MOVIE REVIEW: TRON: ARES

 

Mankind encounters AI beings for the first time when a highly sophisticated programme, Ares, leaves the digital world for a dangerous mission in the real world.

Director: Joachim Rønning

Cast: Jared Leto, Greta Lee, Evan Peters, Jodie Turner-Smith, Hasan Minhaj, Arturo Castro, Gillian Anderson, Jeff Bridges

Release Date: October 10, 2025

Genre: Action, Adventure, Sci-Fi

Rated PG-13 for violence/action.

Runtime: 1h 59m

Review:

Tron: Ares boast an excellent cast, a pulse pounding soundtrack from Nine Inch Nails and the kind of mesmerizing techno visuals you'd expect but the clunky, clichéd script keeps it from being truly special.  Norwegian director, Joachim Rønning, does an excellent job of capturing the look and feel of 2010's Tron: Legacy in addition to an extended retro segment that takes us back to the 1980's original.  Rønning proves more than capable of delivering big action set pieces both inside of the grid and out as evidenced by a rather thrilling motorcycle sequence through the city that brings the digital into the real world.  All the action is perfectly suited for the big screen in addition to being one of the few films I'd recommend seeing in 3D to get the full effect of the technical wizardry on display.  The Nine Inch Nail's pulsating soundtrack elevates each of the action set pieces to such a level that the director is more than comfortable with making more of an audio/visual experience with very little in the way of story or dialogue offered up.  While these sequences are undoubtably the highlights of the film they do tend to go on a tad too long almost as if the cast and crew are disinterested in getting back to the main narrative.  As wonderfully constructed as all these sequences are, the script and story fail to make them part of something more than a very generic AI becomes self-aware story.  The characters and plot are so clunkily written that you wish that the amount of care that was put into the visuals and soundtrack would have carried over to the actual story.  The dialogue is incredibly stiff across the board, which gives the talented collection of actors very little to work with.  The characters all come off as caricatures as opposed to fully realized creations.  Jared Leto leads the cast as the titular security program created by Evan Peters' Julian Dillinger, grandson of Flynn's rival from the original film.  Leto plays his character like a thoughtful Terminator type with a mostly robotic delivery broken up by random playful moments.  Greta Lee struggles a bit to get her footing as the emphatic CEO of ENCOM who is in search of Kevin Flynn's Permanence Code which would make it possible for programs from the grid to exist in the real world permanently.  It’s a slightly odd plot point since Legacy ended with Olivia Wilde's Quorra entering the real world at that film's finale which is touched upon in passing near the end of this film.  Evan Peters is task with the role of child prodigy turned unscrupulous CEO of Dillinger Systems who's only missing a long twirly mustache to complete his cardboard cutout villain.  Peters is such a capable actor that it's slightly irritating to watch him try to make the clunky dialogue not seem so cringe worthy.  Gillian Anderson is given the thankless task of playing his mother and former CEO who seem to be the only person in the company that thinks her son's actions are a bad idea.  Jodie Turner-Smith serves as the villainous program unleashed to pursue Lee and Leto's characters whose sole motivation seems to be her love of directives.  She's a visually imposing figure as she looks the part, but she's given very little to work with outside of looking intense.  Jeff Bridges gets an extended cameo here where he seems to channel The Dude more than anything else.  Hasan Minhaj, Arturo Castro and Sarah Desjardins are familiar faces that pop up but much like the rest of the cast aren't asked to do much besides shoot out some goofy comedy relief and technobabble.  Tron: Ares ends up being a missed opportunity since the two thirds of the film are rather impressive, but the lackluster script ultimately holds it back from greatness.  

 

B-

MOVIE REVIEW: V/H/S HALLOWEEN

 

A collection of Halloween-themed videotapes unleashes a series of twisted, blood-soaked tales, turning trick-or-treat into a struggle for survival.

Director:  Anna Zlokovic, Paco Plaza, Casper Kelly, Alex Ross Perry, Bryan M. Ferguson, R.H. Norman

Cast: Samantha Cochran, Natalia Montgomery Fernandez, Teo Planell, María Romanillos, Lawson Greyson, Riley Nottingham, Jenna Hogan, Jake Ellsworth, Stephen Gurewitz, Carl William Garrison, Jeff Harms, Noah Diamond, Sarah Nicklin

Release Date: October 3, 2025

Genre: Horror

Unrated

Runtime: 1h 55m

Review:

The eighth installment of the V/H/S franchise opts for Halloween specific theme which should be a perfect fit for the anthology, but the shorts are mostly underwhelming and undercooked.  

 

The wrap around device, Diet Phantasma, written and directed by Bryan M. Ferguson has a fun 80s aesthetic which works in its favor until each sequence becomes increasingly repetitive as the film goes on.    

The first short, Coochie Coochie Coo, written and directed by Anna Zlokovic is a solid start by using a well worn haunted house trope and setting up funhouse of gross outs and jump scares.  It may not be groundbreaking, but its effectively constructed story makes it feel like one of the more well rounded entries in the film.  

Ut Supra Sic Infra directed by Paco Plaza of [Rec] fame offers an intriguing set up but plays out in a surprisingly paint by the numbers set up and payoff.  It doesn't help that the characters are all logically challenged as they place themselves willingly in situations that result in fatal situations.  Paco Plaza is one of the most established directors in this volume which makes this short rather underwhelming and disappointing.   

Fun Size, written and directed by Casper Kelly, is one of the goofiest entries here which delivers a handful of gory laughs thanks to the zany set up and murderous mascots that pursue our hapless quartet of drunken trick or treaters.  This entry would have benefited from a bit more world building to flesh out the concept of Fun Size's world since there's painfully little offered up.  

Kidprint, written and directed by Alex Ross Perry, is far and away the darkest and nastiest short in this volume as it deals with a child serial killer in the 90's.  Taking some real life inspiration from Blockbuster's Kidprint which was supposed to serve as real life footage of your child in case they were abducted or went missing.  This short takes that concept down a dark path with little held back in terms of violence against children and gore.  There's a solid kernel of an idea, but it moves too quickly through the reveal with the back half just being relentless gore before its cynically ironic ending.  

The final entry, Home Haunt, written and directed by Micheline Pitt-Norman and R.H. Norman offers initial promise with its retro aesthetic that's quickly jettisoned once it moves to the present day.  The story is fairly straightforward with things playing out in a fairly predictable manner.  There are some fun, over the top moments but ultimately it doesn't leave much of a mark.  

Overall V/H/S Halloween feels like a rushed, step down from the previous entry V/H/S Beyond which was far more consistent than this entry which is a real shame. 

C

MOVIE REVIEW: THE SMASHING MACHINE

 

MMA fighter Mark Kerr reaches the peak of his career but faces personal hardships along the way.

Director: Benny Safdie

Cast: Dwayne Johnson, Emily Blunt, Ryan Bader, Bas Rutten, Oleksandr Usyk

Release Date: October 3, 2025

Genre: Action, Biography, Drama, History, Sport

Rated R for language and some drug abuse.

Runtime: 2h 3m

Review:

Benny Safdie's, The Smashing Machine, has a different ebbs and flow than most sports biopics which gives it a distinctive but uneven feel that keeps us at arm’s length from Mark Kerr despite strong turns from Dwayne Johnson and Emily Blunt. There's a sense of melancholy that hovers over the entire film even as Kerr becomes a champion and deals with opioid addiction.  The first half of the film feels similar to Mike Figgis' Leaving Las Vegas, especially if you have no familiarity with Kerr's story beforehand as we watch him put his body through the ringer to become a champion.  There's something oddly sanitized about it all as we are never given any sort of insight into his struggle until much later on in the film.  Dwayne Johnson's performance has a measured intensity behind his determination to excel but the script never gives him many moments to really dig into the psyche of the man.  Only a small moment at a demolish derby gives us the slightest bit of insight into his internal machination and the film could have used more of them.  Johnson, to his credit, delivers his most focused performance that really shows he's capable of so much more than his standard fare.  The film gives him a showcase to deliver something more subtle in his acting which makes it all the more frustrating that the script doesn't give him something more interesting to work with.  Emily Blunt is in the same boat as she delivers excellent work as Kerr's acidic, passive aggressive girlfriend who becomes steadily more unstable and biting.  They share a sequence in the latter part of the film that allows both of them to shine which leaves you wishing the story had taken advantage of their chemistry earlier on.  Mixed martial artist, Ryan Bader, proves to be the biggest surprise as he delivers a rather tender and thoughtful turn as Kerr's best friend and fellow competitor Mark Coleman.  There's an unspoken bond that comes through when Bader and Johnson share the screen together which gives their relationship an authentic connection.  By the time it’s all said and done, The Smashing Machine, becomes just as much a story of Coleman's career resurrection as it does Kerr's which likely would have worked better overall for the story's focus.  

B-

MOVIE REVIEW: GOOD BOY

 

A man moves into a new home that has supernatural forces lurking in the shadows. As dark entities start to threaten him, his brave dog comes to the rescue.

Director: Ben Leonberg

Cast: Shane Jensen, Arielle Friedman, Larry Fessenden, Indy as himself

Release Date: October 3, 2025

Genre: Comedy, Horror, Thriller

Rated PG-13 for terror, bloody images and strong language.

Runtime: 1h 13m

Review:

Ben Leonberg's feature film directorial debut, Good Boy, is an impressive cinematic magic trick that effectively places you in a dog’s point of view as he watches his owner slowly succumbs to an evil entity in a haunted house.  Leonberg meticulously crafts his film by using a bevy of perspective shots to give Indy a palpable sense of emotions as he experiences the increasingly bizarre happenings occurring in the house.  The haunted house in the wood’s setting is a classic horror movie trope but by changing the perspective it feels fresh for the better part of the film’s efficient runtime.  Things unfold how you’d expect in most of these stories, but Leonberg has a solid sense of how to set up atmosphere and build tension to deliver a handful of well-timed frights that’s sure to make more than a few people jump in their seats.  A handful of wonderfully shot doggy nightmares have a mesmerizing effect that’ll leave you wondering what your dog is really dreaming about when they’re rustling around.  The general plot is related to overheard second hand conversations between Shane Jensen’s Todd and his sister Vera played by Arielle Friedman as we learn tidbits about his failing health and their tragic family history.  It would have been easy to simply rely on the central gimmick and deliver a barebones story, ala 2024’s  In A Violent Nature, but there’s enough heft to this story that it would have worked as a straight forward haunted house film.  What Leonberg is able to do with his real-life dog, Indy, is nothing short of amazing as the countless hours of shooting to get the right look or reaction from his canine star pays off in spades.  Indy is a rather adorable golden retriever which will instantly have you engaged in his long-term well-being, especially as things get precariously more dangerous.  He’s an incredibly engaging leading man in spite of the fact that he can’t speak which is a testament to Good Boy’s production and Leonberg’s masterful direction.    

A

MOVIE REVIEW: ONE BATTLE AFTER ANOTHER

 

Bob is a washed-up revolutionary who lives in a state of stoned paranoia, surviving off-grid with his spirited and self-reliant daughter, Willa. When his evil nemesis resurfaces and Willa goes missing, the former radical scrambles to find her as both father and daughter battle the consequences of their pasts.

Director: Paul Thomas Anderson

Cast: Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, Chase Infiniti

Release Date: September 26, 2025

Genre: Action, Crime, Drama, Thriller

Rated R for pervasive language, violence, sexual content, and drug use

Runtime: 2h 50m

Review:

Paul Thomas Anderson’s One Battle After Another delivers a little bit of everything with bits of humor, drama and heartfelt emotion, melded into an epic chase movie that’s populated by a collection of caricatures brought to life by its top tier cast.   Anderson’s film pulsates with energy from the moment it starts and rarely lets up which is an impressive feat for a film that’s nearly three hours long.  He stages big set pieces throughout the film that give the film an epic feel, culminating in a cleverly shot car chase over a series of hills.  There’s a constant beat to the whole thing as we follow Leonardo DiCaprio’s Bob journey from revolutionary to paranoid, burnout single father who’s just trying to do the best he can with his daughter.  We follow his torrid love affair with Teyana Taylor’s all-in extremist, Perfidia Beverly Hills, which takes a turn once she’s pregnant and Bob reassesses his life.  The story is draped in a series of hot topic issues such as domestic terrorism and extreme immigration enforcement, but it never delves into them in any substantive way.  The characters exist on opposite ends of the power structure, and both use the levels available to them to reach their ultimate goals which allows for a rather colorful collection of characters to be thrown onscreen. Leonardo DiCaprio leads the way with an unglamourous role that he dives right into with impressive gusto.  There is a fair amount of depth to his character as he evolves from his frenetic love affair with Perfidia to what he becomes sixteen years after the fact.  He does his best work after the time jump by delivering a level of authenticity behind his bumbling burnout with his heartbreak for his lost love and genuine drive to save his daughter.  DiCaprio and Chase Infiniti have a moment near the end of the film that delivers an emotional, heartfelt exclamation to the whole story.  Infiniti, in her big screen debut, proves to be more than capable of holding up her side of the story by giving her character a believable naiveite to start before moving into self-survival mode.  She’s able to convey a hefty amount of emotional information with simple looks or gestures as she’s swept up in the insanity that her character is dropped into.  Sean Penn’s Col. Steven J. Lockjaw is a rather fascinating collection of facial tics and pent-up self-hatred.  Penn is clearly having a ball playing with the clear contradictions that make up the character from giving him a very specific gait when he walks, likely due to his secret proclivities, or his measure but off-putting speech pattern.  Benicio Del Toro is perfectly suited for his role as the laid-back karate sensi/migrant mover, but you wish the film had spent a bit more time on fleshing out the character to give him a bit of depth.  Likewise, Teyana Taylor’s Perfidia is a kinetic ball of anarchic energy in the film’s opening act leaving a strong impression, but the story takes her offscreen rather quickly never to return.  Small nitpicks aside, One Battle After Another is an engaging ride that is hard not to enjoy thanks to its razor sharp direction and strong performances.  

A-

MOVIE REVIEW: HIM

 

Cameron Cade is a rising quarterback who suffers a potentially career-ending injury after being attacked by an unhinged fan. Just when all seems lost, Cam receives a lifeline when his hero, Isaiah White, offers to train him at an isolated compound. However, as the training accelerates, Isaiah's charisma turns into something darker, sending Cam down a disorienting rabbit hole that may cost him more than he ever bargained for.

Director: Justin Tipping

Cast: Marlon Wayans, Tyriq Withers, Julia Fox, Tim Heidecker, Jim Jefferies, Naomi Grossman

Release Date: September 19, 2025

Genre: Horror, Sport

Rated R for strong bloody violence, language throughout, sexual material, nudity and some drug use.

Runtime: 1h 36m

Review:

Justin Tipping's Him frames football and its undying fanaticism in an insane mythological, paganistic veneer which is tearing at the seams with thematic subtext.  Tipping's visually are bombastic but impactful as he throws a series of striking moments onscreen.  He's got a clear vision in mind that's reflected in his confidence behind the camera which gives the film a devil may care vibe.  Those expecting something more grounded or straightforward might be turned off as he takes increasingly wild swings with each chapter.  It's in your face and heavy handed which is sure to be divisive when it’s all said and done.  Those that find it engaging will find plenty to enjoy especially as the film's horror aspect start to take hold in the second half.  It’s decent into cult like paganism is pretty easy to predict from the onset with the ultimate reveal being telegraphed a mile away.   The central duo of Marlon Wayans and Tyriq Withers are given copious amount of time to shine with both delivering impressive performances.  Wayans gives his character a readily apparent charm paired with an undercurrent of unpredictable danger which makes for a fascinating tightrope for him to balance on.  Withers handsome boyish looks give his character an air of innocence that works well with his damaged, single-minded determination.  They have strong chemistry together which works well for the film as it carries some of the script's clunkier moments.  Jim Jeffries, Julia Fox and Tim Heidecker are fun in small supporting roles with Jeffries leaving the biggest impression.  The film moves at such a break neck speed that you're left wishing it'd taken a moment to flesh out some of its ideas and characters a bit more.  Regardless, Him is the kind of film that'll leave a marked impression good or bad depending on the viewers.

B

MOVIE REVIEW: PSYCHO THERAPY: THE SHALLOW TALE OF A WRITER WHO DECIDED TO WRITE ABOUT A SERIAL KILLER

 

A writer befriends a retired serial killer in a desperate attempt to find inspiration for his next novel and save his marriage. Covering as his marriage counselor, the killer teaches him his methods as reality becomes deadlier than fiction.

Director: Tolga Karaçelik

Cast:  John Magaro, Steve Buscemi, Britt Lower, Ward Horton, Sydney Cole Alexander

Release Date: April 4, 2025 (United States)/September 15, 2025 (UK)

Genre: Comedy, Crime, Thriller

Unrated 

Runtime: 1h 42m

Review:

Tolga Karaçelik's English language debut is a manic, black comedy that's as chaotic as it is funny thanks to excellent turns from its central cast.  Karaçelik film possesses a palatable energy from the start which it maintains for the majority of the film's runtime.  He moves the film along at a steady pace even as it threatens to veer off the rails as the situation gets increasingly insane.  As the film's overly long title suggests, this isn't the type of film that takes itself seriously with the script providing a handful of laugh out loud moments thanks to wonderful performances from its trio of stars.  John Magaro brings a kind of aloof energy to his character who's desperate to find inspiration for a new project.  There's something likable about the character even though he's nearly incapable of making a decision on his own without being pushed into it.  Britt Lower is a perfect foil to him as his exhausted, passive aggressive wife who resents her husband with increasing intensity.  When the pair is onscreen, they have wonderful chemistry together as a longtime couple who are on totally different wavelengths after years of resentment and miscommunication.  They make for a fascinating onscreen couple, especially as Lower hurls acidic comments that reflect the level of disdain her character has for her aloof husband.  Steve Buscemi is perfectly cast as the disarmingly friendly, retired series killer who is more than happy to provide background for Magaro's Keane.  The film is at its best when the three share the screen together like an impromptu meeting in the middle of night or the pseudo marriage counseling session, topped off by a riotous sequence in the final act.  Psycho Therapy proves to be one of those hidden gems that deserves a larger audience in the long run.

B+

MOVIE REVIEW: SPINAL TAP II: THE END CONTINUES

 

Documentarian Marty DiBergi follows estranged Spinal Tap bandmates David St. Hubbins, Nigel Tufnel and Derek Smalls as they search for a drummer and prepare for a reunion concert in New Orleans. Joined by music royalty Paul McCartney and Elton John, Spinal Tap wrestles with their checkered past to put on a show that they hope will solidify their place in the pantheon of rock 'n' roll.

Director: Rob Reiner

Cast: Christopher Guest, Michael McKean, Harry Shearer, Rob Reiner, Fran Drescher, Valerie Franco, Chris Addison, Paul McCartney, Elton John, Garth Brooks, Questlove, Trisha Yearwood, Chad Smith, Lars Ulrich

Release Date: September 12, 2025

Genre: Comedy, Music

Rated R for language including some sexual references.

Runtime: 1h 22m

Review:

Spinal Tap II: The End Continues might not reach the heights of the original, but it still serves as a fitting encore to the story and characters.  Rob Reiner returns behind the camera and onscreen as documentarian Marty DiBergi with impressive ease on both counts.  The 40-year gap between the two films makes for plenty of fertile ground for the mockumentary to spoof since we have our fair share of aging rockstars still on the scene.  The offscreen drama after the original film revitalized the band’s career isn't too complicated or deep but it makes perfect sense for these characters.  Michael McKean's David St. Hubbins is still the chaotic mess we met in the original film and is as petty as ever as he's forced to rejoin the band due to some fine print in their original contract.  It’s the perfect kind of pretext to bring the Michael McKean, Christopher Guest and Harry Shearer's characters back together.  A montage of what these characters have been doing in the years since their break up is a hilarious appetizer for the main entree of these three guys trying to prep for a 1-night reunion performance.  Their ability to recapture the character's general vibe is pretty impressive as all three jump back into each one skin without missing a beat.  The assorted obstacles they run into as they reform and attempt to get this show off the ground is perfectly in line with the kind of self-inflicted silliness of the original even if they're not quite as memorable as the original.  It was always going to be a tough act to follow, and they don't have that seminal moment like this "this one goes to 11" but there's still plenty to enjoy especially their ongoing search for a new drummer and their living quarters in New Orleans.  Valerie Franco's Didi Crockett ends up tempting fate and joining the band as the new drummer.  Franco brings a breath of fresh air to the ensemble with her effervescent, positive energy coming through the screen.  Chris Addison, as their new concert promotor who can't comprehend music, Simon Howler gets more than a few moments to shine with his deadpan delivery of a variety of increasingly insensitive and silly suggestions for the aging rockers.  A series of cameos are all fun but Paul McCartney and Elton John get the biggest amount of screen time and they're clearly having a ball goofing around with the "legendary" band.  The film moves at an incredibly fast pace which leaves you wishing Reiner had given some moments a bit more time to germinate before moving on since some of the latter moments have a rather reflective quality that brings the character's full circle emotionally.  It would have added another layer to the whole thing but as is Spinal Tap II: The End Continue delivers the goods especially for fans of the original film.      

B+

MOVIE REVIEW: THE LONG WALK

 

Teens participate in a grueling high-stakes contest where they must continuously walk or be shot by a member of their military escort.

Director: Francis Lawrence

Cast: Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Jordan Gonzalez, Josh Hamilton, Judy Greer, Mark Hamill

Release Date: September 12, 2025

Genre: Horror

Rated R for strong bloody violence, grisly images, suicide, pervasive language, and sexual references.

Runtime: 1h 48m

Review:

Francis Lawrence's adaptation of Stephen King's The Long Walk is a bleak trek into a dystopian landscape that manages to capture the humanity at the heart of the story thanks to excellent turns from Cooper Hoffman and David Jonsson.  Lawrence takes a rather interesting approach to the subject matter by using a Stand By Me aesthetic, bathed in sepia tones to illicit a nostalgic feeling that's initially disarming.  This allows the audience to get to know the cast of characters before the stark reality of the game is put on graphic display.  There's no supernatural power at play here just the barebones simplicity of walk or die with warnings building up moments of tension throughout.  As the film goes on, it starts to feel more like a horrific war movie as we witness characters get killed off, often with an unflinching focus, in steady succession.  The script is filled with thoughtful dialogue as the characters discuss a variety of topics that leave its ultimate meaning open to multiple interpretations about death, rebellion and perseverance against unwinnable odds.  There are moments of poetic beauty amid all the brutal horrors that unfold which speaks to the effectiveness of the direction and performances by its cast.  Cooper Hoffman and David Jonsson are given the lion's share of the focus as the central characters tasked with carrying the story.  There's very little actual action going on besides just walking so this serves as a wonderful showcase for both performers as they bring tangible sense of humanity to their characters that feels instantly authentic.  They ultimately elevate the film above simple terror porn by making these characters live and breathe which makes their trek engaging and painfully tragic.  Ben Wang, Charlie Plummer and Tut Nyuot all get their moments to shine in supporting roles with Wang and Nyuot being instantly likable.  Plummer's antagonistic but disturbed Barkovitch is fascinating enough that you are left wishing he'd been given a bit more screentime.  Mark Hamill is given the thankless role of The Major which doesn't require much outside of delivering orders in an imposing, gravelly voice.  The character serves as more of an idea than anything as he's written as generally as possible leaving him more of an enigma than anything.  In the end, The Long Walk gives you plenty to appreciate with it proving to be a top tier King adaptation that manages to capture his sense of character and ultimately our humanity even in the most extreme situations.   

A

MOVIE REVIEW: THE TOXIC AVENGER

 

A janitor becomes a social outcast when a freak accident at a chemical factory turns him into a mutant. However, he soon uses his newfound superhuman strength to battle slimy criminals and a corrupt CEO.

Director: Macon Blair

Cast: Peter Dinklage, Jacob Tremblay, Taylour Paige, Julia Davis, Jonny Coyne, Elijah Wood, Kevin Bacon

Release Date: August 29, 2025

Genre: Action, Comedy, Horror, Sci-Fi

Rated R for strong violence and gore, language throughout, sexual references and brief graphic nudity

Runtime: 1h 42m

Review:

Remaking Troma's The Toxic Avenger initially sounded like a fool's errand, but Macon Blair's re-imagining manages to recapture the original's manic, over the top spirit while bringing a new spin to the material.  Blair brings a colorfully, cartoonish aesthetic to his film that fits the action perfectly even as it gets increasingly bloody.  The film's anarchic spirit is instantly apparent, and Blair manages to do a solid amount of world building before we get to the action in earnest.  The set up is fairly simple but those looking for a carbon copy of the original plot will be disappointed since this film is clearly trying to pave its own way.  This entry tries to establish a bit more of an emotional center to the proceedings thanks to making the main character a stepdad simply trying to take care of his stepson.  Peter Dinklage brings an air of gravitas to the proceedings even though he's clearly all in with the silliness on display, especially once he takes the mantle of the titular character.  It's all tongue in cheek especially in back half of the film as everybody is gleefully hamming it up in their respective roles. Kevin Bacon and Jonny Coyne serve as the dual villain's here and both are so incredibly over the top as a snake oil salesman and gangster.  Bacon chews up the screen every time his character pops up with circa 2000's Justin Bieber hair.  Julia Davis proves to be more than up to the task as his devoted assistant with her and Bacon having fun onscreen chemistry.  Taylour Paige is a bit more reserved than most of her screen mates as a determined whistleblower who ends up joining Dinklage's Toxie on his journey to expose Bacon's misdeeds after his heroic transformation.  Elijah Wood steals every scene he's in as the little brother of Bacon's brother and lackey who bears a striking resemblance to The Penguin from Tim Burton's Batman Returns. There are a few dead spots that pop up along the way with the action taking a tad too long to start up and the final act feeling overlong and unfocused to the extent that you get the feeling that Blair doesn't know how to wrap it all up.  That being said, it's hard not to appreciate how fun this iteration of The Toxic Avenger is and how it serves as a perfect tribute to the classic B movie madness of the Troma films as a whole.  

B

MOVIE REVIEW: THE CONJURING: LAST RITES

 

In 1986 paranormal investigators Ed and Lorraine Warren travel to Pennsylvania to vanquish a demon from a family's home.

Director: Michael Chaves

Cast: Patrick Wilson, Vera Farmiga, Mia Tomlinson, Ben Hardy, Rebecca Calder, Elliot Cowan, Kíla Lord Cassidy, Beau Gadsdon

Release Date: September 5, 2025

Genre: Horror, Mystery, Thriller

Rated R for bloody/violent content and terror.

Runtime: 2h 15m

Review:

The Conjuring: Last Rites is a perfectly capable horror film that brings more than enough well-placed jump scares to please those looking for a fright but as a series capper for the franchise its far too uneven to reach the heights of the first two films.  Michael Chaves second time behind the camera is a noticeable step up from 2021's The Conjuring: The Devil Made Me Do It.  This is a more polished and confident entry that captures the retro look and feels that made the original film so effective.  He sets up the scares capably with some set pieces being far more memorable than others, the wedding dress mirror room sequence serving as a high point.  Issues being to arise as each sequence begins to follow a predictable set up, building tension before the jump scare occurs.  They are effective to an extent, but the script seems dead set on throwing every single haunting/possession trope at the wall as we're given burning crosses, doomed priest, uncontrollable vomiting from teenage girls, levitation and possessed toys.  It might have made for a funhouse finale had it been more focused on that aspect, but the script has the dual task of trying to give the Warren’s as characters a sense of closure and legacy.  Sadly, that story thread is much clunkier and uneven as it saps the film of any forward momentum the frightful set pieces had provided beforehand.  Patrick Wilson and Vera Farmiga wear these characters like a second skin by this point, and their authentic chemistry together still pops onscreen.  Their characters just exude an earnestness that's served as the lifeblood for the series.  They aren't given as much time as you'd want since the central case and their stories run on parallel paths which take far too long to converge.   Mia Tomlinson and Ben Hardy are solid as the Warren's daughter and her finance, but their characters aren't fleshed out enough to make them all that interesting or engaging.  It’s a similar story with the Smurl family members who are little more than caricatures as opposed to fleshed out characters.  All the side characters end up taking away from the central duo, who should have been the film's primary focus.  A chaotic, frenetic finale can't save The Conjuring: Last Rites from being a middle of the road horror film that's trying to do too many things at once. 

C

MOVIE REVIEW: EENIE MEANIE

 

A reformed teenage getaway driver is dragged back into her unsavoury past when a former employer offers her an opportunity to save the life of her chronically unreliable ex-boyfriend.

Director: Shawn Simmons

Cast: Samara Weaving, Karl Glusman, Jermaine Fowler, Marshawn Lynch, Randall Park, Steve Zahn, Andy Garcia

Release Date: August 22, 2025

Genre: Comedy, Horror, Thriller

Rated R for violence/bloody images, pervasive language, nudity, some sexual material and brief drug use.

Runtime: 1h 46m

Review:

Eenie Meanie is the kind of film that feels instantly familiar since it borrows from far better heist films but it’s still entertaining enough thanks to another strong turn from the Samara Weaving who carries the film with incredible ease.  Shawn Simmons feels like a mash up of a Baby Driver and Ocean’s Eleven if you bought the off-brand version from a discount store.  That's not to say that his film doesn't boast some inspired moments because it does especially during the film's first two acts.  Those moments are fun, but the characters and situations are incredibly familiar which leaves the heavy lifting up to his cast which proves to be up to the task.  Samara Weaving is given another chance to showcase her talents here with the film giving her plenty of time to shine.  Weaving is an immensely talented actress and here she's given the opportunity to display her comedic and dramatic throughout.  There are plenty of familiar faces here in supporting roles with Karl Glusman, who happily chews up scenery as the loser love interest, getting the largest amount of screen time but Weaving proves to be the glue that keeps it all together no matter how nonsensical the situations get.  Andy Garcia and Steve Zahn pop up in limited roles but both actors seem to be screaming for screentime to flesh out their respective roles.  Giving each of them a bit more time, especially with Weaving, could have given the film a more nuanced sense of depth that's sorely lacking.  Also, the film takes a turn, tonally, in the film's final act that jarring since everything up to that point had been so lighthearted and freewheeling.  It leaves Eenie Meanie on rather dour note, which is a strange choice since everything else has played out in a fairly predictable manner.  

B-

MOVIE REVIEW: BORDERLINE

 

A helplessly romantic sociopath escapes from a mental institution and invades the home of a '90s pop superstar. He just wants to be loved; she just wants to survive.

Director: Jimmy Warden

Cast:  Samara Weaving, Ray Nicholson, Jimmie Fails, Alba Baptista, Eric Dane

Release Date: March 14, 2025/UK Digital release September 8th 2025

Genre: Comedy, Horror, Thriller

Rated R for violence and language

Runtime: 1h 34m

Review:

Writer turned director, Jimmy Warden, debut film is a fun, if uneven comedy elevated by a strong comedic turn from Samara Weaving and a wonderfully unhinged performance from Ray Nicholson.  Warden seems to be brimming with ideas he wants to toy with which makes the breezy runtime feel more chaotic than it needed to be.  He's got a solid eye for visuals as he delivers a handful of well-crafted sequences that are sure to linger in your memory after the film ends, particularly one involving a certain Celine Dion song.  He does struggle with keeping a consistent tone as the film swings from over the top comedy to something darker and much more off kilter.  It makes for a herky jerky experience as we get inspired moments of madness followed by some dead spaces that kills the momentum.  Thankfully, his cast proves to be more than capable of carrying the film over the majority of these bumps in the road.  Samara Weaving flexes her impressive comedic muscles as the self centered singer/actress that fuels Ray Nicholson's Duerson obsession.  Her reactions are hilarious throughout as she reacts to the insanity provided by Nicholson and scene stealer Alba Baptista.  This film offers Ray Nicholson a wonderful showcase for his acting chops as he gets plenty of time to shine.  At this point in his career, it’s difficult not to see bits of his father come through especially in a role like this but that's not to say he isn't immensely talented in his own right.   Alba Baptista proves to be the real surprise here though as she brings her own brand of insanity to her role as a fellow escaped mental patient.  It’s a shame that the role is painfully underwritten because she could have really done something special with a better script.  Eric Dane gets the thankless job of being the straight man here which he can do in his sleep as Weaving steadfast bodyguard.  All in all, Borderline may not be a perfect entity, but it is entertaining enough, primarily thanks to its cast, to overlook some of its more glaring flaws.

B-

MOVIE REVIEW: HONEY DON'T!

 

Small-town private investigator Honey O'Donahue probes a series of strange deaths that are tied to a mysterious church.

Director: Ethan Coen

Cast: Margaret Qualley, Aubrey Plaza, Chris Evans, Charlie Day, Kristen Connolly

Release Date: August 22, 2025

Genre: Comedy, Crime, Mystery, Thriller

Rated R for strong sexual content, graphic nudity, some strong violence, and language.

Runtime: 1h 29m

Review:

Honey Don't boast an eclectic collection of characters and a stylish approach to the noir inspired tale, but it never manages to coalesce into a cohesive whole.  Ethan Coen's second entry in his "lesbian B-movie trilogy," after 2024's Drive-Away Dolls, offers a similar assortment of colorful characters, random smattering of violence and fun sense of black comedy.  That film wasn't perfect, but it did have a more focused and coherent plot that drove the film forward, something sorely missing here.  The story here is more of a collection of disparate story threads that are not fully formed or organically connected.  That's not to say there aren't inspired moments because there are quite a few thanks to some witty, rat-a-tat dialogue and strong turns from the cast.  The film never manages to get out of first gear as it struggles to find its flow throughout in spite of the film's cast.  The cast is primed and ready to deliver the goods led by another solid turn from Margaret Qualley.  Qualley is laser focused as the tough as nails, quick witted private investigator who loves a pair of click clackin heels.  She's always the most interesting character onscreen but the film seems to be content to go off on a handful of assorted tangents.  The supporting characters are all fun with both Chris Evans and Aubrey Plaza clearly having a ball as the cult leader and Honey's love interest respectively.  Unfortunately, both characters feel painfully underwritten and the film gives them scant time to make the kind of impression you'd expect.  It all makes up for a collection of characters and storyline that feel painfully undercooked which keeps Honey Don't! from being something memorable.  

 

C

MOVIE REVIEW: NOBODY 2

 

Workaholic assassin Hutch Mansell takes his family on a much-needed vacation to the small tourist town of Plummerville. However, he soon finds himself in the crosshairs of a corrupt theme-park operator, a shady sheriff, and a bloodthirsty crime boss.

Director: Timo Tjahjanto

Cast: Bob Odenkirk, Connie Nielsen, RZA, Colin Salmon, Gage Munroe, Paisley Cadorath, Christopher Lloyd, John Ortiz, Colin Hanks, Sharon Stone

Release Date: August 15, 2025

Genre: Action, Comedy, Crime, Thriller

Rated R for strong bloody violence, and language throughout.

Runtime: 1h 29m

Review:

Nobody 2 is a straightforward sequel that focuses on what made the first one fun and turns it up to an almost cartoonish level of incredibly fun action which is all anchored by Bob Odenkirk central performance.  Timo Tjahjanto takes the reins behind the camera and proves more than capable of delivering the over-the-top action that the first film delivered.  There are fits of frenzy as he delivers a pair of particularly impressive set pieces, one on a boat and the water park finale, that are as nonsensical as they are enjoyable.  You get the sense that Tjahjanto is just itching to bust out the next action sequence during some of the more plot driven moments.  Those expecting the characters to get fleshed out more in this entry might be left a little disappointed since the film moves at a breakneck pace.  Odenkirk is still incredibly fun as the workaholic middle aged assassin who is desperately in need of a break.  He manages to balance his character's duel sided personality which makes it mostly believable that he's a family man and incredibly lethal side at the same time.  He does get some small scenes with Connie Nielsen that gives her a tad more to do this go round but she still feels woefully underused.  Likewise, Christopher Lloyd and RZA pop in and out of the story periodically with both getting their big moment which is great but you are left wishing they had a bit more time to work with.  Newcomers, Sharon Stone, John Ortiz and Colin Hanks are also shuffled on and off screen so quickly that they really don't make much of an impact.  Sharon Stone does manage to chew up every scene she's in with impressive gusto but the film never takes full advantage of her.  It all keeps Nobody 2 from being better than the original but still more than fun enough for fans of that film.  

B+

MOVIE REVIEW: THE BAD GUYS 2

 

Reformed criminals Mr. Wolf, Mr. Snake, Mr. Piranha, Mr. Shark and Ms. Tarantula are trying very hard to be good. However, they soon find themselves hijacked into a high-stakes heist that's masterminded by a new team of delinquents they never saw coming -- the Bad Girls.

Director: Pierre Perifel

Cast: Sam Rockwell, Marc Maron, Awkwafina, Craig Robinson, Anthony Ramos, Zazie Beetz, Alex Borstein, Richard Ayoade, Lilly Singh, Danielle Brooks, Maria Bakalova, Natasha Lyonne

Release Date: August 1, 2025

Genre: Animation, Action, Adventure, Comedy, Crime, Family, Mystery

Rated PG for action/mild violence, rude humor and language.

Runtime: 1h 44m

Review:

The Bad Guys 2 is an energetic follow up to the original that's more than capable of standing on its own two feet with bigger action sequences, paired with a fun script and confident voicework from its cast.  Pierre Perifel follows up his original film with another blast of colorful, kinetic pop that's able to deliver fun for kids and adults alike.  The film's animated Ocean's Eleven energy is a fun departure from the standard family fare.  It’s still got a solid underlying message about finding redemption after making mistakes but it’s never overly didactic in its messaging which allows it to keep an adventurous sense of fun.  Sam Rockwell, Craig Robinson, Awkwafina, Anthony Ramos and Marc Maron all return from the original as the titular Bad Guys who are now finding their way after they've reformed.  They share an established chemistry together that works well for the story especially when the script lets them bounce back and forth with slyly witty dialogue.   Sam Rockwell again serves as the film's backbone as the Wolf who still possess the natural confidence from the first film, but the character is given some actual growth as he tries to navigate the straight and narrow while keeping his crew together.  Danielle Brooks is a perfect foil to his character as a fan/competitor who drags him back for one last heist by blackmailing him.  Brooks brings a similar sort of confidence as the leader of the Bad Girls who feels wants to leave her mark regardless of the consequences.  Maria Bakalova and Natasha Lyonne are fun as her lackey's although the script gives them the short end of the stick with neither getting fleshed out the way the other characters are.  Lyonne manages to make the most of scenes especially early when paired with Marc Maron's Snake.  Once we arrive at the extended final act, the film starts to lose a bit of steam as it struggles with the same energy which could have been fixed with some judicious editing to knockdown the film's runtime by 15 minutes or so.  That being said The Bad Guys 2 proves to be one of the better animated sequences that improves on nearly everything that made the original work.

B+

MOVIE REVIEW: WEAPONS

 

When all but one child from the same classroom mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.

Director: Zach Cregger

Cast: Josh Brolin, Julia Garner, Cary Christopher, Alden Ehrenreich, Austin Abrams, Benedict Wong, Amy Madigan

Release Date: August 8, 2025

Genre: Horror, Mystery 

Rated R for strong bloody violence and grisly images, language throughout, some sexual content and drug use.

Runtime: 2h 8m

Review:

Zach Cregger's sophomore film, Weapons, is a Pulp Fiction style maze that's equal parts unnerving and hilarious, powered by stellar turns from Josh Brolin and Julia Garner.  Cregger's film is visually potent from the start, and he delivers a series of shocks that are sure to leave an impression long after you leave the theater.  That shouldn't come as a surprise after his debut film, Barbarian, which was populated with more than enough nightmarish imagery but here he uses structure to slowly unfurl the central mystery from different points of view.  It keeps everything off balance and unpredictable, particularly in the first half of the film before it shows its hand.  Its grabs and holds your attention for the majority of the film but it might lose some more hardcore horror aficionado once it reveals the game Cregger is playing since it blends more than a few genres with its twisted sense of humor.  The characters are all damaged individuals that are dealing with variety of issues that makes them feel more three dimensional than you'd expect from most horror films.  It helps that his cast is fully committed to his brand of madness and deliver strong performances across the board.  Julia Garner leads the way with a multilayered turn that really shows off her immense talent in a way the other films she has been part of this year have not.  Her alcoholic, obsessive teacher is a treasure trove of complexity and imperfections even before her class goes missing.  She's traumatized and ostracized by the event but Garner is still able to give her an authentic sense of caring about the kids and what happened to them.  Josh Brolin's character is obsessive, to a fault, about finding out what happened to his child and aims his ire at Garner's character initially.  Brolin brings the appropriate sense of misguided parental intensity that just comes through the screen especially early on.  Alden Ehrenreich's recovering alcoholic cop who's involved in affair with Garner's character is a bit more straightforward and one dimensional with his subplot being used more as connective tissue for the overall narrative as opposed to a fully formed character.  Cary Christopher, Austin Abrams and Benedict Wong are solid in smaller supporting roles even though their character could use a bit more depth before the wheels start to fly off in Weapons rather nutty finale that's sure to be contentious with some people. 

B+