Cindy Prascik's Reviews of Eddie the Eagle & Triple 9

 

 

 

Dearest Blog, yesterday it was off to Marquee Cinemas for the promising double-bill of Eddie the Eagle and Triple 9. Spoiler level here will be mild, nothing you wouldn't know from the trailers. First up: Eddie the Eagle. An unlikely prospect dreams of Olympic glory. 

 

I cannot and shall not mince words here: I absolutely adored Eddie the Eagle. It exceeded all my expectations, and marks the second consecutive February that Taron Edgerton stakes an early claim on my year-end top ten. Eddie the Eagle keeps its tone light. A road like this always has more than its share of potholes, but these filmmakers are more interested in presenting a hopeful, inspiring piece than than in putting forth the full truth. 

 

The movie is also a textbook example of that old saying, "A happy ending depends on where you stop your story." (The film's namesake, Eddie Edwards, attempted to participate in three Olympics subsequent to the Calgary Games, and failed to qualify all three times.) Edgerton is phenomenal in the lead, equally convincing as this tenacious outsider as he was portraying Kingsman's streetwise thug turned debonair secret agent. 

 

As Eddie's reluctant mentor, Hugh Jackman owns every minute of his screen time, providing some of the movie's best laughs as well as its most sincere, intelligent moments. 

 

There's some lovely Bavarian scenery on display, and a fair bit of nostalgia for those who fondly remember the 1988 Olympic Games. The movie is smartly paced, fully self-aware, and can't help but speak to anyone who's ever been unfairly disregarded or marginalized. 

 

Eddie the Eagle clocks in at 105 minutes and is rated PG13 for "Some suggestive material, partial nudity, and smoking." 

 

Superficial it may be, but Eddie the Eagle is a thoroughly delightful cinema experience. 

 

Of a possible nine Weasleys, Eddie the Eagle gets eight. 

 

Next on the docket: Triple 9. The Russian mob coerces a ruthless gang into attempting a nearly-impossible heist. 

 

Well, dear reader(s), if your current cinema mood is somewhat less cheerful, the weekend schedule also offers the gritty Triple 9, a crime thriller so intense I'm pretty sure I didn't breathe for the first 15 minutes. 

 

Triple 9 boasts an impressive cast, with uniformly solid performances from Chiwetel Ejiofor, Woody Harrelson, Anthony Mackie, Clifton Collins, Jr., Aaron Paul, and Norman Reedus, and brilliant, nearly unrecongizable turns by Michael Kenneth Williams and Kate Winslet. 

 

Despite showing its hand early, the movie is gripping from the first second to the last. It's a brutal picture, backed by a tense, masterful score, and I was equal parts fascinated and appalled. Triple 9 runs 115 minutes, and is rated R for "strong violence and language throughout, drug use, and some nudity." 

 

Triple 9 won't be everyone's cup of tea, but if you're not put off by the dark side of life, you can't help but fall for this exciting-but-grim tale. 

 

Of a possible nine Weasleys, Triple 9 gets seven and a half. 

 

Until next time... 

 

 

MOVIE REVIEW: EXODUS: GODS AND KINGS

From acclaimed director Ridley Scott (Gladiator, Prometheus) comes the epic adventure “Exodus: Gods and Kings,” the story of one man’s daring courage to take on the might of an empire. Using state of the art visual effects and 3D immersion, Scott brings new life to the story of the defiant leader Moses (Christian Bale) as he rises up against the Egyptian Pharaoh Ramses (Joel Edgerton), setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.

Director: Ridley Scott     

 Cast: Christian Bale, Joel Edgerton, John Turturro, Sigourney Weaver, Aaron Paul 

Release Date: Dec 12, 2014

Rated PG-13 for violence including battle sequences and intense images     

Runtime: 2 hr. 22 min.    

Genres: Drama    

Review:

Exodus: Gods and Kings is a throwback to the big scale biblical epics from the past.  Ridley Scott brings a sweeping grandeur to the whole thing but it never really gets its footing with any of the characters.  The film clocks in at nearly 2 and half hours, some of which is quite a slog, yet we never really get any real connections to the characters.  Christian Bale is fine as Moses but he doesn’t give the character any heartfelt drive to save his people.  As such Moses comes off as an annoyed nut whose just doing something because he has to.  At lease the script gave Moses a bit more of a tacticians mind as he plots his revolt that will lead to the liberation of the Israelites.  Rames, played by a guy liner-rrific Jole Edgerton, comes off as a bumbling buffoon all the way through.  There’s a little effort to give him a bit more depth but not nearly enough to matter in the long run.  The supporting cast is prestigious but underused and ultimately wasted.  The film’s lack of three dimensional characters is ultimately its biggest downfall.  Ridley Scott created a visual spectacle which is finely produced but it all feels hollow since we really don’t care about any of the characters, not the way we were supposed to at least.

C+

Cindy Prascik's Review of Exodus: Gods and Kings

Dearest Blog, end of the year means burning that unused vacation, so today I found myself at a mid-afternoon screening of Exodus: Gods and Kings.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.
Believing he's been called by God, Moses leads hundreds of thousands of Hebrew slaves out of Egypt.

Dear reader(s), in the interest of full and fair disclosure I'll note that to me the Bible is as real as a Twilight novel. I mean that not to insult anyone's beliefs, but to make it clear that Biblical accuracy or lack thereof is not why I hated this movie. I hated it because, to quote one of my all-time favorite reviews, it is "a lumbering bore."

Much has been made of all the white folks portraying characters who would have been decidedly un-white, and that does make it a bit hard to take the movie seriously. Sigourney Weaver as an Egyptian queen gave me a fit of the giggles that I almost didn't get past, and I'm pretty sure a servant girl was wearing one of Lady Gaga's wigs. Close-ups reveal French manicures on some of the women. (I'm not even kidding.) Accents are all over the place--hell, Christian Bale runs through four or five different ones himself--and the language is too modern to suit the movie's time frame. If Lord of the Rings bought its battle scenes at Wal-Mart, they'd probably look a lot like the ones in Exodus. Much of the CGI is laughably bad; in fact, the whole thing kinda looks like a regional theatre production of Jesus Christ Superstar. And if being bored to tears isn't bad enough, there's a boatload of explicit animal cruelty for your viewing pleasure, and a blustery score that occasionally goes all "NCIS terrorist cue." It's more than a little offensive.

Bale's Moses is an unsympathetic character, who, like Russell Crowe's Noah, comes off as cold-hearted screwball rather than a man agonizing over choices he must make for the greater good. Moses' "brother" turned nemesis Ramses, played by a barely recognizable Joel Edgerton, is a buffoon in enough guyliner for a Motley Crue video. Ben Mendelsohn turning up was a pleasant surprise, but that's about the only good thing I have to say about Exodus.

Exodus: Gods and Kings clocks in at a bloated 150 minutes and is rated PG13 for "violence including battle scenes and intense images."

Of a possible nine Weasleys, Exodus: Gods and Kings gets two. It's a trainwreck.

Until next time...

I am, in fact, too fast for love.