Harry Lloyd and Charlie Cox in the same movie.

On the negative side, the movie tackles even the worst moments of what's surely been a sometimes-very-difficult life with a fairy-tale gloss, and (like 42 before it), its primary message seems to be that this extraordinary human being would be nothing without his devout and loving wife.

Not discounting the value of a quality spouse, but the movie really hits you over the head with it...though it *is* based on a book by the ex-Mrs. Hawking, so there you have it.

The Theory of Everything runs 123 minutes and is rated PG13 for "some thematic elements and suggestive material."

While it was better than I anticipated, I still don't consider it a fair contender in the Best Picture races.

Of a possible nine Weasleys, The Theory of Everything gets five.

Next up was Angelina Jolie's "based on a true story," Unbroken.

After his plane crashes during a WWII rescue mission, former US Olympian Louis Zamperini endures years of abuse in a Japanese POW camp.

This is a story well worth hearing, and it's a crime Unbroken does such a poor job telling it. From the first trailer, this reeked of awards desperation, crying out for nominations it doesn't half deserve.

A bloated runtime means that every single piece drags on too long. What should be the movie's most heartbreaking or inspiring moments are over-zealously wrung into eye-rolling territory, and the blandly competent performances are sadly well suited to this exercise in disappointment.

Unbroken clocks in at a painful 137 minutes and is rated PG13 for "war violence including intense sequences of brutality, and for brief language."

A plodding bore that manages to hit false notes with all its important moments, of a possible nine Weasleys, Unbroken gets two.

Third in my lineup was the musical Into the Woods.

A childless couple enters into an arrangement with a witch to end a curse placed on their family.

While attempting to keep up their end of the bargain, they encounter many-a famous fairy tale figure.

In the interest of full and fair disclosure, I'll admit that, while I love musicals, Into the Woods is not a favorite. I looked forward to the movie version due to some appealing casting, but I wasn't nearly as interested as if, say, someone would bring Taboo to the big screen. (Hint, hint...)

Sometimes it's a little too easy to forget how horrible and genuinely disturbing fairy tales can be. Into the Woods carries a dark tone throughout, and, if ever you're thinking, "Surely they wouldn't...???" well, yes, they probably would.

Pluses include Meryl Streep (do I even need to say that?), Emily Blunt (who has been fantastic at pretty opposite ends of the movie spectrum in 2014), Johnny Depp's Rum Tum Tugger-like Big Bad Wolf, the delightful James Corden, and Daniel Huttlestone, who proves the best part of this movie, as he previously did with Les Miserables.

Scenery and costumes are gorgeous, and there are some terrific laugh-out-loud moments, mostly courtesy of Chris Pine's Prince Charming. (If ever a man were born to play a handsome prince, it's gotta be Chris Pine.) Negatives are super-annoying and repetitive songs (yeah, I said it), the always-over-earnest Anna Kendrick, and Lilla Crawford, who offers the most blood-curdling onscreen screech since Hermione got caught in the Whomping Willow.

Into the Woods overstays its welcome, and, while I enjoyed much of it, by the end I was worn out and more than ready for it to be over.

Into the Woods runs 124 minutes and is rated PG for "thematic elements, fantasy action and peril, and some suggestive material."

As this year's movie musicals go, for me it's a poor second to Jersey Boys. Of a possible nine Weasleys, Into the Woods gets five.

The penultimate entry in my weekend movie-fest was Wild.

A woman who has made rather a mess of her life hopes to make things better by taking a solo hike of over 1,000 miles. Clearly said woman has never heard of Oreos.

Anyone reading this likely knows Wild is the sort of movie that makes me want to hit myself in the face repeatedly with a frying pan.

I hadn't ruled out the possibility of a pleasant surprise, but...

If we're being honest, Wild might as well have been called "Please Give Reese Witherspoon Another Oscar." It's not really about anything more than that, and the good news is Witherspoon is fantastic.

In further happy developments, there are actually two or three scenes that *aren't* mind-numbingly boring, and a couple great tunes are thrown in for good measure. It even gets bonus points for brief appearances by W. Earl Brown and Kevin Rankin. The bad news is the movie is otherwise filled with "inspiring" shots of Reese looking at the sky and at the water and at the mountains, and such annoyingly pretentious statements as, "I was never even in the driver's seat of my own life." (By all means, GET in the driver's seat and do a Thelma & Louise, please and thank you.)

The movie feels about a hundred hours long, and would be well served by Gravity's lesson: If your film doesn't have a lot going on and exists solely to show off a performance, an effect, a new technology, whatever, bring it in at 90 minutes. *I* would have been well served by my own lesson:

If you walk into a movie and there are only women in the audience, it's clearly awful and you should get out while you can!

Wild runs 115 minutes and is rated R for "sexual content, nudity, drug use, and language."

If I had to say something nice about Wild, I'd say El Condor Pasa is a great old song I don't hear nearly often enough.

Of a possible nine Weasleys, Wild gets three.

The final movie on my long-weekend docket was The Gambler.

Mark Wahlberg stars as a college professor deep in gambling debt.

It will surprise no one who has ever read this blog that The Gambler was my favorite of the five new movies I saw over the weekend.

Mark Wahlberg is pretty terrific in the lead, carrying the movie mostly on his own despite some solid supporting performances from Jessica Lange and Michael Kenneth Williams.

The film expertly maintains tension throughout, though--not understanding cards myself--I felt like I was late getting the gist whenever that final card was laid down.

Did he win? Did he lose?

I didn't know until I saw which direction the chips got pushed!! If I have one complaint with The Gambler, it's that John Goodman has more shirtless screentime than Mark Wahlberg.

Who thought THAT was a good idea?

However, the film makes up for it by giving us Brainy Mark Wahlberg In Glasses. Mmm...

The Gambler clocks in at 111 minutes and is rated R for "language throughout, and some sexuality/nudity."

It feels a lot like one of those forgettable late winter releases, but The Gambler is still an entertaining couple hours of cinema.

Of a possible nine Weasleys, The Gambler gets six.

Random lessons learned from over 15 hours spent at the movies this weekend:

Seeing the new Star Wars trailer on a big screen is far more moving than fake Oscar-bait emotion.

Advertisements for the coming season of Downton Abbey play like a summer disaster flick.

If you were thinking of seeing any of the five movies mentioned above, go see The Hobbit again instead.

Kingsman: The Secret Service is already my favorite movie of 2015.

Until next time....

Here's a photo of Charlie Cox. You're welcome.

Cindy Prascik's Review of Calvary

Dearest Blog, over the long holiday weekend, I finally, FINALLY got to see a movie to which I've been looking forward for nearly all of 2014: Calvary.

Spoiler level here will be mild, nothing that isn't divulged by the trailers.

After being threatened in the confessional, a priest in a small Irish town has a week to decide how to address the situation.

Well, dear reader(s), what can I say except Calvary proved more than worth the wait. The whole Internet has not the capacity to hold all the good things I have to say about this movie, so I'll try to hit the high points and keep this short...or...you know...short for me.

Calvary is headlined by Brendan Gleeson, and, if you think you've seen the performance of the year from Eddie Redmayne or Jake Gyllenhaal or Michael Keaton, well, roll all those up into one and you might get halfway to Gleeson's work in Calvary.

He is magnificent as a good man caught in an unspeakably bad situation, and his interactions with his parishioners swing from hilarious to heartbreaking without missing a beat. Solid turns by Chris O'Dowd, Dylan Moran, Aidan Gillen, David Wilmot, and especially Kelly Reilly round out a cast that never hits a sour note.

Peacefully beautiful Irish locations seem at odds with shocking actions and words. The film's grim mood is broken by laugh-out-loud moments; it's serious as a heart attack, but never miserable. The movie manages to show faith as a good thing, without ever being preachy, and acknowledges horrors perpetrated by Catholic clergy while always maintaining THIS priest as a good and strong, if complicated, man.

Though it's hardly action packed, there is not a single dull moment as Calvary keeps its secret right up to an unsettling and strangely hopeful ending.

Calvary clocks in at 102 minutes and is rated R for "sexual references, language, brief strong violence, and some drug use."

Though it never earned a wide-release in the US, Calvary is now available on BluRay, digital download, and VOD.

DO NOT MISS IT.

Of a possible nine Weasleys, Calvary gets all nine and wants Arthur and Molly to have a few more kids.

Until next time


What they said.

MOVIE REVIEW: INTO THE WOODS

Stephen Sondheim's Into the Woods is adapted in this musical from director Rob Marshall and Walt Disney Studios. Inspired by a choice selection of Brothers Grimm fairy tales, this plot centers on a baker (James Corden) and his wife (Emily Blunt) who incur the wrath of a witch (Meryl Streep) while attempting to start a family. Subsequently cursed by the vengeful hag, the hapless couple find their fates linked with those of Cinderella (Anna Kendrick),Little Red Riding Hood (Lilla Crawford), Rapunzel (MacKenzie Mauzy) and Jack (Daniel Huttlestone) of Jack and the Beanstalk. Johnny Depp, Chris Pine, and Lucy Punch co-star. ~ Jason Buchanan, Rovi

Director: Rob Marshall 

Cast: Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris Pine

Release Date: Dec 25, 2014

 

Rated PG for Thematic Elements, Some Suggestive Material and Fantasy Action and Peril

Runtime: 2 hr. 4 min.

Genres: Music/Performing Arts, Sci-Fi/Fantasy

Review:

Into the Woods is this year’s entry into the big budget musicals and it fairly solid success.  Rob Marshall, who directed one of my favorite movie musicals Chicago, delivers an energetic film that just enjoyable to watch and listen to.  James Corden and Emily Blunt anchor the film with the latter showing off some impressive pipes.  They share an adorable sort of chemistry together and really bring the film together on multiple levels.  Meryl Streep energetic performance as the witch shouldn’t come as much of a surprise.  Anna Kendrick and a hilarious Chris Pine make for a fun Cinderella and Prince Charming.  Lilla Crawford leaves a solid impression as a head strong Red Riding Hood.  Her encounter with Johnny Depp’s Big Bad Wolf is by far the film’s most subversive segment.  Into the Woods has great energy while we’re running through the mash up of the fairytales but then we hit the 3^rd act where the film comes to a grinding halt.  It’s not horrible by any stretch but it doesn’t have the energy of the first 2 acts as we move from the fairytales to the story’s finale.  A bit of trimming on the film adaptation would have done wonders.

B-

MOVIE REVIEW: THE GAMBLER

In this remake of the James Caan 1974 vehicle The Gambler, an English professor (Mark Wahlberg) who is also a compulsive gambler finds that the only people who will have anything to do with him are those to whom he owes money. ~ Jeremy Wheeler, Rovi

Director: Rupert Wyatt     

Cast: Mark Wahlberg, Brie Larson, Jessica Lange, John Goodman, Emory Cohen

 Release Date: Dec 25, 2014     

Rated R for some Sexuality/Nudity and Language Throughout     

Runtime: 1 hr. 51 min.     

Genres: Drama, Suspense/Thriller     

Review:

The Gambler is a film that’s trying very hard to be something special.  Rupert Wyatt gives the film a glossy sheen, driving it through its narrative with noticeable energy.  Mark Walhberg is doing his best Christian Bale impression by losing a massive amount of weight and looking generally disheveled.  John Goodman does excellent work in a supporting role as Mafioso.  Typically all this would make for an excellent film but the results here are mixed.  I respect Walhberg’s attempts to take his craft seriously but he’s seriously miscast here as the worlds most aggressive English professor.  He gives it his best try but it doesn’t work, it’s just never believable.  It’s always good to see Brie Larson get some work but she’s saddled with a nonsensical love interest role.  We’re told she’s a genius early on but her actions throughout the rest of the film tell us otherwise. John Goodman does give us an excellent supporting turn, creating an extremely intimidating character in limited scenes.  All in all The Gambler feels like a missed opportunity because there seems to be a better film in there somewhere.

C+

MOVIE REVIEW: THE HOBBIT: THE BATTLE OF THE FIVE ARMIES

Peter Jackson takes cues from the appendices of The Lord of the Rings to expand New Line Cinema's Hobbit adaptation with this third film completing the epic tale of Bilbo Baggins, as played by Martin Freeman. The story opens to find the vengeful dragon Smaug (voice of Benedict Cumberbatch) decimating the peaceful hamlet of Laketown as Bilbo, Thorin (Richard Armitage) and the rest of the dwarves lay claim to the Lonely Mountain. But their celebration is short-lived as Thorin grows obsessed with finding the Arkenstone. Meanwhile, Galadriel (Cate Blanchett) Elrond (Hugo Weaving) and Saruman (Christopher Lee) battle the Nazgul in an attempt to free Gandalf (Ian McKellen), and get some unexpected help from eccentric wizard Radagast (Sylvester McCoy). Unfortunately for all involved the struggle has only just begun, because as armies of dwarves, elves, orcs, humans and goblins converge at the base of the Lonely Mountain, the fight for the future of Middle Earth begins. ~ Jeremy Wheeler, Rovi

Director: Peter Jackson 

Cast: Martin Freeman, Ian McKellen, Richard Armitage, Luke Evans, Evangeline Lilly, Orlando Bloom

Release Date: Dec 17, 2014

Rated PG-13 for Intense Fantasy Action, Frightening Images and Intense Fantasy Violence

Runtime: 2 hr. 24 min.

Genres: Action/Adventure

Review:

The final entry in The Hobbit trilogy finally pays off all the set up from the sometimes laborious previous entries.  Jackson has proven time and again that he’s a master of marvelous mayhem on an epic scale. After wrapping up the storyline from the 2^nd film, which should have be the previous entries finale, the film moves judiciously through some plot points setting up the final battle(s).  This film is the leanest of all of Jackson’s Tolkien films with a steady sense of momentum throughout.  Once the film’s battle sequences begin, they don’t stop for nearly an hour and a half.  It’s a dizzying run through every sort of battle you’ve ever seen.  The finale set in the ice and snow is the most impressive of the entire film which also packs the biggest emotional punch.  The actors have all settled into their roles by this point and each delivers strong performances with Luke Evans and Martin Freeman being the biggest standouts.  Evangeline Lilly gets a rather large chuck of screen time which is baffling since the character is not in the books and she’s saddled with a clichéd love story.  Unlike the other trilogy capper, this one doesn’t wear on too much but that’s not to say it doesn’t overstay its welcome.  Battle fatigue, even when they wonderfully crafted, starts to set in after a while.  At the very least it’s not filled with endless false endings like Return of the King, instead we get a nice send off with an aged Bilbo taking us back to the start of the Lord of the Rings trilogy.

B

MOVIE REVIEW: THE INTERVIEW

Dave Skylark and producer Aaron Rapoport run the celebrity tabloid show "Skylark Tonight." When they land an interview with a surprise fan, North Korean dictator Kim Jong-un, they are recruited by the CIA to turn their trip to Pyongyang into an assassination mission.

Director: Evan Goldberg, Seth Rogen     

Cast: James Franco, Seth Rogen, Randall Park, Lizzy Caplan, Diana Bang

Release Date: Dec 25, 2014

Rated R for pervasive language, crude and sexual humor, nudity, some drug use and bloody violence

Runtime: 1 hr. 52 min.     

Genres: Comedy, Action     

Review:

The Interview will probably be remembered for having one of the strangest releases in movie history.  The Sony cyber attack, North Korea and The Guardians of Peace all made for the cancelled then eventual release of this film.  After its strange long trek to screens, you can’t help but wonder if the film was even worth all the trouble.  The Interview is pretty much what you’d expect from Rogen and Franco.  Juvenile humor with some very strong moments scattered throughout the film.  Rogen does his usual shtick albeit playing a bit more of a straight man than usual.  Franco is over the top throughout, playing Skylark like an overgrown man child. The biggest issue is that the film never maintains the laughs for very long, you’ll have sporadic bits of hilarity followed by some fairly noticeable dead spots were the film just drags; it would have fared better with stronger editing.  The final act gets surprisingly gory for no apparent reason but it typifies the film, it serves as a perfect microcosm of the film, funny for bits but bland for long stretches.  Goldberg and Rogen seem to be shooting for Spies Like Us feel which they achieve occasionally.  It’s not the pair’s finest work and their inexperience behind the camera is evident.  Ultimately, the hype around the film will probably over shadow the film in the long run which isn’t surprising since it’s an above average comedy film at best.

C+

Cindy Prascik's Review of The Hobbit: The Battle of the Five Armies

Dearest Blog, with a couple screenings of the final installment of Peter Jackson's Hobbit trilogy now under my belt, I shall try to present some thoughts. Coherence not guaranteed. (But is it ever?)

Spoiler level here will be mild-ish, no biggies, but if you prefer to go in totally blind--if that's even possible with a story that's nearly 80 years old--kindly defer reading until you've seen it.

Having made their way home, the company of Thorin Crabbypants defends its Kingdom Under the Mountain, but there's more than gold on the line when the battle expands.

Where to start...where to start...

Beginning at the beginning, BOTFA kicks off where Desolation of Smaug ended, with an angry dragon descending on the panicked citizens of Lake-town. For such frantic circumstances, the start of the film seems quite slow. Then there is The Thing that happens so quickly I have to wonder why The Thing didn't happen in the last movie, as (in Director Cindy's opinion) it seems more fittingly part of that one, and would have provided a more logical breaking point between numbers two and three.

The Thing is a pretty major development, but dropping it so soon makes it seem almost an afterthought. Once the movie gets rolling, it's not hard to see why filmmakers changed the name from There and Back Again...this movie is not about a trip; this movie is about a fight. While I wouldn't quite agree that it amounts to no more than an extended battle scene, there's definitely a lot of battlin' going on.

At nearly two and a half hours, BOTFA is the most compact of Peter Jackson's six Middle Earth epics, and it honestly does not seem long. Having said that, there are plenty of places it could have been cropped to make a better film, battles among them. (I might also mention the attentive viewer needs just so many shots of a dive-bombing dragon to get what's going on there.) Some CGI is inexcusably poor for a movie that cost so much to make; as with DOS, it's mostly noticeable in the movement of the Elves.

The few lighter moments are hit or miss, with Martin Freeman's wonderful expressiveness getting credit for the hits, and a bunch of flat, obvious gags featuring Ryan Gage taking blame for the misses. The character Tauriel remains a pointless addition, and her simpering looks at Kili and Legolas and Thranduil and...well...pretty much everyone are almost too annoying to bear. Finally, there's simply too little of 12 of the 13 Dwarves we've come to love over the course of the series.

On to the positives...Ken Stott and Martin Freeman remain the heart of The Hobbit, through three movies turning in performances that are consistently genuine, funny, and moving. I'd be remiss in my fangirling if I didn't note that Aidan Turner and Luke Evans are also terrific; this franchise will deservedly make big stars of both, and I couldn't be happier or more proud.

The movie's backed by the usual glorious New Zealand scenery, and the usual glorious Howard Shore score.

Obviously, this is another Jacksonized version of Tolkien; by this point, I'm sure nobody walks into these things expecting a faithful adaptation of the books. (If it were about real people, I'd say it's more "inspired by true events" than "based on a true story.") In many ways, it's Jackson's final thank you to the fans who have loved his vision of Middle Earth, with characters from the other films being name-checked or turning up in cameos and small roles.

Even if the battle scenes run on a bit, there's no shortage of nice fight choreography, cool weapons, and badass hero moments. It would be less than honest to pretend the story isn't stretched pretty thin; this is no Return of the King, and it won't be received as such by fans or critics.

That may feel like going out with a whimper instead of a bang, but in the end it's immaterial to me. Buoyed by my strong affection for the franchise, I have no problem accepting this as a fitting goodbye, and, as with all the other movies in the series, I'm confident my love will only grow with repeat viewings.

The Hobbit: The Battle of the Five Armies runs 144 minutes and is rated PG13 for "extended sequences of intense fantasy action violence and frightening images."

I'm not sure this a great movie--and I'm not sure it's not--but I'm mostly happy with it.

Of a possible nine Weasleys, The Hobbit: The Battle of the Five Armies gets seven.

Now, if anyone needs me, I'll be petitioning the Tolkien estate to give PJ the Silmarillion.

Until next time...

Because...reasons

MOVIE REVIEW: EXODUS: GODS AND KIN

From acclaimed director Ridley Scott (Gladiator, Prometheus) comes the epic adventure “Exodus: Gods and Kings,” the story of one man’s daring courage to take on the might of an empire. Using state of the art visual effects and 3D immersion, Scott brings new life to the story of the defiant leader Moses (Christian Bale) as he rises up against the Egyptian Pharaoh Ramses (Joel Edgerton), setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.

Director: Ridley Scott     

 Cast: Christian Bale, Joel Edgerton, John Turturro, Sigourney Weaver, Aaron Paul 

Release Date: Dec 12, 2014

Rated PG-13 for violence including battle sequences and intense images     

Runtime: 2 hr. 22 min.    

Genres: Drama    

Review:

Exodus: Gods and Kings is a throwback to the big scale biblical epics from the past.  Ridley Scott brings a sweeping grandeur to the whole thing but it never really gets its footing with any of the characters.  The film clocks in at nearly 2 and half hours, some of which is quite a slog, yet we never really get any real connections to the characters.  Christian Bale is fine as Moses but he doesn’t give the character any heartfelt drive to save his people.  As such Moses comes off as an annoyed nut whose just doing something because he has to.  At lease the script gave Moses a bit more of a tacticians mind as he plots his revolt that will lead to the liberation of the Israelites.  Rames, played by a guy liner-rrific Jole Edgerton, comes off as a bumbling buffoon all the way through.  There’s a little effort to give him a bit more depth but not nearly enough to matter in the long run.  The supporting cast is prestigious but underused and ultimately wasted.  The film’s lack of three dimensional characters is ultimately its biggest downfall.  Ridley Scott created a visual spectacle which is finely produced but it all feels hollow since we really don’t care about any of the characters, not the way we were supposed to at least.

C+

Cindy Prascik's Review of Exodus: Gods and Kings

Dearest Blog, end of the year means burning that unused vacation, so today I found myself at a mid-afternoon screening of Exodus: Gods and Kings.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.
Believing he's been called by God, Moses leads hundreds of thousands of Hebrew slaves out of Egypt.

Dear reader(s), in the interest of full and fair disclosure I'll note that to me the Bible is as real as a Twilight novel. I mean that not to insult anyone's beliefs, but to make it clear that Biblical accuracy or lack thereof is not why I hated this movie. I hated it because, to quote one of my all-time favorite reviews, it is "a lumbering bore."

Much has been made of all the white folks portraying characters who would have been decidedly un-white, and that does make it a bit hard to take the movie seriously. Sigourney Weaver as an Egyptian queen gave me a fit of the giggles that I almost didn't get past, and I'm pretty sure a servant girl was wearing one of Lady Gaga's wigs. Close-ups reveal French manicures on some of the women. (I'm not even kidding.) Accents are all over the place--hell, Christian Bale runs through four or five different ones himself--and the language is too modern to suit the movie's time frame. If Lord of the Rings bought its battle scenes at Wal-Mart, they'd probably look a lot like the ones in Exodus. Much of the CGI is laughably bad; in fact, the whole thing kinda looks like a regional theatre production of Jesus Christ Superstar. And if being bored to tears isn't bad enough, there's a boatload of explicit animal cruelty for your viewing pleasure, and a blustery score that occasionally goes all "NCIS terrorist cue." It's more than a little offensive.

Bale's Moses is an unsympathetic character, who, like Russell Crowe's Noah, comes off as cold-hearted screwball rather than a man agonizing over choices he must make for the greater good. Moses' "brother" turned nemesis Ramses, played by a barely recognizable Joel Edgerton, is a buffoon in enough guyliner for a Motley Crue video. Ben Mendelsohn turning up was a pleasant surprise, but that's about the only good thing I have to say about Exodus.

Exodus: Gods and Kings clocks in at a bloated 150 minutes and is rated PG13 for "violence including battle scenes and intense images."

Of a possible nine Weasleys, Exodus: Gods and Kings gets two. It's a trainwreck.

Until next time...

I am, in fact, too fast for love.

MOVIE REVIEW: THE THEORY OF EVERYTHING

Starring Eddie Redmayne ("Les Misérables") and Felicity Jones ("The Amazing Spider-Man 2"), this is the extraordinary story of one of the world's greatest living minds, the renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde. Once a healthy, active young man, Hawking received an earth-shattering diagnosis at 21 years of age. With Jane fighting tirelessly by his side, Stephen embarks on his most ambitious scientific work, studying the very thing he now has precious little of - time. Together, they defy impossible odds, breaking new ground in medicine and science, and achieving more than they could ever have dreamed. The film is based on the memoir Travelling to Infinity: My Life with Stephen, by Jane Hawking, and is directed by Academy Award winner James Marsh ("Man on Wire").

Director: James Marsh     

Cast: Eddie Redmayne, Felicity Jones, David Thewlis, Emily Watson, Charlie Cox

Release Date: Nov 07, 2014    

Rated: PG-13 for suggestive Material and Some Thematic Elements    

Runtime: 2 hr. 3 min.    

Genres: Drama    

Review:

The Theory of Everything is the type of Awards fodder you expect to see around this time of year.  It’s structured in a fairly conventional manner but director James Marsh keeps everything moving at a steady pace.  It’s a lovely looking film that carries some real heart with it.  Marsh allows his actors to really find their characters which they do in spades.  Eddie Redmayne is going to get the most accolades and it’s all well deserved.  He disappears into his role completely, mimicking every stage of Hawking’s disability while still conveying a sharp mind and wit throughout.  Redmayne’s role is the highlight but Felicity Jones performance really anchors the film.  She displays so many emotions over the course of the film.  The film doesn’t keep a storybook track for the love story; as such it feels much more real and packs a stronger punch.  The film is packed with emotion and it covers the gamut from inspirational to heartbreaking and back. 

A