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Sunday, October 8, 2017

Cindy Prascik's Reviews of Blade Runner 2049 & The Mountain Between Us




























Dearest Blog, yesterday it was off to Marquee Cinemas to see the highly-touted Blade Runner 2049 and not-at-all-touted The Mountain Between Us.
 
Spoiler level here will be mild for 2049, somewhat elevated (see what I did there?) for Mountain, but nothing really plot-related.
 
First on my agenda: Blade Runner 2049.
 
A young Blade Runner unearths a secret that sends him on a dangerous quest.
 
Ohhhhh...Ryan Gosling...you owe me. La La Land. Lars and the Real Girl. The Place Beyond the Pines. Only God Forgives. (Worst. Movie. Ever.) At this point, *I* could be forgiven for thinking this guy willfully takes only projects he hopes will bore me to death. Slowly.
 
In the interest of full and fair disclosure, here I'll confess that I haven't seen the original Blade Runner in about a hundred years and thus I remember very little (read: nothing) about it. I had good intentions of revisiting it before the new one hit cinemas, but never got around to it, so I know there were certain "recognition" moments that were lost on me. I should also note that I was in no way predisposed to dislike this, so the degree to which I did came as something of a surprise.
 
Blade Runner 2049 actually does have a fair few things going for it. The principal roles are carried by well-known and well-decorated actors who do as much as they can with wooden characters. Gosling is never less than watchable, and Robin Wright is the same. Harrison Ford takes his sweet time showing up, but when he does it's welcome, even if it seems a rehash of pretty much everything Harrison Ford does these days. The picture boasts astonishing, Oscar-worthy visuals and an ominous score that I can't wait to torture my coworkers with. For at least the first half of the movie, all of that was enough that I didn't hate it, but the longer it dragged on, the less interested I became in finding that silver lining, and there you'll find the movie's chief handicap: it is just too long to be as slow as it is (or too slow to be as long as it is). Yes, it's pretentious at times (lots of times). Yes, Jared Leto is ridiculous. Yes, it's often too dark to see anything at all, and yes, the 3D is utterly pointless.
 
BUT...2049 likely could have gotten away with most of that if only it weren't So. Damn. Long. I saw a few social media posts yesterday saying that the film leaves many questions to be answered by a potential "next installment," but the only question Blade Runner 2049 left me was: "Can Robin Wright take a drink without slamming it like a belligerent pirate?" The world may never know.
Blade Runner 2049 clocks in at a painful 163 minutes and is rated R for "violence, some sexuality, nudity, and language."
 
Blade Runner 2049 is a flaming bag of poo left on my cinematic doorstep, but it sure looks and sounds pretty! Of a possible nine Weasleys, Blade Runner 2049 gets four.
 
Next up: The Mountain Between Us.
 
Two professionals who HAVE TO BE SOMEWHERE charter a small plane and end up not getting anywhere.
 
The Mountain Between Us is nothing more than badly-done fanfiction, Twilight for grownups, minus the sparkling. How on Earth anyone got one--nevermind TWO--actors the caliber of Kate Winslet and Idris Elba to sign on for this drivel is beyond me. The most entertaining thing about the whole mess was the two older folks in my screening who loudly admonished the screen: "You should have waited for the other plane!" "You should have brought warmer clothes!" (It's a testament to just how bored I was that I found that amusing instead of infuriating.) The picture plods on for nearly two snowy hours, hitting every tired AO3 tag you can think of, and often turning very specifically reminiscent of 1993's Alive. (Spoiler alert: Except they never ended up having to eat each other. At least not literally.) By the time the movie reminds you for the last time that this horrible experience has made someone FEEL ALIVE, you'll be wishing you weren't.
 
The Mountain Between Us runs 103 minutes and is rated PG13 for "a scene of sexuality, peril, injury images, and brief strong language."
 
If ever I am stranded somewhere with Idris Elba and you send someone to "rescue" me, I will end you. 
 
Of a possible nine Weasleys, The Mountain Between Us gets three.
 
Until next time...




Sunday, October 1, 2017

MOVIE REVIEW: AMERICAN MADE







































Barry Seal, a TWA pilot, is recruited by the CIA to provide reconnaissance on the burgeoning communist threat in Central America and soon finds himself in charge of one of the biggest covert CIA operations in the history of the United States. The operation spawns the birth of the Medellin cartel and almost brings down the Reagan White House.
Director: Doug Liman

Cast: Tom Cruise, Sarah Wright, Domhnall Gleeson, Jayma Mays, Jesse Plemons

Release Date: Sept 29, 2017

Genres: Action, Adventure

Rated R for language throughout and some sexuality/nudity

Review:

American Made, the second collaboration between Doug Linman and Tom Cruise, is a fun fast paced quasi docudramedy.  Linman delivers a fizzy if somewhat light hearted take on Barry Seal’s crazy story.  Tom Cruise is front and center throughout and he’s clearly having a great time in the role.  Sporting a barely convincing southern accent, Cruise is still great.  He’s the driving force of the movie throughout, so your enjoyment of the film will depend on how much you like Cruise.  Personally, I think it’s one of best performances in a good while.  The character is incredibly compromised and not nearly as smart as he thinks he is, so it’s a bit of a change of pace for Cruise and it works well for him and the film.  The supporting cast is a bit under developed and I would have liked to know a bit more about Domhnall Gleeson’s shady CIA character but it’s not a massive misstep.  A tad bit of trimming towards the end would have helped but as is it’s a strong showcase for Cruise and Liman.

B+

MOVIE REVIEW: THE LEGO NINJAGO MOVIE







































The battle for NINJAGO City calls to action young Master Builder Lloyd, aka the Green Ninja, along with his friends, also secret ninja warriors. Led by Master Wu, as wise-cracking as he is wise, they must defeat the evil warlord Garmadon, who also happens to be Lloyd's dad. Pitting father against son, the epic showdown tests these fierce but undisciplined modern-day ninjas as they learn to check their egos and pull together to unleash the inner power of Spinjitzu.

Director: Charlie Bean, Bob Logan, Paul Fisher

Cast: Jackie Chan, Dave Franco, Michael Peña, Fred Armisen, Abbi Jacobson, Justin Theroux, Kumail Nanjiani

Rated PG for some mild action and rude humor

Genres: Animation, Family, Comedy

Review:

The LEGO Ninjago Movie is a fine addition to the blossoming franchise even if the sheen is starting to wear off just a tad.  The movie is full of all the pop culture references and self aware humor we’ve seen in previous installments.  The best thing this film has going is Jackie Chan.  Jackie Chan shows up in the opening and closing but supplies the film with its heart Master Wu.  Justin Theroux is a lot of fun as the villain even if he’s just doing a Will Arnett impression throughout.  Theroux and Dave Franco have fun chemistry in the second half of the film.  The main issue with the film is that the plot and overall story seems hacked together.  The story lacks any sort of real flow even though there are still lots of like here.  That probably speaks to the general fun in the franchise, where even a lesser entry still delivers.

B-

Cindy Prascik's Reviews of Flatliners & American Made

 
 
Dearest Blog: Today it was off to Marquee Cinemas for Flatliners and American Made.
 
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
 
First on the docket: Flatliners.
 
A group of med students experiments with death.
 
The original Flatliners is a disturbing exercise that leaves an unsettled hangover long after the picture ends. Its perfect cast, gloomy atmosphere, and graveyard humor make it a classic I never mind revisiting. The new Flatliners is a sloppy collection of paper-doll characters, cringe-worthy dialogue, and jump scares...and, oh, James Norton...you deserve so much better! While the remake's premise is basically the same as the original's, it's hard to muster any interest in this unsympathetic group of newcomers. Jump scares are plentiful but far too easy to anticipate, and the "flatline" experiences look a lot like low-rent haunted attractions. Because things weren't going poorly enough, filmmakers also shoehorned in a couple ill-conceived sexual interludes. Lacking any of the original's humor, Flatliners seems to drag despite clocking in well under two hours, building to one of the more eye-rolling endings in recent memory. Among the few positives, James Norton and Diego Luna are both more than watchable, and a couple callbacks to 1990's Flatliners offer a welcome bit of nostalgia. I've heard some folks say this remake wasn't "necessary," but a thing doesn't have to be necessary to be fun, entertaining, or even worthwhile. Sadly, 2017's Flatliners is none of that, either.
 
Flatliners runs 110 minutes and is rated R for "violence and terror, sexual content, language, thematic material, and some drug references."
 
While I'm not normally opposed to films being remade--even films I love dearly--I kinda wish they'd left this one alone. Of a possible nine Weasleys, Flatliners gets two.
 
Next on my agenda, American Made.
 
An airline pilot is pressed into some shady dealings by the CIA.
 
American Made sells like an action-comedy in its trailers, so viewers might be excused for forgetting its story is serious as a heart attack and likely to end badly for anyone it makes you care about. The picture is a Tom Cruise vehicle through and through, and Cruise carries it with his usual ease. If you're having a hard time forgiving him for The Mummy, maybe this is a better reminder of how masterful he is in even sub-par projects. The suddenly-ubiquitous Domhnall Gleeson is also brilliant as the CIA mentor who drags Cruise's character into all the hot water. Now...for the hard part. I can't say I didn't like American Made, and I can't say I did. It's action packed, yet somehow I was bored. The supporting cast isn't standout like Cruise and Gleeson, but there are plenty of fine performances to go around. It could have used a small trim, but it's not really all that long. While the tale is no doubt embellished for the big screen, the film remains a sobering reminder of what's considered "acceptable" when you're doing it for the "good guys" (and as long as nobody finds out). And, yes, it *is* quite funny at times. So...where, exactly, does American Made go wrong? I honestly can't say, I can only say that it does, and thus is nowhere near the thrill-ride you'd expect from its trailer.
American Made clocks in at 115 minutes and is rated R for "language throughout and some sexuality/nudity." (Anybody else find it weird that a film about a cartel doesn't get a certification for drug content?)
 
American Made is a passable way to spend a couple hours, easily digested and easily forgotten. 
 
Of a possible nine Weasleys, American Made gets five.* (*Includes one bonus Weasley for having an actual Weasley in the cast.)
 
Until next time... 
 

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