MOVIE REVIEW: AD ASTRA

Thirty years ago, Clifford McBride led a voyage into deep space, but the ship and crew were never heard from again. Now his son -- a fearless astronaut -- must embark on a daring mission to Neptune to uncover the truth about his missing father and a mysterious power surge that threatens the stability of the universe.

Director: James Gray

Cast: Brad Pitt, Tommy Lee Jones, Ruth Negga, Liv Tyler, Donald Sutherland,

Release Date: September 20, 2019

Genre: Adventure, Drama, Mystery

Rated PG-13 for some violence and bloody images, and for brief strong language

Runtime: 2 h 3 min

Review:

Ad Astra answers a question nobody ever asked, what if Apocalypse Now and Solaris had a baby.  The answer is laid bare in beautifully filmed, poetic film that thinks subject matter is meatier than it actually is.  James Gray delivers an impressively filmed movie that’s filled with striking visuals that echo 2001 and Solaris on multiple levels.  It’s hard to not appreciate the level of craftsmanship even if the film moves at a snails pace with random bit of surprising violence.  To say that Brad Pitt carries the film would be an understatement.  Pitt delivers one of the best performances of his career with measured, thoughtful delivery.  While the film’s story has a big celestial basis, it’s a very much a personal story.  Unfortunately, the main crux of the film deals with daddy issues which seems like a theme that’s been beat into the ground.  It’s hardly a fatal flaw but do sort of wish that the story had something new or more meaningful behind it.  It still doesn’t take away from those few passing moment of Pitt and Tommy Lee Jones performing together in some incredibly moving and heartbreaking sequences.  Ad Astra is the type of film that will be remembered fondly by cinefiles but rarely revisited.


A-

Cindy Prascik's Review of Mechanic: Resurrection

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dearest Blog: yesterday it was off to the pictures for Jason Statham's latest, Mechanic: Resurrection. 

 

Spoiler level here will be pretty mild, mostly nothing you wouldn't know from the trailers. A former assassin is forced out of retirement when the love of his life (whom he's known for all of three days) is kidnapped. 

 

Alrighty, folks, I gotta tell ya: if this isn't the dumbest movie I've ever seen, it's good and damn close. 

 

However, it's also pretty funny (usually not on purpose), so I'm not suggesting you shouldn't get out and see it while you can. I have a feeling it won't be around long. The picture kicks off with a good, old-fashioned Statham ass kicking, and smartly keeps 'em coming regularly. 

 

As spectacularly ridiculous as they often are, they're genius compared to everything in between. Jessica Alba is as vapid as she is gorgeous, offering a performance that mostly consists of vacant looks that are meant to pass as terrified (I think?). 

 

Tommy Lee Jones: WHAT ON EARTH ARE YOU DOING HERE?? Continuity issues abound, most notably Alba's split lip that keeps appearing and disappearing, and good and bad guys are as broadly drawn as any Saturday-morning cartoon. 

 

The movie boasts action end to end, yet still feels a bit slow at times. Breathtaking stunts, gorgeous locations, and a rip-roaring score by Mark Isham help salvage the whole, but, sadly, this is just not a very good movie. 

 

Mechanic: Resurrection clocks in at 99 minutes and is rated R for "violence and language throughout." Mechanic: Resurrection is good for a laugh, but it probably just should have stayed dead. 

 

Of a possible nine Weasleys, Mechanic: Resurrection gets four. Until next time... 

 

MOVIE REVIEW: JASON BOURNE

Matt Damon reprises his role as the titular former CIA agent with a hazy past. Jason Bourne is the fifth installment in the action franchise, and the third to be directed by Paul Greengrass. ~ Daniel Gelb, Rovi

Director: Paul Greengrass 

Cast: Matt Damon, Julia Stiles, Tommy Lee Jones, Vincent Cassel, Alicia Vikander

Release Date: Jul 29, 2016

Rated PG-13 for Intense sequences of violence and action, and brief strong language. 

Runtime: 2 hr. 3 min. 

Genres: Action/Adventure, Suspense/Thriller  

Review:

Jason Bourne marks the welcome return of Matt Damon and Paul Greengrass to the Bourne franchise.  The results are mostly good with only a few hiccups here and there, mostly script wise.  Matt Damon easily slips back into Bourne’s skin with solid results.  Damon has always given Bourne a tortured quality which is rare in the spy genre and one of the things that makes the franchise so interesting.  There are plenty of new faces in this entry with one lone returning cast member being cast off after setting the plot in motion.  Tommy Lee Jones, at his most scowly, serves as the big bad this go around and he’s serviceable even though his character is slightly underwritten.  Vincent Cassel suffers a similar fate the assassin on Bourne’s trail throughout the film which is a shame because it’s a waste of a fine actor.  Alicia Vikander, who you can tell is serious because her hair is pinned up throughout, does the best she can with the character she’s given.  A late act turn is fairly interesting but would have made for a more interesting plot line had it been explored throughout the movie.  The biggest issue with Jason Bourne isn’t that it’s a bad movie, far from it, its that it feels very familiar, following familiar beats we’ve followed through most Bourne films.  Still, Greengrass delivers some fantastic sequences especially the logistically impressive Greek riot sequence and collateral damage excess of the final act’s Vegas sequence.  The hand to hand fight to top off the film is probably one of the brutal fights I’ve seen in recent memory.  Jason Bourne adds up to a solid film even though it’ll leave you wishing there was a bit more innovation.     

B

Cindy Prascik's Review of Jason Bourne

Dearest Blog: Yesterday I took a pass on the company picnic (Outdoors? In July? Are they kidding?) to head up to Marquee Cinemas and catch up with Jason Bourne. 

Spoiler level here will be mostly mild, nothing plot-specific, but I do offer an opinion at the end that some might consider slightly spoilerish. If you're worried, read after you've seen it, please! 

Jason Bourne is back with a vengeance, looking for answers and on the run for his life. 

Ahhhhhhh...dear Reader(s)...remember the good not-so-old days when Jeremy Renner appeared poised to take the reins of both the Bourne and Mission Impossible franchises? 

Fast forward a few years, a pair of Hollywood A-Listers decide to hang onto their cash cows, and Renner is again relegated to being the Avengers' Katniss Everdeen. (But at least he got a backstory, am I right??) 

There's nothing wrong with Matt Damon, of course, but you may count me among the silent minority that would have enjoyed this picture a lot more with Renner at the fore. 

Jason Bourne kicks off with a chase scene that outlasts even that one from Jupiter Ascending that put me to sleep three times and was still rolling when I woke up. I mean, this thing GOES ON. The sequence includes some pivotal moments, but it also highlights one of the movie's key weaknesses right out of the gate: too much filler. 

Jason Bourne has more running than a Ten-era Doctor Who episode and enough vehicular carnage for a Transformers movie; had filmmakers exercised even a bit of restraint, they'd have had a far better end product. Much of the action is filmed in up-close-and-personal fashion. 

The fight scenes are brutal and well executed, but the wiggly camera work is enough to trigger a seizure. It's a passable tactic when used wisely, but, here, again, there's just too much of it. Damon is appropriately grim in the lead, his sour expression a constant reminder of the Very Serious Situation at hand. 

Oscar winner Alicia Vikander is a disaster, bringing all the dimension of a paper doll to her important role, while struggling mightily to hang onto the same accent for any two consecutive scenes. The rest of the supporting cast is unremarkable, but fine for what's asked of them. 

The story is no more or less convoluted than any other installment in the series, sure to leave questions if (like me) you've mostly forgotten the earlier films, but not so deep that any fan of action flicks couldn't enjoy it even if he'd never seen a Bourne movie before. 

Finally, as if Jason Bourne weren't enough of a jumble, three-quarters of it feels very much like an ending, but the last act does a complete about-face and clearly sets the stage for more. Jason Bourne clocks in at an excessive 123 minutes and is rated PG13 for "intense sequences of violence and action, and brief strong language." 

Boasting action a-plenty and a solid cast that deserves better, Jason Bourne is, unfortunately, a bit of a snooze. 

Of a possible nine Weasleys, Jason Bourne gets four. 

Until next time...

Cindy Prascik's Review of Criminal

Dearest Blog: Yesterday it was off to Marquee Cinemas to see my main man Gary Oldman in his new movie, Criminal.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

In order to thwart a nefarious plot, an experimental procudure is used to transfer the mind of a murdered agent into a notorious criminal.

Dear Reader(s), I had genuinely high hopes for Criminal. It's been awhile (four years, to be exact) since Gary has had a critical and/or box office winner, and this one looked like it might break the chain of disappointments. Alas, it was not to be.

Right off the top, Criminal is saddled with one almost-insurmountable handicap, that is, Kevin Costner's acting abilities...or lack thereof. If he were a bit player, or in any supporting role, really, you might get around it, but not when he's the focal point of the whole picture. Sure, the lead character is meant to be a thug lacking social graces, but the way Costner grunts his way through the movie, he might as well be a gorilla...and that's probably not a very nice thing to say about the acting talent of gorillas.

The supporting cast is solid, in particular an under-used Ryan Reynolds, but it's just not enough. Gary's character does a lot of barking orders at people, a somewhat angrier and less honorable Jim Gordon. It's fine for what it is, but it hardly taxes his talent. (Though, for the record, he looks really, REALLY good!)

Criminal presents an interesting premise that fails in its execution. The writing is atrocious, with allegedly top-notch agents acting so stupidly you'll want to scream at the screen. There are a few laugh-out-loud bits prompted by Costner's character's inappropriate behavior. They're uncomfortable, but, curiously, still one of the more entertaining things about a movie that otherwise sleepwalks its way to one of the most insufferably hokey endings ever.

Criminal clocks in at 113 minutes and is rated R for "strong violence and language throughout."
In my book, Gary Oldman is reason enough to get out and see ANY movie, but, if you're looking for another reason to see Criminal, you won't find it.

Of a possible nine Weasleys, Criminal gets three.

Until next time...

Cindy Prascik’s Review of The Family

Dearest Blog, today it was off to the cinema for a little wiseguy action with The Family.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Relocated to a quiet town in France, a mobster rat and his family cause no end of headaches for their handlers in the Federal Witness Protection Program.

I'm not exactly sure by what criteria I'm meant to judge The Family. The trailers led me to expect a solid action comedy, but what I got was part drama as well. There's a good bit of violence--much of it up close and personal--that shouldn't be shocking in a mob movie, but since I expected something lighter, it did surprise me somewhat. Understand, none of that is intended as criticism, just laying out the facts.

The Family is blessed with an extraordinary cast. Robert DeNiro and Michelle Pfeiffer are terrific in the leads. If DeNiro feels familiar in a role like this, he's the poster child for "practice makes perfect." Dianna Agron and John D'Leo and are fantastic as their children.

While not the main attraction, the wrong actors could have shredded the film's chemistry, so it's lucky they're both extremely entertaining...even if it is a bit hard to forget she's playing a high-schooler while pushing 30.

Tommy Lee Jones doesn't have a lot to do as the family's government handler, but, let's face it, no movie was ever worse for having him, right? The supporting cast is mostly a who's who of "Didn't I see that guy on The Sopranos?" and everyone is capable and well-suited to their gangster roles.

Despite clocking in under two hours, The Family does feel a bit long. The first and last acts are strong, with the middle bogging down just a little.

Overall it's very entertaining, and I can't pinpoint anything that doesn't contribute to the whole, but in the end I feel like it could have lost ten or 15 minutes somewhere and been better for it. The comedy is without a doubt the movie's highlight; the rest probably could have done with some trimming.

The Family runs 110 minutes and is rated R for "violence, language, and brief sexuality."

Of a possible nine Weasleys, The Family gets seven. It's not exactly an offer you can't refuse, but it's definitely a good time for your entertainment dollar.

Until next time...

MOVIE REVIEW: LINCOLN

LINCOLN




Steven Spielberg helms his long-in-the-making biopic of Abraham Lincoln for DreamWorks and Touchstone Pictures. Daniel Day-Lewis portrays the former head of state in the Tony Kushner-penned adaptation of Doris Kearns Goodwin's book Team of Rivals, which chronicles the President's time in office between 1861 and 1865 as he dealt with personal demons and politics during the Civil War. Sally Field leads a co-starring cast that includes Tommy Lee Jones, Joseph Gordon-Levitt, and Academy Award nominee John Hawkes. ~ Jeremy Wheeler, Rovi

Director: Steven Spielberg

Cast: Daniel Day-Lewis, Sally Field, Tommy Lee Jones, Joseph Gordon-Levitt, Hal Holbrook

Release Date: Nov 09, 2012

Rated PG-13 for intense Scene of War Violence, Brief Strong Language and Some Images of Carnage

Runtime: 2 hr. 29 min.

Genres: Drama

Review:

Steven Spielberg’s Oscar bait biopic of Lincoln is that rare features that portrays history honestly with as little sentimentally, for a Spielberg film at least, as possible. At its center it’s a cornucopia of wonderful dialogue performed by some of the finest actors work in the business. In the title role, Daniel Day Lewis once again loses himself utterly and totally into Honest Abe’s skin. It’s not as showy a role as you think; instead it’s a testament to nuance and restraint. Lewis displays his talent to emote a range of emotions through his face and eyes, giving us a look into the man’s heart and soul with only a few rare “splash” scenes. Sally Field surprises with her turn as Mary Todd Lincoln. She gives her an emotionally broken depth that’s palpable, building to a masterful climatic scene with Lewis that gives us a glimpse into the relationship and dynamic. Tommy Lee Jones, even more bulldogged faced than usual, is appropriately sarcastic and single minded in his pursuit of true equality. James Spader and John Hawkes supply some needed levity as a pair of fixers working to “convince” opposition party members to change their mind on the vote. Spielberg keeps to the entire thing together working with restraint and tact throughout. Certain scenes feel like moments from stage plays as watch characters give speeches and pontificate about large issues. Spielberg is able to make it engrossing and engaging, an appropriate tribute to a great leader.

A-

MOVIE REVIEW: MEN IN BLACK 3

IN THEATERS

MEN IN BLACK 3



The Men in Black are back, and this time Agent J (Will Smith) must take a trip into the past in order to save both the future and his taciturn partner Agent K (Tommy Lee Jones) in the third installment of the hit sci-fi comedy series. After 15 years of working with aliens from all across the cosmos, Agent J is sure he's seen it all. But just when he's getting the hang of the game, he learns that history has inexplicably been rewritten. In this new timeline of events, Agent K has been dead for 40 years, and Earth will soon come under attack from an extraterrestrial force with the power to claim the entire planet. Now, in order to set the past straight and head off an invasion of epic proportions, Agent J must travel back to the year 1969, when Young Agent K (Josh Brolin) was just a fresh new face on the force. But Agent J only has 24 hours to find the source of the coming catastrophe and discern how his longtime partner ties into the situation -- should he fail he'll be stuck in the past forever. Jemaine Clement, Alice Eve, and Emma Thompson co-star. ~ Jason Buchanan, Rovi
Director: Barry Sonnenfeld

Cast: Will Smith, Tommy Lee Jones, Josh Brolin, Jemaine Clement, Emma Thompson

Release Date: May 25, 2012

Rated PG-13 for Sci-fi action violence, and brief suggestive content

Runtime: 1 hr. 44 min.

Genres: Comedy, Sci-Fi/Fantasy

Review:

The first Men in Black was one of my favorite blockbuster films when I was in college, I went the see it a multitude of times during its initial run. Its comedy and stars chemistry just hit me perfectly. As much as I loved the original the sequel was an utter mess, filled with too many talking animals and some of the worse product placement I’d been witness to in a film. The long wait for a third film has brought back some of the good fun from the original while injecting some new blood while keeping it fairly familiar. Barry Sonnenfeld learned his lesson from the 2nd film and keeps the focus on K and J’s interactions instead of silly secondary characters. Tommy Lee Jones and Will Smith jump back into their roles with incredible ease. Tommy Lee Jones is only asked to bookend the film but his turn as K has always been one of my favorite things about these films. Josh Brolin makes his absence easier to deal with as he delivers a spot on performance as a younger K. Brolin does more than just mimic Jones; he infuses the performance with a good sense of heart and depth. He and Smith share a strong chemistry, had they not worked well together the film would have fallen apart. Jemaine Clement, whose villain looks like Hugo Weaving on steroids, is fun but underused. Michael Stuhlbarg delivers a strong supporting performance which is touching and heartfelt. The plot is fairly typical sci-fi fare, its light and fun but bringing enough emotional depth to bring the franchise full circle. Some of the script does feel a tad lazy and some of Smith’s dialogue and one liners fall flat. The finale does feel very familiar to the first film’s climax which emphasizes the laziness to a greater degree. Regardless, the film is enough fun to keep you grinning for its run time.

B-

[Trailer] MEN IN BLACK 3

Men in Black is probably one of my favorite summer films. I can remember watching in the theater multiple times, something I rarely do. Tommy Lee Jones and Will Smith comedic chemistry was perfect and the sci-fi comedy took itself just serious enough.

The sequel was an example of excess as it just doubled everything with a grating effect, not to mention some of the most obvious marketing ploys in the history of film.

The trailer for the 3rd film gives me hope that we might see a return to the fun of the first….

MOVIE REVIEW: CAPTAIN AMERICA: THE FIRST AVENGER 3D

IN THEATERS

CAPTAIN AMERICA: THE FIRST AVENGER 3D



Director: Joe Johnston

Cast: Chris Evans, Hugo Weaving, Sebastian Stan, Tommy Lee Jones, Hayley Atwell

Release Date: Jul 22, 2011

Rated PG-13 for intense sequences of sci-fi violence and action

Runtime: 2 hr. 4 min.

Genres: Action/Adventure

Review:

Captain America was among the list of superhero films that worried me going into this summer. It’s the type of property that’s hard to pull off because so much of the characters soul is trapped in a by gone time that might not translate to the big screen. Joe Johnston’s luckily was given a script that firmly places this origin story in its proper time and place. Shooting it with the look and feel of a WW2 propaganda film, Johnston captures so much of what makes the character and what he stands for without being overly jingoistic. Johnston paces his film methodically; taking his time with the characters and allows them to breathe. As a result, Chris Evan’s is given ample time to flesh out the scrawny runt Steve Rogers by giving him an earnestness that carries over to the Captain America version of Rogers. Hugo Weaving is good fun as the sinister Red Skull, even if the characters written a bit broad for my taste. Thanks to Johnston’s patience, secondary characters played by the likes of Tommy Lee Jones, having a ball, Hayley Atwell, Stanley Tucci and Dominic Cooper don’t come off as one dimensional as they could have. Johnston also has to be given a lot of credit for well staged action sequences which keep pepper the 2nd half of the film, some of the larger set pieces giving a decidedly Raiders of the Lost Ark to them somehow. The 3D, if you those like me who enjoy the novelty, is effectively used for effect but some of the action sequence can sort of bombard your eyes with information.

B+

[Trailer] Captain America: The First Avenger

New more action packed trailer has come out and it appears this film maybe decent but I still have serious reservations.

I’ve been wrong about Thor and X-Men First Class so far but those at least had excellent directors at the helm, personally I don’t have much faith in Joe Johnston.

Still it looks like it can be a fun period comic book piece.