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Sunday, October 9, 2016

MOVIE REVIEW: THE GIRL ON THE TRAIN









































In the thriller, Rachel (Blunt), who is devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds. Based on Paula Hawkins’ bestselling novel, The Girl on the Train is adapted for the screen by Erin Cressida Wilson and Taylor. The film’s executive producers are Jared LeBoff and Celia Costas, and it will be released by Universal Pictures.

Director: Tate Taylor

Cast: Emily Blunt, Rebecca Ferguson, Haley Bennett, Justin Theroux, Luke Evans

Release Date: Oct 07, 2016

Rated R for violence, sexual content, language and nudity

Genres: Suspense/Thriller

Review:

Is it possible to make an interesting movie with a cast of characters who are all unlikable and fairly terrible?  The Girl on the Train tries really hard to pull it off and has a decent amount of success even if the “mind blowing” twist is telegraphed fairly early on.  Tate Taylor is clearly trying to emulate David Fincher’s Gone Girl but he’s not as talented a filmmaker to make it work.  As is, the film is a surprisingly engrossing tale of bad people doing bad things repeatedly.  Taylor’s real talent is getting some truly impressive performances out of his cast especially Emily Blunt.  Blunt is incredibly impressive throughout with multiple scenes set up to showcase her acting chops.  Haley Bennett, who looks distractingly like a Jennifer Lawrence clone, is just solid even though her character feels unwritten.  It’s a shame because the character seems to be most interesting of the group.  The Girl on the Train is trying it’s hardest to be some special but it never quite gets there.

B-

Sunday, October 2, 2016

MOVIE REVIEW: THE MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN







































After a family tragedy, a boy named Jake (Asa Butterfield) follows a series of clues that lead him to a mysterious orphanage on a remote Welsh island. There, he discovers a community of children with unusual abilities, and learns he is destined to protect them. Eva Green, Samuel L. Jackson, Kim Dickens, Allison Janney, Judi Dench, Chris O'Dowd, Rupert Everett, and Terence Stamp co-star. Directed by Tim Burton, Miss Peregrine's Home for Peculiar Children was adapted from Ransom Riggs' debut novel of the same name. ~ Daniel Gelb, Rovi

Director: Tim Burton

Cast: Eva Green, Asa Butterfield, Chris O'Dowd, Allison Janney, Judi Dench

Release Date: Sep 30, 2016

Rated PG-13 for violence and Peril and Intense Fantasy Action

Runtime: 2 hr. 7 min.

Genres: Action/Adventure, Family, Sci-Fi/Fantasy

Review:

Tim Burton’s newest film is a welcome return to his glory days as a director.  The book seems ready made for Burton and give a certain feel that works in the films favor.  The cast seems to be having a blast, for the most part, with a radiant Eva Green leading the way.  Green is always the most interesting person on screen and the film loses some pop when she’s not on screen especially during an extended absence in the final act.  Ella Purnell gives the best performance of the titular peculiar children.  It’s a shame her story and character isn’t fleshed out more.  Also not helping matters is the film’s male lead.  Asa Butterfield is possibly one of the blandest actors I’ve watched in a long time.  His line deliver is so stiff and uninspired that it almost feels like he might yawn in the middle of it.  On the other end of the spectrum is Samuel L. Jackson who’s so over the top that’s its jarring when he first shows up.  Its not good or bad just odd.  Equally odd is just how thinly written the villain is.  It’s a shame because with a better lead and more dynamic villain this might have been scratching the top tier of Burton films. 

B

Cindy Prascik's Review of Miss Peregrine’s Home for Peculiar Children & Deepwater Horizon






























Dearest Blog: Yesterday it was off to Marquee Cinemas for a double-bill of Miss Peregrine's Home for Peculiar Children and Deepwater Horizon. Spoiler level here will be mild, nothing you wouldn't know from the trailers or perhaps the news. 
 
First up: Miss Peregrine's Home for Peculiar Children. Some characters straight out of his grandfather's bedtime stories turn a young man's ordinary existence upside-down. It goes without saying that a story with "peculiar" in the title is ideally suited to director Tim Burton. All of Burton's more recent projects have earned critical ire (mostly deserved), and, if Miss Peregrine isn't quite the Burton of old, at least it seems to be a step in the right direction. 
 
The film boasts glorious production design, some lovely set pieces, and stunning locations; Burton has not lost his ability to find beauty in even the strangest and most macabre things. Colleen Atwood's costumes and a wonderful score by Michael Higham and Matthew Margeson perfectly compliment the eerie atmosphere. 
 
Unfortunately, though the story is compelling, the movie seems to crawl along at a snail's pace. There's too little of the stellar Eva Green (who was born for this role), and too much of the bland child cast. 
 
Asa Butterfield is perfectly dreadful in the lead; he might as well have been reading from cards. Nothing points to 3D being a worthwhile investment on this one, aside from the fact that, in 2D, the movie's often too dark to see what's happening. Miss Peregrine's Home for Peculiar Children clocks in at 127 minutes and is rated PG13 for "intense sequences of fantasty action/violence, and peril." Miss Peregrine's Home for Peculiar Children is visually impressive enough to earn your big-screen dollars, but, sadly it's also something no idea so magical should ever be: kinda boring. 
 
Of a possible nine Weasleys, Miss Peregrine's Home for Peculiar children gets five. 
 
Fangirl points: Keep your eyes open for a rare and delightful Tim Burton cameo! 
 
Next up, the based-on-true-events tale of Deepwater Horizon. 
 
An explosion on a free-floating offshore drilling rig has disastrous consequences. Dear reader(s), Deepwater Horizon is one of those movies whose trailer was so ubiquitous and irritating that I worried the movie wouldn't have a chance of overcoming it, but I'm pleased to report my concern was mostly unfounded. 
 
Mark Wahlberg stars as Mike Williams, a technician on the rig who is central to this telling of the story. We're introduced to his insufferably cutesy wife and daughter (Kate Hudson and Stella Allen), then to most of the rig's crew through his eyes, giving viewers just enough of each person to make sure they'll be acceptably sad for the unlucky ones. 
 
The supporting cast has a fair few familiar faces: Kurt Russell, John Malkovich, and my celebrity boyfriend (per a super-scientific Buzzfeed quiz) Dylan O'Brien. There's enough setup to make it clear who're the Good Guys and the Bad Guys, and then--BOOM!--disaster. 
 
The film doesn't waste too much time getting there and, to its credit, moves along nicely throughout. The bulk of the picture plays out as the rig's situation deteriorates and crew members try to save themselves and others. Deepwater Horizon does a perfect 180 from its advertising, showing individuals behaving heroically, minus the frustrating chest-thumping vibe of the trailer. 
 
The movie's disaster effects are spectacular, with sound mixing and editing in particular deserving full marks. It's a bit dark and jiggly at times, but that only adds to viewers' ability to share the terror the folks aboard that rig must have felt. 
 
Two small and random quibbles: Did Williams' wife really take time to do her nails over the course of these harrowing hours? 
 
They're pink the whole movie, then a French manicure when she and their daughter reconnect with him at the hotel following the rescue. Also, looking at photos of the crew next to the actors portraying them, I'm thinking my wish to have Beyonce star in the story of my life isn't so unrealistic after all.
 
Deepwater Horizon runs 107 minutes and is rated PG13 for "prolonged, intense disaster sequences and related disturbing images, and brief strong language." 

Deepwater Horizon might have been better suited to summer's action season than to awards season, but it's an edge-of-your-seat tale that hopefully will make the world more cautious and aware going forward. 
 
Of a possible nine Weasleys, Deepwater Horizon gets six. 
 
Until next time...
 



Sunday, September 25, 2016

MOVIE REVIEW: THE MAGNIFICENT SEVEN








































In this remake of the classic 1960 oater of the same name (itself a Western remake of Akira Kurosawa's masterpiece, The Seven Samurai), seven gunslingers join forces in order to protect a small town from a mining tycoon (Peter Sarsgaard) and his goons, who plan to seize the residents' land by force. The seven-man army is led by a mysterious bounty hunter (Denzel Washington), and also includes a sharp-witted gambler (Chris Pratt), a troubled ex-Civil War soldier (Ethan Hawke), a mountain man (Vincent D'Onofrio), an expert knife thrower (Byung-hun Lee), an outlaw (Manuel Garcia-Rulfo), and a Comanche warrior (Martin Sensmeier). Directed by Antoine Fuqua (Training Day). ~ Jack Rodgers, Rovi

Director: Antoine Fuqua

Cast: Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Lee Byung-hun

Release Date: Sep 23, 2016

Rated PG-13

Runtime: 2 hr. 12 min.

Genres: Action/Adventure

Review:

I’ll start by saying that I’ve never seen the original The Magnificent Seven film so I don’t have anything to compare it to.  The plot itself has been recycled multiple times so the story itself doesn’t hold much in the way of surprises.  Antoine Fuqua seems to know this so he tries his best to honor the classic westerns of yesteryear.  As such, you get plenty of scenic cinematography and high intensity shoot outs throughout.  Ultimately, the only way this film would maintain anyone’s interest would be because of the cast.  Denzel Washington holds the entire film together as the steely eyed bounty hunter.  The film is at it’s best during the first half as the team is assembled and we get a taste of each of the characters being assembled.  Some of which get more time than others but in the end you can tell the actors are just having a blast.  That keeps the film fun and interesting even as we start heading into very well worn territory in terms of story.  As such, The Magnificent Seven is an enjoyable bit of entertainment that could have used a tad bit more depth to make it truly standout.

B
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