MOVIE REVIEW: SOCIETY OF THE SNOW

In 1972, a Uruguayan flight crashes in the remote heart of the Andes, forcing survivors to become each other's best hope.

Director: J. A. Bayona

Cast: Enzo Vogrincic, Matías Recalt, Agustín Pardella, Tomas Wolf, Diego Vegezzi,  Esteban Kukuriczka, Francisco Romero, Rafael Federman, Felipe González Otaño 

Release Date: December 22, 2023

Genre: Adventure, Drama, History, Thriller

Rated R for violent/disturbing material and brief graphic nudity.

Runtime: 2h 24m

Review:

J. A. Bayona’s Society of the Snow is a harrowing retelling of the 1972 Uruguayan flight disaster which strips away the gloss of previous adaptations and replaces it with grim authenticity.  Bayona's film is a visceral experience on multiple levels as he places you in firmly in the life or death situation these people experienced.  He wastes very little time with quick introductions at the airport serving as the entryway into the film and moving on to jolting recreation of the crash.  Once on location, portions of the film were shot in the actual location, he uses the environment and elements to create a beautiful but unforgiving setting.  It’s a masterstroke that makes the mountains and elements an ethereal but ominous entity unto itself.  The ensemble cast each deliver strong committed performances throughout with each doing the most with their screen time.  Enzo Vogrincic's Numa Turcatti is the closest the film offers as a main character, with his voiceover giving the film a meditative approach to their struggle for survival and the legacy of those lost.  There's a tangible sense that Bayona intends to give the survivors and those that lost their life during the tragic events their due in respectful manner.  There's very little levity here as the story is focused on the most basic levels of survival, never shying away from the physical toll the experience took on the individuals with the cast going through a similar transformation.  It’s stark, impactful and makes the rescue land with an earn sense of veracity with the film's latter moments serving as a mournful rumination on the survivor's guilt.  Society of the Snow proves to be a raw, authentic examination of the survivor's will to live in the most impossible of situations.  

A

MOVIE REVIEW: MAESTRO

 

On the verge of securing a golden opportunity, American conductor Leonard Bernstein begins a tumultuous relationship with actress Felicia Montealegre, upturning their lives.

Director: Bradley Cooper

Cast: Bradley Cooper, Carey Mulligan, Matt Bomer, Maya Hawke, Sarah Silverman

Release Date: December 8, 2023 

Genre: Drama, Music, Romance

Rated R for some language and drug use.

Runtime: 2h 9m

Bradley Cooper's Maestro contains all the trappings of an awards contender but some strangle choices in this biopic leave you feeling disconnected from the story's central character.  Cooper stars and directs the film with a tangible sense of energy on both sides of the camera.  His direction is steady and confident particularly in the open half which he shoots in black and white while having characters exchange dialogue in quick fire succession.  It gives the film a fun, old school look and feel as we are introduced to Bernstein after his debut.  Cooper clearly studied his subject to great extents to deliver a level of mimicry in an attempt to capture Bernstein's speech patterns and mannerism with its effectiveness varying from scene to scene.  Capturing such a large persona is a huge undertaking and Cooper can't quite find the right mix resulting in a uneven performance which never finds the emotional center of the character.  Carey Mulligan fares far better and practically steals the show as Felicia Montealegre with a more nuanced and subtle performance.  As a result we get far more insight into Mulligan's character than we ever do with Cooper's Bernstein.  A handful of sizzling sequences between the two prove to be the high points during the film runtime which feels rushed as it spends very little time on Bernstein's work or his impact.  Its a strange choice which leaves the central character feel more like a supporting player in his own story with Mulligan serving as the film's beating heart.  Cooper does deliver a rather impressive performance of Bernstein conducting in a sweaty but passionate sequences which gives us more insight into his love of music than any other portions of the film.  The energy and passion seeping through that sequence leaves you wondering why the film doesn't bother to explore it in great detail which ultimately leaves Maestro a well intentioned but misguided biopic.

B-

Cindy Prascik's Reviews of Heart of Stone & Red, White & Royal Blue

My dear reader(s), my movie diet this past weekend was cheesier than an extra-large Wisconsin six-cheese pie from Domino's, but unfortunately not all of it was quite so delicious.

Spoiler level here will be mild, nothing you wouldn't know from the trailers, aside from one non-plot-specific quote that earned itself a little spotlight.

First on my weekend agenda, Heart of Stone, starring Gal Gadot as a member of a shadowy agency charged with keeping a powerful weapon out of hackers' hands.

Boasting the wonderful Gadot and a likeable, familiar collection of supporting players, Heart of Stone had the potential to be the kind of dumb fun that passes a great summer afternoon. Unfortunately, the plot is lazy and predictable, the action is by the numbers, and much of the dialogue is so bad I was embarrassed for all involved. Top it with an overwrought score and excessive runtime, and, well, it's just a terrible waste of a solid cast and a good (if oft-used) premise.

Heart of Stone clocks in at 122 minutes and is rated PG13 for "sequences of violence and action and some language."

Heart of Stone attempts to build a franchise atop an impossibly weak foundation. Of a possible nine Weasleys, Heart of Stone gets two.

Heart of Stone is now streaming on Netflix.

Next on my weekend agenda, the romcom Red, White & Royal Blue, a tale of forbidden romance between an English prince and the US President's son.

Me? Watching a romcom? Ye gods.

Red, White & Royal Blue is a sweet, funny tale that is no worse for being exactly what you expect at nearly every turn. Any romance rises and falls on its principals, and this one shines mainly due to the exceptional appeal and chemistry of its central couple, portrayed by Nicholas Galitzine and Taylor Zakhar Perez. 

They are a delight! The movie is often laugh-out-loud funny, with the bulk of the credit there going to Sarah Shahi as the President's harried Deputy Chief of Staff, and special mention to Uma Thurman, who had me on the floor with the President's "Mom" speech. There's no denying Red, White & Royal Blue is a bit Hallmarkey in its execution. The acting is a little rough at times, and some of the music placement feels awkward, but those are petty quibbles with a movie that left me with a smile that hasn't faded a day later. 

Finally, and maybe most importantly, "He grabbed my hair in a way that made me understand the difference between rugby and football" has to be in the running for movie quote of the year. I don't make the rules.

Red, White & Royal Blue runs 118 minutes and is rated R for "some sexual content, partial nudity, and language."

Red, White & Royal Blue is a predictable romantic comedy elevated by a charming cast and some hilarious dialogue. Of a possible nine Weasleys, Red, White & Royal Blue gets eight. (I'll be watching it again today.)

Fangirl points: Clifton Collins, Jr.!!

Red, White & Royal Blue is now streaming on Amazon Prime Video.

Until next time...

Cindy Prascik's Review of We Have a Ghost

 

My dear readers, yesterday I caught up with a cute little streaming offering called We Have a Ghost.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

In search of a fresh start, a family moves into a haunted house and finds that supernatural housemates sometimes beget earthly troubles.

We Have a Ghost is typical of most streaming options I've found lately, a decent enough way to pass a couple hours, if nothing particularly special. This one starts off with enough creepy ambiance that I wondered why it wasn't released as a "family" Halloween offering. It then evolves into an action movie that doesn't work well at all. Weaving the two together is a superficial but engaging family drama that's elevated by a very good cast, led by the young standout Jahi Di'Allo Winston. There's a fair bit of humor that's more amusing than laugh-out-loud funny. While the house itself is beautifully spooky, the ghostly effects, and David Harbour's otherworldly turn as the titular spirit, are too cheesy to provide a good fright. The movie runs a bit long, but a solid classic rock soundtrack is an unexpected plus, and a reference to the Wizard Clip (a haunted property in my home state) was a grand surprise.

We Have a Ghost clocks in at 126 minutes and is rated PG13 for "language, some sexual/suggestive references, and violence."

We Have a Ghost is a fun but forgettable offering that's fine for streaming, but you'll be glad you didn't pay cinema prices to see it. Of a possible nine Weasleys, We Have a Ghost gets five and a half.

We Have a Ghost is now streaming on Netflix.

Until next time...

Netflix Streaming Micro Reviews: House of the Devil, The Innkeepers, Session 9, Lovely Molly, Dead Girl

I’ve been on a bit of a horror kick on Netflix streaming so here are a few micro reviews;

House of the Devil – It has a cool little 80’s vibe to it but it takes way too long to get on with the story which is painfully predictable. - C

The Innkeepers – A fun little movie with a good sense of fun and good chemistry between the leads. It seems to remember it’s a horror movie in the last act resulting in an abrupt shift in tone. – B-

Session 9 – Really strong bit of atmosphere taking advantage of the locations but it kind of falls apart in the last act. – C+

Lovely Molly – A really impressive take on the haunted house tropes with a turn midway through the film that you’ll either love or hate, personally I thought it worked well. Strong performances throughout but in the final 10 minutes the film seems unsure about where it wants to go, committing to nothing and everything. B-

Dead Girl – I just couldn't make it through the whole thing. I quit watching it about a third of the way through it, too much raping for my taste – Incomplete

TV SHOW REVIEW: ORANGE IS THE NEW BLACK

Piper Chapman (Schilling), a woman from Connecticut, living in New York City who is sent to the women's Litchfield, NY federal prison for possessing a suitcase full of drug money for Alex Vause (Prepon), an international drug smuggler and Chapman's one-time lover. Sentenced to serve a fifteen-month sentence, Chapman must survive the hardships of prison life, and she may have to be a different person to do so.

Cast: Taylor Schilling, Jason Biggs, Michael Harney, Natasha Lyonne, Laura Prepon, Kate Mulgrew, Pablo Schreiber

Created by Jenji Kohan

Based on the book Orange Is the New Black by Piper Kerman

Review:

Jenji Kohan’s Weeds is the type of show that really divided a lot of people after certain massive changes utterly changed the landscape of that show. Personally, I’ve always been impressed by how bold Kohan was but I digress. I loved Weeds more often than not and it made me a big fan of Mary Louise Parker in the process. Kohan’s new series has some of the hallmarks of what people liked about the first few seasons of Weeds, sharp writing and a deft mix of comedy and drama. Orange is the New Black does occasionally head into melodramatic territory but the sharp writing and impressive ensemble keeps you interested throughout. The story unfolds with a Lost style series of flashbacks after the main plot is presented, each episode focuses on the backstory of one inmates, so we are introduced to the characters before we know their story. As a result, Kohan has us playing into a lot of stereotypes Piper experiences. I’d never call this a hard hitting Oz style prison drama but it does pack an emotional punch quite consistently while providing plenty of laughs along the way. Taylor Schilling, who looks like a pathetic version of Diane Kruger in this unglamorous role, does a solid job in the lead role. She’s believable as a yuppie trying to navigate prison but she isn’t tasked with carrying the entire series. Her character is complex and somewhat unlikable especially as the series progress. Luckily the supporting characters are just as interesting, occasionally more sympathetic, than the lead. The supporting actors and actresses make up one of the most eclectic cast assembled in recent memory. They run the gamut of Star Trek, That 70’s Show, American Pie franchise alums, to character actors who have populated the background of various movies or shows. Each one delivers a strong sense of authenticity to their characters. Kate Mulgrew turn is rather impressive since it’s so effective while she’s sporting a bad Russian accent. Jason Biggs does a solid job as Piper’s fiancé but his American Pie castmate, Natasha Lyonne, really shines throughout. Lyonne, who’d had her battles with addition, nails her portrayal of a former addict. She has a certain warmth and acidity to her performance while never overdoing it. Laura Prepon is nearly as impressive as Pipers ex-lover especially once her backstory is fleshed out. Laverne Cox provides a fascinating performance as a transgender inmate. Pablo Schreiber provides the most obvious antagonist throughout and he makes you hate his character more and more with each passing episode. The world they all create is incredibly rich with multiple characters bringing an engaging storyline to the series. This first season covers a lot of ground in the main and supporting characters emotional arches but leaves plenty to explore in season 2 which I’ll be looking forward to.

B+

TV SHOW REVIEW: HEMLOCK GROVE

A teenage girl is brutally murdered, sparking a hunt for her killer. But in a town where everyone hides a secret, will they find the monster among them?

Cast: Famke Janssen, Penelope Mitchell, Freya Tingley, Bill Skarsgård, Freya Tingley, Kandyse McClure, Aaron Douglas

Executive producer(s) Eli Roth, Charles H. Eglee, Eric Newman, Michael Connolly, Lee Shipman, Brian McGreevy, Dan Paige

Written by Brian McGreevy Lee Shipman Dan Paige

Review:

Hemlock Grove feels familiar, incredibly familiar. A multitude of supernatural themed shows litter the airwaves and movie screens. Shows like True Blood and The Vampire Diaries cover somewhat similar territory with the latter proving to be a more consistently written product. Hemlock Grove has an uphill battle from the start. It has to bring us engaging characters and a new slant on certain genre tropes. Does it succeed? Not really. The central mystery at the heart of season 1 is rather uninteresting and the final reveal is telegraphed early on. The characters vary from semi interesting to bland. The fact that a mute comes off as the most intriguing character speaks volumes. The cast has a few stand outs such as Landon Liboiron as Peter Rumancek. Liboiron performance feels comfortable and natural throughout and he never comes across like he’s trying too hard unlike Bill Skarsgård. Skarsgård’s performance undersells what’s supposed to be a sexy conflicted lead; instead he comes off as whiny and disinterring. Nicole Boivin with Amazon Eve working as her massive body double as Shelly, the mute mutant Godfrey sister, emotes more through simple looks, while under extensive make up, than most of her cast mates. A usually reliable Dougray Scott comes off as stiff and fairly bland even though he’s a regular cast member. Battlestar Galactica alums, Aaron Douglas and Kandyse McClure are surprisingly bad. Some of their line delivers, especially some of the more emotional moments, miss the mark badly. Bad acting is hardly limited to them because it does pester the first season like an annoying fly. The best example of this is Famke Janssen. Janssen, with a truly embarrassing and distracting “British” accent, chews up scenery like she hasn’t eaten for weeks. Her character is supposed to be a rich, sexy man eater with a biting tongue. Janssen’s performance rarely hits her mark, occasionally falling into camp territory. Her character doesn’t become truly interesting until the latter episodes. The same can be said for the season as a whole. Its plot hints at a supernatural sci-fi, religious mix but stays in a holding pattern for most of the season. As a result, most of the plot feels like a trudge mainly because the ”twists” revealed in the latter episodes are fairly obvious and you wished it’d just get on with it already. After the reveals, the series seems to find some much stronger forward moment, something it could have sorely used earlier on. Let’s hope season 2, just confirmed, can take advantage of it.

C

TV SHOW REVIEW: ARRESTED DEVELOPMENT SEASON 4

“And now, The Story Of A Wealthy Family Whose Future Was Abruptly Cancelled…”

Writer / Director: Mitchell Hurwitz & Troy Miller

Cast: Jason Bateman, Portia de Rossi, Will Arnett, Michael Cera, Alia Shawkat, Tony Hale, David Cross, Jeffrey Tambor, Jessica Walters

Release Date: May 26, 2013

Genres: Comedy

Review:

The return of one of my favorite comedies of all time had my sights set high, very high. Years of seemingly endless discussions about a possible movie seemed more like a death knell than anything else. Diehard fans rejoiced at the news that Netflix had picked up the series for a new season. The result is an impressively intricate plot with a puzzle like structure. It starts a little slow but rolls towards hilarity as it all comes together. Due to scheduling, Mitchell Hurwitz & Troy Miller had to devise a way to work with the cast members they had at any particular time. As a result, most episodes focus on one family member typically interacting with some but rarely the entire family member. It takes a little while to get used to but as you make your way through the episodes you’ll the genius in viewing the same situations from different point of views. It’s all lovingly crafted and even more self aware than it was before. The jokes are just as rapid fire as you remember with plenty of call backs to previous seasons and a bevy of new instantly quotable jokes. Some of the jokes reach a crazy level of meta comedy at play. The main cast slip back into their roles with impressive ease. The format allows each actor or actress to shine usually accompanied by returning recurring characters or new guest stars. The one drawback to the format is that if you don’t like a particular character you are kind of stuck with them for an episode or two. Since the episodes are so well written it’s never a big issue but some drag a tad more than others, George Bluth Sr.’s plot is a good example. I will warn you that the season does seem to have slightly darker twisted feel to it throughout which might take some people by surprise. Additionally, some of the budget restraints are apparent and even joked about. Even with these minor drawbacks, the season as a whole is a massive success. I was more than a little depressed when I reached the last episode of season 4. It was short lived of course because I knew I’d be watching the episodes again very soon.

A-

TV SHOW REVIEW: House of Cards

Francis Underwood is Majority Whip. He has his hands on every secret in politics - and is willing to betray them all to become President.


Cast: Kevin Spacey, Michael Gill, Robin Wright, Kate Mara, Michael Kelly, Corey Stoll

Executive Producers: David Fincher, Kevin Spacey, Eric Roth, Joshua Donen, Dana Brunetti, Andrew Davies, Michael Dobbs, John Melfi, Beau Willimon


Netflix’s decision to give original programming a shot was something that could have gone very badly. It could have been some cheaply produced muck with low rent actors. The decision to remake the British series House of Cards, after outbidding the cable networks, with A-list talent in front and behind the camera was a master stroke. With David Fincher at the helm for the first 2 episodes, allowing him to establish is distinctive style, gives the series instant legitimacy. The cast instantly shows you they are on their A game with an incredibly magnetic performance by Kevin Spacey at its center. The supporting cast such as a luminous Robin Wright textures the world being presented. Robin Wright’s performance as Underwood’s wife is just as interesting and complex as Spacey’s, a lesser actress could have faded into the background. Kate Mara continues to leave a noticeable impression even when working with some grade A talent. Other supporting players like Corey Stoll and Michael Kelly round out an impressive cast. The story and characters are all incredibly rich giving all these actors so much to work with throughout. Its plot feels like a MacBeth, King Lear hybrid blended into a modern day Washington all of it handled in an incredibly watchable and engrossing manner. Season 1 only failing speaks to effectiveness, the finale leaves you wishing you could watch season 2 instantly, a real triumph for Netflix.

A

Netflix Streaming Exclusive with all 13 episodes available

TV SHOW REVIEW: PEEP SHOW Series 1-7

TV SHOW REVIEW: PEEP SHOW Series 1-7

ON DVD / STREAMING VIA NETFLIX




Mark and Jez are a couple of twenty-something roommates who have nothing in common - except for the fact that their lives are anything but normal. Mayhem ensues as the pair strive to cope with day-to-day life.

Creators Andrew O'Connor, Sam Bain, Jesse Armstrong

Starring David Mitchell, Robert Webb, Olivia Colman, Matt King, Isy Suttie, Paterson Joseph

Like a perverse “The Odd Couple” Peep Show is the kind of show that is sure to offend plenty of people and make every more people, like me, break into laughter just at the mention of it. It’s a series that’s so incredibly well written and performed that the comedic timing on display is truly something impressive to watch. Its distinctive point of view style, it decreases to a certain extent as the series goes by, gives it a fresh feel throughout. It’s the kind of show that feels very familiar but not at the same time. Its characters are all fairly dislikable and do terrible things to each other but like Seinfeld and its Always Sunny in Philadelphia it’s not off putting. Instead you are sucked into these characters lives and hilarious inner monologues as they go through the mundane minutia of their lives. David Mitchell and Robert Webb make a fantastic comedic duo, further proof can be found in the equally awesome “That Mitchell and Webb Look”, who just live and breathe their characters throughout the series. Mitchell has that frustrated repressed office drone persona down with Webb playing a perfect slacker foil. The supporting players are equally impressive and memorable. If shows like Arrested Development, Spaced, Its Always Sunny In Philadelphia or The IT Crowd make you laugh then Peep Show is required viewing.

A-

TV SHOW REVIEW: UNITED STATES OF TARA THE COMPLETE SERIES

TV SHOW REVIEW: UNITED STATES OF TARA THE COMPLETE SERIES

ON DVD / STREAMING VIA NETFLIX



A woman struggles to find a balance between her dissociative identity disorder and raising a dysfunctional family.

Created by Diablo Cody

Starring Toni Collette, John Corbett, Rosemarie DeWitt, Patton Oswalt, Keir Gilchrist, Brie Larson

United States of Tara is the type of show that’s easy to dismiss for plenty of people. Once some people see Diablo Cody’s name listed as the creator and writer of the show, I assume some people will just move one. Personally, I’ve been a fan of Cody since Juno and never went through the backlash about her writing style after that film came to prominence. I’ve enjoyed all the films she’s written, even liked Jennifer’s Body. I also have to admit I’ve been a big fan of Toni Collette since Muriel’s Wedding, so maybe I’m just a perfect mark for this show but none the less I was surprised at how much I enjoyed the 3 seasons of it. The writing and direction is excellent throughout, very few episodes ever fill like filler and deftly avoids falling into a repetitive pattern of plots. The cast of characters are all wonderfully written and well rounded over the life of the series. The cast is filled with wonderful actors whom I’d already been a fan of (Toni Collette and Patton Oswalt) and gave me new found respect for some I’d never given more than second thought (John Corbett & Rosemarie DeWitt). Toni Collette is front and center of course and her talents truly deliver throughout as she creates clearly defined personalities that go beyond wardrobe changes. Keir Gilchrist and Brie Larson deserve special attention because they really deliver even though their characters are written in the most “Codified” style. The cast as a whole gives the writing real heart and soul. The series, sadly, never had a proper finale and season 3 really heads down some interesting and dark roads. A shame but it doesn’t detract from an excellent run.

A

MOVIE REVIEW: GRAVE ENCOUNTERS

ON DVD / STREAMING ON NETFLIX

GRAVE ENCOUNTERS



A team of phony paranormal investigators has their skepticism put to the test in this mockumentary-style horror opus. Collingwood is a mental institution in Maryland that has been closed for more than half a century. Local legend had it that the hospital is haunted, and the former caretaker (Bob Rathie) and a number of folks who live nearby claim that they've seen and heard signs of paranormal disturbances in the night. Jerry Hartfeld (Ben Wilkinson) is a television producer specializing in reality shows who arranges for a team of basic cable ghost hunters, led by host Lance Preston (Sean Rogerson), to shoot an episode of their show Grave Encounters at Collingwood. It doesn't take long for Preston and his crew to tip their hands as fakes who are happy to stage phony interviews and set up special effects "disturbances" for the cameras. But they discover Collingwood really is home to forces beyond their understanding, and they're in very real danger as the night wears on. The first feature film from the writing and directing team of Colin Minihan and Stuart Ortiz (aka The Vicious Brothers), Grave Encounters was an official selection at the 2011 Tribeca Film Festival. ~ Mark Deming, Rovi

Director: Colin Minihan and Stuart Ortiz aka The Vicious Brothers

Cast: Sean Rogerson, Juan Riedinger, Mackenzie Gray, Arthur Corber, Luis Javier

Release Date: Sep 09, 2011

Rated: Not Rated

Runtime: 1 hr. 32 min.

Genres: Horror, Suspense/Thriller

Review:

Grave Encounters is one of those low rent horror films that “borrows” from tons of sources even lifting some inspiration from a certain Travel Channel ghost hunting show. It’s a hodgepodge of assorted ideas think Blair Witch, Paranormal Activity, [REC] and Sci-Fi cult film Cube thrown into a blender. It starts off almost as a satire on the whole ghost hunting as a show idea with characters that generally unlikable. There is a certain level of enjoyment and good laughs to be had watching these guys get beat around by the ghostly apparitions. In fact, for a certain amount of time it’s kind of a fun ride before it redirects in an odd but interesting tangent. The center portion of the film throws out some fun idea which it never full explores or explains as it degrades into a series of funhouse style antics which become more outlandish and ridiculous. By the film’s final act, any fun has been sapped by the director’s turning actors who were originally annoying into something more grating. The film beats the same drum so many times that it makes it feels incredibly longer that it is and has you hoping they’d just kill off the remaining cast as quickly as possible as it stumbles towards an increasingly nonsensical finale.

D+