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Showing posts with label James Cromwell. Show all posts
Showing posts with label James Cromwell. Show all posts

Sunday, October 20, 2019

Cindy Prascik's Review of The Laundromat







































Construction having made local traffic an almost insurmountable headache, this weekend I again leaned on Netflix' original content so that I would have something to write about for you--yes, YOU--dear reader(s).  Our film of the week: Cautionary tale the Laundromat.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A woman widowed in a freak boating accident experiences firsthand the duplicity of big insurance and the networks that support it.

Oscar winners Meryl Streep and Gary Oldman (yes, I'm always going to remind you he's an Oscar winner now) head a decorated cast that also includes Antonio Banderas, James Cromwell, Robert Patrick, Jeffrey Wright, and Sharon Stone, as well as a host of other familiar faces. Many appearances amount to little more than cameos, and you get the feeling the Laundromat's message is important enough that some pretty impressive names just wanted to be a part of it. So, why does it seem like Netflix is burying this picture? I mean, when I log on, the first thing it suggests is that Breaking Bad movie that's a week old already. (Sorry, Netflix, that's a no go.) I had to do a full-on search to get a Netflix original STARRING MERYL STREEP to even show up. Sure there were some legal hassles over this picture, but those were resolved in Netflix' favor. I think the problem here is that--for all its star power--the Laundromat is a barely average movie.

Starting with the positives, the Laundromat's talented cast does a terrific job with the material. Streep is heartbreakingly perfect in the lead, as of course one would take for granted. Oldman and Banderas are fantastic together, a pair of slimy lawyers telling their "side" of this based-on-actual-events tale. Each familiar face that turns up in a smaller role is a nice surprise that makes the movie worth watching, despite its flaws. The story itself is compelling, and it's told here with grim humor. You'll feel dirty for laughing at it, but laugh you might. The attorneys serve as narrators, and their spin gives the picture a different vibe. I doubt it will make anyone sympathize with them, but it's a clever enough turn. The movie transitions with animated frames that also give it a lighter feel that it might have had otherwise; in fact, the whole has something of a theatrical sense to it. On the flip side, the Laundromat is extremely heavy-handed with its message and--while I'd agree its lessons warrant firm and regular reinforcement--that doesn't do the movie any favors. The film moves slowly, and there are very few likable or sympathetic characters, ultimately making it rather a tedious exercise that feels like a poor man's Big Short.

The Laundromat clocks in at 95 minutes and is rated R for "language, some sexual content, and disturbing images."

The Laundromat has an important message that might have been more impactful if its story were more deftly told.

Of a possible nine Weasleys, the Laundromat gets six.

Until next time...

Sunday, June 24, 2018

Cindy Prascik's Review of Jurassic World: Fallen Kingdom







































Dearest Blog: Yesterday it was off to Marquee Cinemas for Jurassic World: Fallen Kingdom.
 
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
 
When a volcano threatens a (re)extinction-level event, dinosaurs remaining in the shuttered park must be rescued.
 
Dear reader(s), in the interest of full and fair disclosure, I'll admit I'm not exactly invested in the Jurassic series. I bet there's not a single movie--not even the one that's been popping up on cable for two and a half decades--that I've watched more than once. They're definitely the sort of action-packed pictures that appeal to me, but but for some reason they've never become favorites. That being said, a new Jurassic movie is what's out this weekend, so a new Jurassic movie is what I saw, and it was...okay.
 
First, the pluses: I love dinosaurs. These dinosaurs look amazing. When ol' T-Rex comes at ya from the screen, it's all you can do not to back away, and that's not even in 3D! There's not nearly enough Jeff Goldblum, but no movie was ever worse for having him, even in limited quantities. Bryce Dallas Howard quickly swaps stupid heels for a very sensible pair of boots. Well done, filmmakers, on correcting my biggest complaint from the last movie! Fallen Kingdom has some decent jump scares and one particularly well-choreographed action sequence. It's always a crap-shoot with kid actors, but we've got us a tolerable one here. The movie runs a hair over two hours, but doesn't really seem that long, and Michael Giacchino provides another of his epic scores.
 
Now, the minuses: Really, Fallen Kingdom just isn't all that interesting. It's a done-to-death story (not always with dinos, of course), and the one-trick pony that is Chris Pratt is wearing out its welcome, at least for me. The two main supporting characters are too cartoonish to add much, and Howard is bad, just bad. In fact, the camera wastes a great deal of time lingering on the expressions of people who just aren't that...expressive. It's silly to the point of hilarity. At one point a guy down the row from me stage-whispered, "This is stupid!" I giggled, wondering if he expected Star Lord vs. T-Rex to be an intellectual pursuit, but then I thought, you know what? This IS stupid. Its execution is stupid. It's still a decent bit of summer fun, but...it should have been so much better.
 
Jurassic World: Fallen Kingdom clocks in at 128 minutes and is rated PG13 for "intense sequences of sci-fi violence and peril."
 
Jurassic World: Fallen Kingdom will undoubtedly continue the franchise's streak of my not watching more than once. 
 
Of a possible nine Weasleys, Jurassic World: Fallen Kingdom gets five.
 
Until next time!

Saturday, February 25, 2012

MOVIE REVIEW: THE ARTIST

IN THEATERS

THE ARTIST



Michel Hazanavicius' stylistically daring, dialogue-free comedy-drama The Artist stars Jean Dujardin as George Valentin, a matinee idol in Hollywood before the dawn of talkies. His marriage is far from perfect, and one day he meets ambitious chorus girl Peppy Miller (Bérénice Bejo) and is smitten. Very quickly thereafter, sound comes to movies, and George sinks all his money into one last epic silent film, while Peppy becomes a star in the new era. John Goodman co-stars as the head of the film studio working with Valentin. The Artist played at both the 2011 Cannes Film Festival and the 2011 Toronto International Film Festival. ~ Perry Seibert, RoviDirector: Daniel Espinosa

Director: Michel Hazanavicius

Cast: Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell, Penelope Ann Miller
Release Date: Nov 25, 2011

Rated PG-13 for a disturbing image and a crude gesture.

Runtime: 1 hr. 40 min.

Genres: Art House/Foreign, Comedy

Review:

By this point in time if you’ve heard of The Artist, you’ve heard all the buzz on it and there’s probably nothing new or fresh that I’ll be able to tell you about it. Quite simply it’s one of the most charming films you’ll probably see, working with a wonderful “meta” style. This silent film seems like it’d have a huge challenge trying to convey a full fledged, albeit well worn, plot with a dramatic arch. It does it with such ease that any reservations you might have had are quickly quelled and you fall easily and happily under its spell. Jean Dujardin’s smile lights up the screen but it’s just a small portion of his palatable charisma and charm. He doesn’t just deliver the lighter side of the film but traverses the film’s meatier and more emotional portions. A radiant Bérénice Bejo is more than capable as his female counterpart. Her performance as Peppy Miller is one of most enchanting and lovable performances I’ve ever seen. She gives her character and the film an earnest heart and its soul. Hollywood mainstays like John Goodman and James Cromwell turn in impressive supporting roles and the lovable dog, Valentin’s constant companion, deserves a special award. Director Michel Hazanavicius delivers a film that any movie lover should love. It touches on so much about the format that I love all the while telling a beautiful story, a lovely counter point to the current trend of louder larger and bigger.

A


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