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Showing posts with label Clancy Brown. Show all posts
Showing posts with label Clancy Brown. Show all posts

Saturday, December 26, 2020

MOVIE REVIEW: PROMISING YOUNG WOMAN

 























Nothing in Cassie's life is what it appears to be -- she's wickedly smart, tantalizingly cunning, and she's living a secret double life by night. Now, an unexpected encounter is about to give Cassie a chance to right the wrongs from the past.

Director: Emerald Fennell

Cast: Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown, Jennifer Coolidge, Laverne Cox, Connie Britton

Release Date: December 25, 2020

Genre: Comedy, Crime, Drama

Rated R for strong violence including sexual assault, language throughout, some sexual material and drug use

Runtime: 1 h 53 min

Review:

Promising Young Woman is a wickedly sharp dark comedy/revenge thriller from first time filmmaker Emerald Fennell.  Fennell writes and directs her film with an impressive bit of visual flair.  Certain scenes are framed with such meticulous care that you have to appreciate the talent and craftmanship on display.  Her script is equally impressive with biting dialogue that pops from the opening sequence.  At the center of the whole thing is a career defining performance from Carey Mulligan who delights in playing against type.  Her Cassie is a force of vengeful nature whose laser focused on her task.  Mulligan is clearly enjoying herself in the role but she and the script are savvy enough to open up Cassie and give her some semblance of happiness during the middle of the film.  Fennell and Mulligan lull you into an uncomfortable sense of calm before ripping the rug right from under your feet.  It's one of the most searing gut punch of a finale of the year that's bound to stay with you long after the film ends.  The ending is a bit too tidy for my taste but you can't deny that it's a cathartic release and the indictment of the bro/rape culture especially in our current environment.

A-

Tuesday, December 3, 2013

Cindy Prascik's Reviews of Homefront & Enough Said



Dearest Blog, over the long weekend I was fortunate to make two trips to two different cinemas. Thanks to the busy weekend, I'm only just posting my reviews. Apologies for the delay.

Spoiler level here will be mild-ish, I guess.

Thanks to my benevolent employer dismissing at noon on Wednesday, I spent my afternoon enjoying Jason Statham's latest flick, Homefront.

A former DEA agent moves with his daughter to a small town, which proves less peaceful than expected when he has to face off with the local meth dealer.

Statham Disclaimer (yes, he has his own disclaimer): Jason Statham is one of my favorite people who makes movies, and he almost unerringly makes movies I like. Opening weekend isn't good enough for Statham movies; I'm willing to burn vacation time to see them opening day. I am perfectly capable of loving a terrible movie just because Jason Statham in it (though that's not always the case).

I think Homefront would have been a good enough movie with or without Statham, but for Statham fans there's no denying it's a happy return to form after the drudgery of Redemption (a.k.a. Hummingbird).

Homefront does a nice job of maintaining tension throughout, and really kept me on the edge of my seat. There's not only the obvious good guy versus bad guy plot, but also the more relatable theme of trying to fit in...an idea that probably terrifies me more than the prospect of a firefight with the local drug lord! As you would expect in any movie that involves drug dealers, there's a fair bit of gun violence and things blowing up, but, for the most part we get to see Statham in hand-to-hand combat, which is definitely where he shines. It's all the more entertaining for knowing he insists on doing as much of his own stunt-work as the insurance will allow!

James Franco serves as an oddly-perfect foil to Statham's tough guy, and (to me, anyway) the character was enjoyable despite being a generally horrible person. Kate Bosworth is freakishly accurate as Franco's druggie sister, and Winona Ryder looks born to play the role of a meth-head prostitute. It was nice to see Omar Benson Miller again, too, reminding me how much I actually miss the idiotic glory of CSI: Miami.

Homefront runs 100 minutes and is rated R for "strong violence, pervasive language, drug content, and brief sexuality."

Come awards season, Homefront won't make anyone's lists, but, for my money, it was one of the more enjoyable afternoons I've passed at the cinema this year. Of a possible nine Weasleys, Homefront gets seven.

On Saturday, my Mother, who normally wouldn't sit through a movie if someone demanded it at gunpoint, got in her head that she wanted to see the flick playing at our tiny local theatre, which shows some smaller and indie releases when it isn't hosting live performances from our local theatre troupe. As my luck would have it, the film they were showing last weekend was the Julia Louis-Dreyfuss/James Gandolfini rom-com, Enough Said. (I must have crossed paths with a black cat or broken a mirror or something.)

Eva (Louis-Dreyfuss) and Albert (Gandolfini) meet at a party and get romantically involved...but another party guest may ruin the relationship.

I don't think I need to tell anyone that, of all the genres in all of cinema, the romantic comedy is my least favorite by a mile. The only way I'll consider a rom-com is if it stars someone I absolutely can't miss, or if I get pressganged into it. (Read: Mother wants to go to the local movie house on Small Business Saturday.) That's not to say I can't be won over by such a film if it's cute or the characters are likable enough, but unfortunately Enough Said embodies absolutely everything I hate about romantic comedies and then some.

Enough Said is a criminal waste of its two stellar leads, who manage to turn in nice performances while reciting some of the dopiest dialogue I've ever heard outside a Twilight movie. I understand that, to some degree, it's meant to convey the discomfort of getting used to someone new, but too much of it is just bad. Both characters are divorced with daughters about to head off to college, and the kids are so vile I wanted to bang their heads together. (As my sister says, "I don't understand how anyone decides to have kids once they've met a teenager.") The rancid icing on this putrid cake was having to look at my least-favorite actress, Toni Collette, who had more screen time than anyone other than the two main characters. That woman makes me want to throw a shoe at the screen! (If you were wondering, I didn't.)

Enough Said sells those tired, old rom-com principles: there's someone for everyone, nice people should give even the most awful people a second chance, and everyone deserves a happy ending, all of which are less believable to me than anything I've ever seen in a Marvel film or Claymation Christmas special. With the exception of Albert, I found every single character so unlikable that the movie's brief runtime felt like about six hours, and I left thinking they all deserved to die alone and miserable.

Enough Said clocks in at 93 minutes. It is rated PG13 for "crude and sexual content, comic violence, language, and partial nudity." Its impressive IMDB and Rotten Tomatoes ratings tell me I'm in the minority, but I hated nearly every minute. Of a possible nine Weasleys, Enough Said gets three.

Finally, though it relates to neither of this week's films, I want to acknowledge the unexpected passing of Paul Walker over the weekend. When I first I saw the news, I spent the next hour refreshing the screen and hoping someone would prove it a hoax, until his reps officially confirmed via his official Facebook and Twitter. Walker seemed like a genuinely decent guy who was universally well-loved, particularly by his Fast & Furious family and fans, and I am having a hard time shaking off the blues over this one. So, rest peacefully, Paul Walker, and thanks for all the fun times at the movies.

Until next time...

Sunday, June 2, 2013

MOVIE REVIEW: JOHN DIES AT THE END




When a powerful new drug opens the gateway for an inter-dimensional invasion, the only two people on the planet capable of saving mankind are a pair of dubious amateur exorcists. Adapted from author David Wong's cult novel of the same name. ~ Jason Buchanan, Rovi

Director: Don Coscarelli

Cast: Chase Williamson, Rob Mayes, Paul Giamatti, Clancy Brown, Glynn Turman.

Release Date: Jan 25, 2013

Rated R for gore, Drug Content, Bloody Violence, Language and Nudity

Runtime: 1 hr. 39 min.

Genres: Comedy, Horror, Sci-Fi/Fantasy

Review:

I wish I could tell you I understood what John Dies At the End is about but I just can’t. Its plot is like Interview with a Vampire meets batshit crazy. The interesting thing is that it’s funny and engaging. The film has a strange kind of energy that lets you overlook the fact that none of the plot makes much sense at all. If you just go with it, it’ll lead you down an inventive and original path. The two leads, Chase Williamson and Rob Mayes, supply the film a charismatic energy that hard to ignore. Williamson has an interesting energy, crazed but focused while Mayes looks like he’s a lost Hemsworth brother. The always enjoyable Clancy Brown has a small supporting role which could have been greatly expanded to the film’s benefit. The film leaves the door wide open for a sequel so maybe we’ll see more of him and maybe some plot.

C+
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