MOVIE REVIEW: DRIVE-AWAY DOLLS

 

In search of a fresh start, two women embark on an impromptu road trip to Tallahassee, Fla. However, things quickly go awry when they cross paths with a group of inept criminals along the way.

Director:  Ethan Coen

Cast: Margaret Qualley, Geraldine Viswanathan, Beanie Feldstein, Colman Domingo, Pedro Pascal, Bill Camp, Matt Damon.

Release Date: February 23, 2024 

Genre: Action, Comedy, Thriller

Rated R for crude sexual content, full nudity, language and some violent content.

Runtime: 1h 24m

Review:

Ethan Coen's solo directorial debut, Drive-Away Dolls, is a silly crime caper of a road movie that can't quite maintain its manic energy in spite of energetic performances from its two leads.  It’s hard to avoid comparisons to Coen's work with his brother since this film carries plenty of hallmarks of some of their sillier crime comedies like Raising Arizona and Burn After Reading.  This film never reaches those levels of joyful insanity although it comes close on multiple occasions.  The film's pacing runs at a frenetic pace which makes it a breezy watch, but it also keeps some of the stronger sequences from landing the way they should since they aren't given time to breathe.  It’s a shame since the film central duo of Margaret Qualley and Geraldine Viswanathan turn in inspired performances.  Their oil and water chemistry make the film run with Qualley outsized performance working in perfect contrast to Viswanathan straight laced understated turn.  Qualley gives the character a lively, energetic spirit that feels authentic even with the cartoonish southern accent she sports.  Viswanathan works more subtly, using her deadpan delivery and expressive eyes to great effect.  They're chaotic fun together especially as the situations get more over the top and outrageous.  Their supporting cast is peppered with well known faces who are clearly having a ball even in their limited screen time.  Drive-Away Dolls makes you wish you got to spend more time with all these characters but it's in a strange rush to get in and out as quickly as possible.  

B-

MOVIE REVIEW: NEWS OF THE WORLD

 

Five years after the end of the Civil War, Capt. Jefferson Kyle Kidd crosses paths with a 10-year-old girl taken by the Kiowa people. Forced to return to her aunt and uncle, Kidd agrees to escort the child across the harsh and unforgiving plains of Texas. However, the long journey soon turns into a fight for survival as the traveling companions encounter danger at every turn -- both human and natural.

Director: Paul Greengrass

Cast: Tom Hanks, Helena Zengel, Michael Covino, Bill Camp, Michael Covin, Fred Hechinger, Neil Sandilands, Thomas Francis Murphy

Release Date: December 25, 2020

Genre: Action, Adventure, Drama

Rated PG-13 for violence, disturbing images, thematic material and some language

Runtime: 1 h 58 min

Review:

 News of the World is Paul Greengrass and Tom Hanks second collaboration and it couldn't be anymore different than Captain Phillips.  News of the World won't leave your nerves frazzled like that film and Greengrass pulls back his usual kinetic style in favor or a slower more pensive approach.  There are plenty of dusty vistas on display along with a plethora of scenic sunsets to appreciate throughout.  The story itself is a fairly basic conceit and this film is more about the journey than the destination.  Its easy to get some strong True Grit vibes throughout especially with Tom Hanks paternal but grizzled performance here. His Captain Kidd is a weather worn man whose haunted by his past, it's a measured and layered turn. Newcomer Helena Zengel turns in an impressive naturalistic performance which is the linchpin to the entire film.  Zengel and Hanks have a natural repour together and they serve as the lifeblood of the film.  Their relationship is central to the entire film even though you won't find many surprises as the film plays out in a fairly predictable path.  In their trek they meet the kind of characters that typically populate these type of westerns with the good and bad guys being instantly recognizable.  News of the World isn't a film that's interested in trailblazing any new territory but that doesn't take away from the fact that it's a well made western that feels like comfort food.

B+

MOVIE REVIEW: JOKER

Forever alone in a crowd, failed comedian Arthur Fleck seeks connection as he walks the streets of Gotham City. Arthur wears two masks -- the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he's part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
Director: Todd Phillips

Cast: Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy, Brett Cullen, Glenn Fleshler, Bill Camp, Shea Whigham, Marc Maron

Release Date: October 4, 2019

Genre: Crime, Drama, Thriller

Rated R for strong bloody violence, disturbing behavior, language and brief sexual images

Runtime: 2 h 2 min

Review:

After watching a bit of Todd Phillip’s Joker you get the strong feeling that Phillip’s really hopes that you’ve never seen Taxi Driver.  To say that he mines that particular film seems like a understatement since there are multiple direct references to it through out.  Needless to say, Phillip’s film isn’t as groundbreaking as it thinks it is.  The story of a disaffected loner pushed to the edge is story that’s been told multiple times particularly in Taxi Driver or the underappreciated Henry Portrait of a Serial Killer.  The film can stand on its own merit with some wonderfully composed shots that really leave you feeling grimy and dirty.  Ultimately though, the gas in this particular vehicle is Joaquin Phoenix who throws himself into the roles with such intensity that it’s hard to look away.  His performance elevates the material and makes the whole thing much more prestigious and watchable than it deserves to be.  As for the story, it’s an interesting take on this character but it’s hard to tell if Phillip’s wants us to root for character or despise him.  Nearing the finale you get a sense that Phillip’s is propping him up as a sort of hero of madness and chaos which is a strange message to send in a film like this even as some of the more ham fisted attempts at modern day relevancy fall flat.  It’s certainly a film that will draw plenty of discussion even though it’s really a shadow of better films.  


B-

MOVIE REVIEW: COMPLIANCE

Inspired by actual events, writer/director Craig Zobel's sophomore feature Compliance examines the complex hierarchy of authority through the experiences of a teenage fast-food restaurant clerk who falls victim to a twisted practical joke. ~ Jason Buchanan, Rovi

Director: Craig Zobel

Cast: Ann Dowd, Dreama Walker, Pat Healy, Bill Camp, Ashlie Atkinson

Release Date: Aug 17, 2012

Rated R for language and sexual content/nudity

Runtime: 1 hr. 30 min.

Genres: Suspense/Thriller

Review:

Compliance is the type of feel that really feels like its stretching credulity and good taste various times during its runtime. At certain points during the film, I couldn’t help but feel like there was something exploitative or embellished about the proceedings but sadly, the plot of the film following the real life events fairly closely. It’s a disturbing and frustrating experience which leaves you with plenty of questions, most of which aren’t answered in the film or in real life for that matter. Craig Zobel shows an impressive talent as a director bringing an immediacy and authenticity to the proceedings. Ann Dowd’s complex and layered turn as the manager adds to the sense of authenticity. Dowd is always the most interesting person the screen even though there are other strong performances. The film loses some of its power when she isn’t front and center which happens for the better part of the final act. Dreama Walker is just as impressive with a performance that leaves her character exposed on multiple levels, both literally and figuratively. It’s a thankless role in many ways but she commits fully and believably. Pat Healy is appropriately detached yet sinister as the caller. It’s not a showy role but effective. We don’t know much about his character or motivations outside of tidbits of information that we are shown throughout the film after he’s revealed. In fact there we don’t get very many answers about him or the other characters, only a quick wrap up of each finishing with an interview with Dowd’s character.

B+